Bücher von Nicholas Tarling

With the disappearance of the imperial structures that had dominated Southeast Asia, newly independent states had to develop foreign policies of their own. Building on his earlier work that drew on UK records, the author incorporates material from New Zealand archives to provide a historical analysis of the foreign policies of Southeast Asian nations from a New Zealand perspective.

Nicholas Tarling's Orientalism and the Operatic World places opera in the context of its steady globalization over the last two centuries, offering key insights into such notable operas as George Frederic Handel's Berenice, Giuseppe Verdi's Aida, Giacomo Puccini's MadamaButterfly, Pietro Mascagni's Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support notion propounded by literary scholar Edward Said that the Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East through art. Instead, Tarling argues that opera is a humanizing art, one that emphasizes what humanity has in common by epic depictions of passion through the vehicle of song.

Southeast Asia has, on the basis of the nation state, secured both a large measure of interstate peace and cooperation and a degree of autonomy from great powers outside the region. ASEAN both represents that position and promotes it. But it also depends on the attitude of the great powers.

Examining the imperialist phenomenon from a wide-ranging perspective, this work reveals imperialism as driven by rivalry; and facilitates comparison: imperialism has elements in common, yet differs according to the territory in which it operates. It analyses attempts to re-establish control after the overthrow of imperial regimes in World War II.