Bücher von NisiOisiN

From the popular MONOGATARI Series by NisiOisiN comes the final season of the novels in a beautiful new box set. VOFAN, who has created beautiful cover artwork since the beginning of the series, has created exclusive new artwork just for this project. This box set will feature the new artwork and complete the MONOGATARI box set collection. Plus a beautiful art card included as a bonus item, which showcases the box set artwork.

From the popular MONOGATARI series comes the second season of the novels in a beautiful new box set. The limited edition box set features brand new artwork from VOFAN and some extras.Books included in the special limited edition box set will be: 1. Nekomonogatari White2. Kabukimonogatari 3. Hanamonogatari4. Otorimonogatari5. Onimonogatari6. Koimonogatari

"If you’re a fan of the author’s (NISIOISIN) work then you’ll certainly want this whole series in your collection!" - Anime UK NewsFrom the pen of the author of the legendary MONOGATARI novels comes another unique offering. KATANAGATARI brings to life a swordless “swordsman” and a self-described “schemer” who embark on a quest to obtain twelve peculiar masterpiece blades. Featuring beautiful interior art and copious bilingual footnotes, this paperback edition is the first of a quartet brimming with action, romance, and unexpected wisdom.

"Newcomers and existing fans alike will enjoy diving into the world of Monogatari and meeting the delightful cast of characters. If you're yet to experience this series in any form then this is the perfect time to climb aboard!"- Anime UK NewsKoyomi confronts his final foe, Guillotine Cutter. It’s former-human-turned-vampire vs. the human vampire-hunter cult leader. But Koyomi hears that Hanekawa is being held hostage, and to save her, he’ll have to push his new powers to the limit.Is Koyomi willing to lose his humanity before he can regain it?

From the best selling novel series by renouned author NISIOISIN, comes the manga adaptation of the Monogatari Series!Artwork by Oh! great.One day, high-school student Koyomi Araragi catches a girl named Hitagi Senjougahara when she trips. But -- much to his surprise -- she doesn't weigh anything. At all. She says an encounter with a so-called "crab" took away all her weight...Monsters have been here since the beginning.Always. Everywhere.

In this latter half of Calendar Tale, a set of journeys into the past that have been revisiting the “case files” feel of the series’ origins starts to catch up to the present moment until we are violently spliced back into the overarching plot, just in time for the final quartet that is the End Tale (in three volumes) and End Tale (Cont.).Continuing with the motif of ways, paths, roads, and streets, and wrapping up sundry other topics and quasi-philosophical concerns, the vignettes for the months of October to March deal with six ladies who are either not quite human or older than titular narrator Koyomi Araragi, bless his bantering soul. In this installment, see how he handles—or is handled by—aberration of a little sister Tsukihi, enigma of a freshman or -woman Ogi, shadow of a legendary vampire Shinobu, corpse of a tween girl Ononoki, psychopath of a monster expert Kagenui, and know-it-all of a Machiavellian fixer Izuko Gaen.

Presented in two parts with covers that will form a diptych, Calendar Tale, narrated by our titular hero, sends us to various earlier points in the story where certain events had yet to occur-when, for instance, the shady "expert" Oshino was still in town, and the ex-legendary vampire Shinobu hadn't tired of sulking in a corner. Weaving in a motif of ways, paths, roads, and streets-walks of life-the nostalgic vignettes hark back to the "case files" feel of the series-launching Monster Tale, but with a twist. Not all oddities are supernatural: stones and flowers; sand and water; the wind and the tree can just be plain weird without being aberrations. In this installment, say hello from the future to class president among class presidents Hanekawa, acid-tongued girlfriend Senjogahara, cheeky lost child Hachikuji, smutty athlete Kanbaru, pathologically shy Sengoku, and justice-loving martial artist Karen, young ladies who love to make our young man sweat.

