Bücher von Kelvin Corcoran

A major event, this volume presents some 40 years of work."Corcoran has as wide a range and as rich a vocabulary as any poet now writing. He possesses a flawless ear, a fresh eye for image and detail, penetrating analysis and a storyteller's gift. He can shift registers suddenly, from lyric to formal mode to common speech, and even a snatch of song... Kelvin Corcoran is one of the rare true poets. Reading him is a privilege and a pleasure, a new awareness." -David Wevill"Corcoran is a superbly skilled lyricist." -Frances Leviston, The Guardian"Kelvin Corcoran has allied a strikingly individual intelligence to a genuinely musical sensibility." -Don Paterson, The Observer"The 'straight music' of the English lyrical tradition drives these poems that are honed, hard, elegant and economic. Then, suddenly, brilliance flashes out against the grain, in the flaws. It is 'the ripped voice makes us free'." -Rosmarie Waldrop"Corcoran is at the front of contemporary poetry: the lyric grace of his language is threaded with an historical perspective that raises the poetry far beyond the world of a localised present." -Ian Brinton, Tears in the Fence"Kelvin Corcoran's recent work inhabits the imagination as a distinct sphere of abundance, drawn from reality as a celebration of the true scope of the mind. And the instrument of this is a written eloquence which takes in the past of poetry and of the spirit as a freshly lived condition." -Peter Riley, PN Review

This is a new edition of Kelvin Corcoran's second collection of poems, from 1986.

Below This Level recounts the experience of prostate cancer: diagnosis, treatment, and recovery. These poems of tender affirmation and discovery also face up to the hard facts. Their expansive lyricism is dedicated to a sustained recognition of the kindness and intelligence of others.

Not Much to Say Really is an account of extended conversations with four elderly patients in hospital. Standing on the edge of their time they look back over their lives - these conversations show the reader that the most personally lived events and experiences are the most powerfully shared in the common lot of mortality.

In Sea Table Kelvin Corcoran brings it all back home. Not that it was ever very far away, but he has been writing a lot of poetry concerning Greece. Greece, both place and stories, was a lens onto our present condition and its depths, and through that focus he developed an essentially lyrical field as the basis for a move towards larger forms.

For the Greek Spring is a selection of Kelvin Corcoran's poetry about Greece, combining new work with poems from his previous collections. The poet's sustained engagement with Greece is evident at every turn.

Hotel Shadow continues Kelvin Corcoran's remarkable poetic venture. Travelling out from the real Hotel Shadow in the low season, the work encompasses: Aristomenes and the ethics of terror; paternal affection; Xenophanes of Colophon; the origins of poetry itself and a subsequent history; family mythology and the vagaries of DIY.