Bücher von Les Roberts

Russell Reinhart, a well-known author of private eye novels, is released from the Illinois State Prison in Joliet after serving seven years for the involuntary manslaughter of his wife. He returns to Chicago, welcomed home by his top-flight attorney who tucked away all his millions so no one could get hold of them while he was incarcerated, and rented him an elegant apartment in the Near North neighborhood, half a block from Lake Michigan. Reinert was an only child, adopted when an infant, and now he has no one to whom he can turn. His release from prison is reported by the local papers, and he's contacted by a man he's never heard of named Cole Cabot. A few years earlier, Cabot had married Reinert's extra-curricular girlfriend, Aubrey, who has suddenly gone missing. Russ pleads he's no private eye but just writes fiction about them, but worries his ex-lover has disappeared, so agrees to take on the case. He learns Aubrey was also the mistress of one of the world's richest men in America, Gaylord Ogilvie, at the same time she was with him. Having investigative trouble, he is helped by the young son of a man who met while he was in prison, a huge, half-illiterate black man named Denver Tolliver, who saved his life behind bars several times. Denver was locked up for life after killing a police officer, but his college-student son is brilliant loyal, intelligent and wise. Butting heads with Ogilvie and his minions, Russ also falls heads-over-heels in love with Cassidy Hammond, who he met while taking a Michigan Avenue Beach run for the first time in seven years. His adjustment to new freedom makes life more difficult than he'd ever imagined. When he runs into danger that might turn permanent, he hadn't forgotten how Denver Tolliver had taught him to prison-fight, and he eventually learns he's not that much alone as he thought he was. The first words of this book are identical to the last words in the book, too: "I am an only child..."

Posthuman Buddhism and the Digital Self lays the groundwork for the concept of `dwellspace¿ as a means by which to unpick the shifting spatial, temporal and experiential modalities of everyday mediascapes.

Slovenian-American Jericho Paich finds himself under arrest by snarling Cleveland police cop Keenan Mayo and forced to be a non-paid confidential informant, setting up friends and strangers to be hauled in for illegal drug use. He turns for help to his mother's live-in lover, ex-marine officer Laird Janiver. The two have never gotten along, but Jerry has nowhere else to turn. Janiver, a studious African American major who recalls how to kill, decides to help. That brings the two men into contact with a cruelly efficient albino drug lord, the suicidal memory of a lovely young college girl at OSU, and a beautiful woman with what might be a very dangerous past.

Vietnam veteran Dominick Candiotti has been long estranged from his family. His late parents were close to the ruling mob clan in Youngstown, his sister was a bad-tempered and dissatisfied nag, and his middle brother was a corruptible police lieutenant. But in 1985, their oldest brother Richard Candiotti---beloved by every Italian Catholic in Youngstown as "Father Candy"---dies, and Dominick returns home for the funeral.Dominick is greatly disturbed by Richard's death, which has been ruled a suicide. Dissatisfied with this answer, he sets out to find the truth, revealing secrets and coming face-to-face with brutality and violence. Award-winning author Les Roberts pens a riveting and moving tale about walking the fragile tightrope between love and hatred.

Spatial Anthropology draws together a number of interrelated strands of research focused on landscape, place and cultural memory in the north-west of England. At the core of the book lies an engagement with the methodological opportunities offered by new interdisciplinary frameworks of research and practice that have emerged in the wake of a putative ';spatial turn' in arts and humanities scholarship in recent years. The spatial methods explored in the book represent a consolidation of site-specific interventions enacted in landscapes located in the north-west and beyond. Utilising digital tools and geospatial technologies alongside ethnographic, performative and autoethnographic modes of spatio-cultural analysis, spatial anthropology is presented as a geographically immersive and critically reflexive set of practices designed to explore the embodied and increasingly multi-faceted spatialities of place, mobility and memory. From the radically placeless environment of a motorway traffic island, to the ';affective archipelago' of former cinema sites, or the ';songlines' and micro-geographies of musical memory, Spatial Anthropology offers a rich tapestry of landscapes, practices and spatial stories that speaks to both the particularities of place and locality as well as the more delocalised topographies of regional, national and global mobility.