Bücher von Lynette Hunter

This book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noe, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse.

Through fresh and unconventional approaches, including critical/historical, printing/publishing and performance studies, this study mines Shakespeare's "Romeo and Juliet" to produce insights into the early modern family, the individual, and society in the context of early modern capitalism. It also includes a CD-ROM.

Although the sciences have long understood the value of practice-based research, the arts and humanities have tended to structure a gap between practice and analysis. This book examines differences and similarities between Performance as Research practices in various community and national contexts, mapping out the landscape of this new field.

Explores what happens to science and computing when we think of them as texts. The book elegantly weaves together such vast areas of thought as: rhetoric, politics, AI, computing, feminism, science studies, aesthetics and epistemology.