Bücher von Max Beerbohm

"A Christmas Garland" is a collection of Christmas stories written by Max Beerbohm, an English essayist, caricaturist, and humorist. The book was first published in 1912. Max Beerbohm is known for his wit and satire, and this collection is no exception. The book features a series of short stories and essays that capture the spirit of Christmas, often with a humorous or satirical twist. These stories provide a unique and sometimes whimsical perspective on the holiday season. Beerbohm's writing style is characterized by clever wordplay, keen observations, and a touch of irony. While "A Christmas Garland" is not as well-known as some other classic Christmas books, it offers a delightful and somewhat unconventional take on the holiday, making it a charming read for those who appreciate literary wit and a different perspective on the festive season. It's a lesser-known work that may appeal to readers interested in exploring the quirkier side of Christmas literature.

Seven Men [Excerpts] , is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures English literature

"A Christmas Garland" is a collection of Christmas stories written by Max Beerbohm, an English essayist, caricaturist, and humorist. The book was first published in 1912. Max Beerbohm is known for his wit and satire, and this collection is no exception. The book features a series of short stories and essays that capture the spirit of Christmas, often with a humorous or satirical twist. These stories provide a unique and sometimes whimsical perspective on the holiday season. Beerbohm's writing style is characterized by clever wordplay, keen observations, and a touch of irony. While "A Christmas Garland" is not as well-known as some other classic Christmas books, it offers a delightful and somewhat unconventional take on the holiday, making it a charming read for those who appreciate literary wit and a different perspective on the festive season. It's a lesser-known work that may appeal to readers interested in exploring the quirkier side of Christmas literature.

"A Christmas Garland" is a collection of Christmas stories written by Max Beerbohm, an English essayist, caricaturist, and humorist. The book was first published in 1912. Max Beerbohm is known for his wit and satire, and this collection is no exception. The book features a series of short stories and essays that capture the spirit of Christmas, often with a humorous or satirical twist. These stories provide a unique and sometimes whimsical perspective on the holiday season. Beerbohm's writing style is characterized by clever wordplay, keen observations, and a touch of irony. While "A Christmas Garland" is not as well-known as some other classic Christmas books, it offers a delightful and somewhat unconventional take on the holiday, making it a charming read for those who appreciate literary wit and a different perspective on the festive season. It's a lesser-known work that may appeal to readers interested in exploring the quirkier side of Christmas literature.

A Christmas Garland, Woven by Max Beerbohm is a collection of seventeen parodies written by English caricaturist, essayist and parodist Max Beerbohm. This charming collection of Christmas-themed essays and short stories is a delightful read that is sure to put you in the holiday spirit. From tales of Christmas ghosts to humorous musings on the season, this book is a must-read for anyone who loves Christmas.

The Works of Max Beerbohm is a collection of satirical essays by Max Beerbohm. It was published in 1896 at The Bodley Head, his publisher John Lane contributing a detailed bibliography of the works of the author, then aged 24. Before their publication as a book, the essays had appeared in prominent literary periodicals such as The Yellow Book and The Savoy. Most of the essays were written while he was a student at Oxford, although he had left Merton College in 1894. By then he was already known as a caricaturist, parodist and essayist and well acquainted with the writers and artists connected with The Bodley Head, notably Aubrey Beardsley and Oscar Wilde.The essays can perhaps be best described as both elaborate parody and vicious satire. Beerbohm¿s intimate knowledge of the social circles of the time and his penchant for pointed descriptions of character are always on display, dismantling the purported greatness that surrounds him.

Zuleika Dobson is the granddaughter of the Warden of Judas College, Oxford. She is also a famed prestidigitator, with a somewhat lively reputation and questionable skill! However, she is one thing absolutely and without question: a beauty. Youths are reputed to have died for love of her.When she arrives in Oxford on a visit to her grandfather, the many young men of the colleges sit up and take notice. Something about her inspires their unthinking devotion. But these slaves bore Zuleika; she needs someone to love whom she can respect. As she and her grandfather drive to Judas, the young, handsome, lordly and cool-tempered Duke of Dorset rides by their carriage and pays her no attention whatever. Zuleika is thrilled and delighted by his indifference - has she finally found her man?But it is not to be. Later, in a private tête-à-tête, Dorset reveals that he too is overwhelmed. In bitter disappointment, her hopes dashed, Zuleika rejects him. He is so overcome that he vows to kill himself in her name, and encourage any young men of the city who feel the same to follow his example. The duke plans this apotheosis to occur down on the river - it is Eights Week. As the fated time approaches, Zuleika begins quietly to enjoy the disturbance she is creating; many, many young men have vowed to join the mass suicide. Through twists and reverses, their egos and amour propre clashing, Dorset and Zuleika approach the moment of truth. Will he carry out his extraordinary plan? How many smitten young fellows will join him? In the end, Oxford undergoes a day that will never be forgotten.Max Beerbohm wrote fiction very rarely. Zuleika Dobson, first published in 1911, his only full-length novel, is an erudite comic masterpiece, superlatively satirising the delusions of romantic love in this legend of a literal femme fatale.

This book "" The Happy Hypocrite: A Fairy Tale for Tired Men "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

After being shot by cupid¿s arrow, a socialite man is forced to turn his life around to win the heart of his new love. Max Beerbohm¿s, The Happy Hypocrite is a short work of humorous fiction. George is a deceitful socialite man, but when his lover rejects his immoral behavior, George is forced adopt a charade that will even convince himself.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In ¿Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod¿ the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Originally published in 1943, this book presents the content of the Rede Lecture for that year, which was delivered by Max Beerbohm at Cambridge University. This book will be of value to anyone with an interest in Lytton Strachey and the Bloomsbury Group.