Bücher von Norman Simms

From the very moment Alfred Dreyfus was placed under arrest for treason and espionage, his entire world was turned upside down, and for the next five years he lived in what he called a phantasmagoria. To keep himself sane, Dreyfus wrote letters to and received letters from his wife Lucie and exercised his intellect through reading the few books and magazines his censors allowed him, writing essays on these and other texts he had read in the past, and working out problems in mathematics, physics, and chemistry. He practiced his English and created strange drawings his prison wardens called architectural or kabbalistic signs. In this volume, Norman Simms explores how Dreyfus kept himself from exploding into madness by reading his essays carefully, placing them in the context of his century, and extrapolating from them the hidden recesses of the Jewish Alsatian background he shared with the Dreyfus family and Lucie Hadamard.

The Penitentes are a lay Catholic brotherhood that practised bloody rites of self-flagellation and crucifixion. Marranos claim to be anousim. This book redefines the terms and creates contexts in which these groups are viewed with respect and sympathy without idealising or slandering them.

Although the Middle English poem known as 'Sir Gawain and the Green Knight' is assumed to be a kind of comic or satirical romance deriving from the Christian courts of England in the fourteenth century, several strange features suggest a different origin and generic categorization.

This groundbreaking book focuses on Alfred Dreyfus the man, with emphasis placed on his own writings, including his recently published prison workbooks and his letters to his wife Lucie. Through close reading of these documents, a much more sensitive, intellectual, and Jewish man is revealed than was previously suspected. He and Lucie, through their family connections and mutual loyalty, were interested in and supported the artistic, scientific, philosophical and historical movements that formed their Parisian milieu. But as an Alsatian Jew, Alfred was also critical of many aspects of technological and ideological developments, making his mentality one of skepticism as well as idealism. Norman Simms addresses the way Dreyfus perceived the world, challenged many of its assumptions and contextualized it in the style of a rabbinical midrash, a process that created what Alfred called a "e;phantasmagoria"e; of the Affair that bears his name, and also interprets the man, his milieu and his mentality in the style of a midrash, a creative, transformative reading.