Bücher von Michael Hofmann

Unbestritten ist Peter Weiss einer der wichtigsten Autoren und Dramatiker der deutschen Literatur des 20. Jahrhunderts. Der von Michael Hofmann und Agata Mirecka herausgegebene Band Störfall Peter Weiss ist das Ergebnis einer wissenschaftlichen Tagung, die 2022 in Potsdam stattfand. Die Beiträge von Literaturwissenschaftler*innen aus Deutschland, Polen, der Schweiz und Italien bieten eine facettenreiche Palette von Aspekten, die das Leben und Werk von Peter Weiss bestimmten.Paul Celan, Walter Benjamin und Konrad Swinarski sind nur einige der Namen, die hier mit Weiss in Verbindung gebracht werden. Deutsche und polnische Autor*innen (Michael Hofmann, Monika Tokarzewska, Artur Pelka und Zbigniew Feliszewski) widmen sich unterschiedlichen Themenkomplexen und Fragestellungen, die sich aus Weiss' Auseinandersetzung mit den genannten Persönlichkeiten ergeben. Berücksichtigt wird auch der italienische Kontext von Peter Weiss (Gerhard Friedrich) sowie die Bezüge Weiss' zum Werk Franz Kafkas (Agata Mirecka). Der autobiografische Kontext (Karol Sauerland) sowie die für Weiss ausschlaggebende Kulturpolitik der DDR (Arnd Beise) werdem ebenfalls ausführlich dargelegt. Julia Lind schließlich überträgt Peter Weiss' dramaturgische Tradition am Beispiel des She She Pop in eine zeitgemäße Form des Dokumentartheaters.

Michael Hofmann-poet, translator, and intellectual vagabond-has established himself as one of the keenest critics of contemporary literature. Safely nestled between the covers of Where Have You Been?, he offers a hand to guide us and an encouraging whisper in our ear, leading us on a trip through what to read, how to think, and why to like. And while these essays bear sharp insights that will help us revisit writers with a fresh eye, they are also a story of love between a reader and his treasured books. In the thirty essays collected here, Hofmann brings his signature wit and sustained critical mastery to a poetic, penetrating, and candid discussion of the writers and artists of the last hundred years. Here are the indispensable poets without which contemporary poetry would be unimaginable-Elizabeth Bishop, "the poets' poets' poet," the "ghostly skill" of Robert Lowell, and the man he calls the greatest English poet since Shakespeare, Ted Hughes. But he also illumines the despair of John Berryman and the antics of poetry's bogeyman, Frederick Seidel. In essays on art that are themselves works of art, Hofmann's agile and brilliant mind explores a panoply of subjects from the mastery of translation to the best day job for a poet. What these diverse gems share are the critic's insatiable curiosity and great charm. Where Have You Been? is an unmissable journey with literature's most irresistible flaneur.EditBuild

Reading Habermas: Structural Transformation of the Public Sphere dissolves Habermas's monolithic stylization to precisely access his seminal distinction between the purely political polis of antiquity, which excludes the private economy from the res publica, and the modern public sphere with its rational-critical discourse about commodity exchange and social labor in the political economy. Deconstructing the uniform mold of Structural Transformation's narrative about a rise and fall of the bourgeois public sphere in modernity also allows to identify and understand the ideology-critical methodologies of Habermas's theory reconstruction of Kant's ideal of the liberal public in the context of the French Revolution. Readers of this guide realize that Habermas's interpretation of a sociological and political category with the norms of constitutional theory and intellectual history causes the ';collapsing of norm and description' he acknowledged in 1989 and thus frequent misunderstandings about the historical validity of Structural Transformation's ideal-type derived from Condorcet's absolute rationalism and Kant's ';unofficial' philosophy of history. Specifically, the guide explains that Habermas's key construct of a ';morally pretentious rationality' of the bourgeois public sphere entirely depends on the claim about ';natural laws' harmoniously regulating the economy. While neoliberalism still maintains this claim, Hegel ';decisively destroyed' it already in 1821.

