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Bücher von Mark Ringer

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  • - A Listener's Guide to the Sacred Cantatas
    von Mark Ringer
    59,00 €

    Bach's Operas of the Soul is the first introduction for the general music lover to Bach's sacred cantatas to appear in nearly half a century. In clear and accessible language, Mark Ringer examines this vast output of masterpieces as the great musical dramatic creations that they are in order to open these works to a wider audience.

  • von Mark Ringer
    94,00 - 183,00 €

    Euripides and the Boundaries of the Human presents the first single-volume reading in nearly fifty years of all of Euripides' surviving plays. Rather than examining one or a handful of dramas in monograph or article form, Mark Ringer insists on the thematic and stylistic parallels that unite a diverse canon of works. Euripides is often referred to as the most modern of the three Ancient Greek tragedians, but in what way can the work of this fifth-century B.C. artist be claimed as modern? The multi-layered presentation of character is new within the context of Athenian Tragedy. The plays also reveal equal concern with the preservation and re-vitalization of tradition, especially with respect to the portrayal of the Olympian gods. Euripidean drama upholds tradition just as vigorously as it posits a new kind of realism in character portrayal in the Ancient Theatre. Euripidean drama fuses what was old with what was new in order to revitalize and perpetuate the art of tragedy.This book will be of interest to professionals and students in the fields of classics, Greek drama in translation or in the original Greek, theater studies, comparative literature, tragedy, and religion.

  • - Metatheater and Role Playing in Sophocles
    von Mark Ringer
    66,00 €

    Metatheater, or "theatre within theatre", is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocles. His analysis sheds light on Sophocles' technical ingenuity and reveals previously unrecognised facets of fifth-century performative irony.

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