Bücher von Marjorie Bowen

The book ¿God's Playthings¿ is a historical and biographical fiction written by Marjorie Bowen. The book is cantered between the medieval period of England during the reign of King Richard 3 and the controversial monarchy. As the war of the roses rages Elizabeth find herself wept between political mechanization and struggle of the power. With the help of this book the readers can witness shape of destiny of the Kingdom and the battle of throne between the houses of York and Lancaster. The author has Vivian the book with beautiful elements of drama romance and political strategies, creating it quite fascinating which explore the themes of loyalty and ambition. The book shows the glances of historical figures and complexities present in the relationships and challenges fish during a great upheaval. Bowen vivid description and the fascinating way of storytelling keeps the attention of reader at the edge of the seat till the book ends. We can say that book is a historical novel that transport readers to an era where nations hangs with the balance and navigate to secure the place while creating history

This haunting and unsettling tale delves into the life of little Elsie, a neglected and unwanted orphan, who exists beneath the shadow of her perpetual loneliness. Exploring themes of abandonment, neglect, and the resilience of the human spirit, Elsie's Lonely Afternoon is a gothic horror tale laced with black humour. Elsie is a young orphan living in a grand house in Hampstead under the care of her bed bound grandmother. Forbidden to speak to the servants, the little girl is quite alone in life. This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. First published in 1933, Marjorie Bowen masterfully explores the the stark contrast between a child's innate need for love and care and the harsh reality of her isolated and uncaring environment.

In a vibrant follow-up to his edition of Marjorie Bowen's The Grey Chamber (2021), John C. Tibbetts has assembled a second volume this unjustly forgotten British writer's work. Here we find selections from half-a-dozen of her most vivid and provocative novels, including such vivid historical works as The Viper of Milan (1906) and The Poisoners (1936). Presented in full is The Devil Snar'd (1932), a novel of supernatural horror that, in the words of Virginia Woolf, "comes from the force with which it makes us realize the power that our minds possess for such excursions into the darkness." There follow an expansive series of recollections of Bowen and critical analyses of her work, from such distinguished writers as Graham Greene, Rebecca West, Michael Sadleir (who writes on "Marjorie Bowen's Tales of Terror"), and Jessica Amanda Salmonson. In an appendix to this volume, Tibbetts transcribes the letters between Bowen and the American literary critic Edward Wagenknecht, covering the period 1945-48 and discussing the grim postwar period in England as well as the possibility of Arkham House publishing some of Bowen's work. Tibbetts concludes the volume with an exhaustive bibliography of her work. Along with The Grey Chamber, this volume provides some of the most illuminating documents relating to the life and work of Marjorie Bowen, one of the most distinctive writers of her generation. John C. Tibbetts is a professor at the University of Kansas and the author of The Furies of Marjorie Bowen (2019), the first full-length critical study of her work. He has also written The Gothic Imagination (2011) as well as books on music and film.

The Master of Stair, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

The Viper of Milan depicts 14th century Italy as a place of danger and fractious warfare, as disparate groups of nobles fought to achieve and maintain supremacy.A novel steeped in darkness and conflict, we are plunged into the rivalries which rend the province of Lombardy in the early Renaissance. That the reader be immersed, Marjorie Bowen researched the period extensively, noting the rise of the Visconti family who would dominate Milan for decades. Although this novel is not historically accurate, its general depiction of Italian society and nobility of the time - of its priorities, cruelties and caprices - is founded in factual incidents.Marjorie Bowen specialized in historical romances, publishing over a hundred fictional works set in a variety of time periods and locales, together with several biographies of famous figures of yore. Often they contain a romantic element, alongside a gothic or dark aspect; such idiosyncrasy made Bowen a favorite of authors such as Graham Greene. The Viper of Milan, which appeared in 1906, is her earliest published work, the warm reception spurring the young author to further writing.

Kings-at-Arms , a classic since it was first published. Has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The book "" The Governor of England "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Black Magic begins with this ominous first line: 'In the large room of a house in a certain quiet city in Flanders, a man was guilding a devil'. That person is Dirk Renswoude, a craftsman and loner of noble birth who has been mistreated in some unspecified way by his family. He meets Thierry, a young scholar on his way to study at the university at Basle and they soon discover that they have a shared fascination with the black arts. However, Thierry is initially cautious and afraid of blasphemy, whilst Dirk is ambitious to be "as great as the Master we serve can make his followers" and thirst for power. Dirk leads them on to experiments with mystic circles drawn on the floor in chalk, the chanting of arcane incantations and the evocation of grotesque, demonic visions writhing in the speculum. Thierry still wavers, but when their experiments lead to murder the die is cast for both of them. One of the best gothic novels ever written!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.