Bücher von Lisa Samuels

Livestream is digital capture thrown elsewhere, body fluids that charge being, and planetary liquid flows. Livestream's poetry entangles with those phenomena. The poems erupt, stagger, hold, and reflect as they evoke events and responses distributed through bodies and ethical borders. How language conjures us, and how we sense (with) it, is Livestream's constant ecology. The photographs are resonators, and witnesses.

This book records a sustained plunge into the imaginative elixir of a dream. The dream starts with a waking vision - 'the door of the train flew open' - and continues as reverberations in the sensorium, the seat of felt thought. With the sonnet as its anchor note, the symphony blends the machine's body and the garden, crash and after-sound.

Gender City is in our skins, in the law, in our names (like Trudi and Terra), in places like the Barbie Doll Museum, in events like falling on the sidewalk, being in prison in a city with buildings made of skin, rupturing murder in language (pure meaning's urge).

This poetry unhinges the sensible cultural body - any given order of relations among meanings and encounters - and activates other oscillations of the sensible, which might chime with acts of love and political subjects resuturing what are given to be facts.

A collection of poems that mixes prosodic syncopation with prose syntax and floating page space, as though the page were not only paper but also skin, film, and musical score inscribed by a languaged body tapping out the news. The poems are stories with many names - parallax histories, present dreams, compound love songs and dirges.