Nach den Ereignissen im Dezember 2010 und Januar 2011,die zur Vertreibung des Diktators Ben Ali führten und denArabischen Frühling einleiteten, hat Tunesien eine komplexe undwidersprüchliche Entwicklung erlebt. Was aber als demokratischeErrungenschaft bleibt, ist eine Zivilgesellschaft, die offene undfreie Diskussionen führt und einen demokratischen Prozessvorantreibt. Die Germanistik ist Teil dieser Zivilgesellschaft undeines offenen Diskussionszusammenhangs. Der vorliegendeBand dokumentiert eine Paderborner Tagung vom Mai 2013, dieim Rahmen der vom Deutschen Akademischen Austauschdienstunterstützten Transformationspartnerschaft stattfand, undzeigt ein großes Spektrum von Themen, das in einem offenenund kritischen Dialog zwischen tunesischen und deutschenGermanistinnen und Germanisten behandelt wurde. Dabei wurdenunter anderem Fragen des deutschen Maghreb-Diskurses ebensoerörtert wie Aspekte des Verhältnisses von Kultur und Religion,aber auch praktische Fragen des Fachsprachenunterrichts undPerspektiven des Faches Deutsch als Fremd- und Zweitsprache.

Dieses Buch behandelt den Einfluss und die Auswirkungen von männlichen Lehrpersonen auf Buben in der Primarstufe. Durch die historische Entwicklung des Lehrberufes werden die Auswirkungen auf die heutigen gesellschaftlichen Situationen aufgezeigt. Besteht eine direkte Verbindung zwischen der schulischen Leistung von Buben und mangelnden männlichen Lehrkräften? Mit Hilfe von Interviews wird versucht diese Frage zu beantworten.

With five critically acclaimed collections-Nights in the Iron Hotel (1983), Acrimony (1986), K.S. in Lakeland: New and Selected Poems (1990), Corona, Corona (1993), and Approximately Nowhere (1999)-Michael Hofmann has established himself as one of the truly original poetic voices of our time. His poetry, both public and personal, expansive and intimate, looks in three directions-toward the Germany of his birth and toward his adopted homelands, England and America-and his perspective on all three is surprising, alarmed, and alarming. Influenced by Robert Lowell and John Berryman (both of whom he has edited), Hofmann nevertheless cannot be pigeonholed in any given style or movement. Hofmann may be better known, especially in America, for his acclaimed translations than for his own poetry, but this volume promises to introduce a broad new readership to a keenly intelligent, formally rigorous, emotionally unsparing poetry that feels entirely fresh.

This groundbreaking anthology will serve as the standard for years to come. Editor Michael Hofmann has assembled brilliant translations of the major German poets, from Rilke and Brecht to Durs Grunbein and Jan Wagner, in an approachable, readable, and endlessly interesting collection. Here we find poetry as a living counter-force to socio-political reality; poetry of dissent and fear and protest; poetry of private griefs and musics. From the subtlety and elegance of Brecht, to the extraordinary jargon-glooms of Gottfried Benn, to the oblique and straightforward responses to the country's villainous history, to the bitter, cleansed, and haunted poetry of the postwar years, the anthology ends with a reunified country looking at itself and its neighbors in new ways. This is an essential and timely collection of verse from a tumultuous, violent, tragic, and hopeful century, written in the language of those who were at the heart of the matter.

Ovid's Metamorphoses is one of the great works in classical literature, and a primary source for our knowledge of much of classic mythology, in which the relentless theme of transformation stands as a primary metaphor for the often cataclysmic dynamics of life itself. For this book, British poets Michael Hofmann and James Lasdun have invited more than forty leading English-language poets to create their own idiomatic contemporary versions of some of the most famous and notorious myths from the Metamorphoses.Apollo and Daphne, Pyramus and Thisbe, Proserpina, Marsyas, Medea, Baucis and Philemon, Orpheus and Eurydice--these and many other immortal tales are given fresh and startling life in exciting new versions. The contributors--among them Fleur Adcock, Amy Clampitt, Jorie Graham, Thom Gunn, Seamus Heaney, Ted Hughes, Lawrence Joseph, Kenneth Koch, Michael Longley, Paul Muldoon, Les Murray, Robert Pinsky, Frederick Seidel, Charles Simic, and C. K. Williams--constitute an impressive roster of today's major poets. After Ovid is a powerful re-envisioning of a fundamental work of literature as well as a remarkable affirmation of the current state of poetry in English.

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Habermas's Public Sphere: A Critique systematically analyzes the strengths and weaknesses of Habermas's classic public sphere concept to reinvigorate it for evaluating the liberal promises and realities of modern societies.