Launching the third or "Final Season" of the international cult-hit series, Possession Tale returns the narrator's headset back to high school senior and amateur savior Koyomi Araragi, who used to eschew friendship once upon a time because it'd lower his "intensity as a human"-a loner's misgiving that was perhaps on the mark in a different way than he intended. At issue now is not the precarious fate of one of his cherished confrères, or rather consœurs, whom he'd aid, sight unseen, with a monster's resilience, but his own aberrant state and its prolonged abuse. If everything comes with a bill, and if no man is an island, then is the price of self-sacrificing amity-and the bloodshed it ironically occasions-becoming inhuman for good? That being said! Our hero, whose first name means "calendar" but who has none in his room, sees no need to rush, so, on our way to the profound mysteries of the superhuman aspect, expect a super-shallow deconstruction of the alarm clock. On hand this volume to (hardly ever) humor his humor: his little sisters, a living doll of a corpse, and its violent mistress.

Twelve fighters enter, one fighter leaves-who will win the 12th Zodiac War?

Circling back to a middle school girl's apotheosis, if we can call it that, in Otorimonogatari, and the mortal threat it poses to the hero and his girl, this "Season Two" finale is narrated, for the first time in the series, by a grown-up-but if the word conjures a sense of reliability, of stability and certainty to you, dear reader, then the lesson to take home from this is to trust no one. Because the teller of the tale, who has been summoned by the heroine to defuse the situation, despite having been her nemesis since the very outset of the series, is-in the absence of the equally shady adult, Oshino, who at least was an expert-none other than his college frenemy, the fake ghostbuster who doesn't believe in ghosts, the shameless swindler Deishu Kaiki. And it is indeed a con that he agrees to perpetrate, uncharacteristically pro bono, on a wrathful god-a mythic undertaking if true, which it may be, when a liar among liars holds that his story, like any other, is all a lie. But maybe not, when a man who claims to be wise in the ways of the world sounds just as self-conscious as his adolescent counterparts or a Russian anti-hero.

It, like the dark that makes up most of the cosmos, is not an aberration. Nonbeing can swallow you whole, yet if anything, it's the anti-aberration. Darkness, in fact, is the Law, an executioner from whom a mark can try to run and hide, but only for so long. When it comes calling, the fortunate just might have the time to say goodbye. And the Darkness is-here now. Before ever visiting Japan to find a place to die, four centuries, indeed, before her failed suicide attempt, the legendary vampire Kissshot literally stepped foot on the land of the rising sun with an epic jump that ended a lonely sojourn in Antarctica. It was back in those days that the proud noble created her first thrall. It was then, too, that she first met the Darkness. Having messed with a more recent past with her help, and returning to the present to reunite with two more characters that look like little girls but are actually his elders, Thrall No. 2 Araragi reclaims the mic only to cede it in large part to the bloodsucking demon who goes by "Shinobu" these days. Her story, though, may not even be the most poignant one told herein.

Our sorry hero, his reformed girlfriend, and the amnesiac class president have all graduated from their high school out in the boondocks, and self-described Sapphist and ex-basketball ace Kanbaru, retired by reason of an “injury,” is starting her senior year and the narrator of this volume—her voice far more introspectivethan the smutty jock’s we thought we knew. Bereft of the company of her beloved mentors, the only other person around her with any working knowledge of aberrations the junior Ogi Oshino, apparently a relative of the Hawaiian-shirted folklorist, she feels a bit alone and blue, and sick with dread that the devil residing in her left arm courtesy of the Monkey’s Paw might act up again while she sleeps. Investigating a rumor that she fears might lead back to her, the former star ends up peering into an abyss of negativity called Roka—a “wax flower” to take the characters’ meaning. Trapped in a pit the like of which could only be escaped by the one girl who was able to pull off slam-dunks in her basketball nationals, can the penitent Kanbaru, however, still be aggressive?

Unlike ne’er-do-well former vampire Araragi, his two younger sisters Karen and Tsukihi, who attend a private junior high, are little balls of energy and charisma that their peers look up to. That the “ka” in Karen and “hi” in Tsukihi are both written with the character for “fire” isn’t the only reason they’ve come to be known as the Fire Sisters.Karen is the brawn and Tsukihi the brains of a vigilantism that the pair sees not merely as defending justice but as justice itself. They can’t encounter a harmful fad without trying to hunt down a specific source that had a motive for spreading it. In their big brother’s humble opinion, there is something fake and precarious about it all.In this first of two parts, the immediate sequel to the legendary BAKEMONOGATARI plunges us into the middle of summer vacation in the mostly peaceful rural town where the series is set. As our hero and narrator can say from experience, however, teenagers with too much free time on their hands can get stung pretty badly.