Bücher von Osamu Dazai

The Flowers of Buffoonery opens in a seaside sanatorium where Yozo Oba-the narrator of No Longer Human at a younger age-is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a light-hearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes and trying to make each other laugh.While No Longer Human delves into the darkest corners of human consciousness, The Flowers of Buffoonery pokes fun at these same emotions: the follies and hardships of youth, of love and of self-hatred and depression. A glimpse into the lives of a group of outsiders in pre-war Japan, The Flowers of Buffoonery is a darkly humorous and fresh addition to Osamu Dazai's masterful and intoxicating oeuvre.

Place: Tsugaru in Aomori Prefecture, Japan Time: Spring 1944As World War II was coming to an end, Osamu Dazai (born Shuji Tsushima) returned to his home in the northern tip of Honshu, Japan on assignment from a publisher to travel and write about the part of Japan where he was born and raised.He writes with humor and warmth about old friends, the people (family and servants) who nurtured him, his obsession with crabs, and his worries over sake in times of rationing. He writes with pride about his home even as he learns about some of its customs and history for the first time. This travel journal is part travelogue, part history lesson, and part love story.Osamu Dazai (1909-1948) was a twentieth century Japanese author. He is best known for the novels The Setting Sun and No Longer Human.

Early Light offers three very different aspects of Osamu Dazai's genius: the title story relates his misadventures as a drinker and a family man in the terrible fire bombings of Tokyo at the end of WWII. Having lost their own home, he and his wife flee with a new baby boy and their little girl to relatives in Kofu, only to be bombed out anew. "Everything's gone," the father explains to his daughter: "Mr. Rabbit, our shoes, the Ogigari house, the Chino house, they all burned up," "Yeah, they all burned up," she said, still smiling."One Hundred Views of Mount Fuji," another autobiographical tale, is much more comic: Dazai finds himself unable to escape the famous views, the beauty once immortalized by Hokusai and now reduced to a cliche. In the end, young girls torment him by pressing him into taking their photo before the famous peak: "Goodbye," he hisses through his teeth, "Mount Fuji. Thanks for everything. Click."And the final story is "Villon's Wife," a small masterpiece, which relates the awakening to power of a drunkard's wife. She transforms herself into a woman not to be defeated by anything, not by her husband being a thief, a megalomaniacal writer, and a wastrel. Single-handedly, she saves the day by concluding that "There's nothing wrong with being a monster, is there? As long as we can stay alive."

From Wikipedia:No Longer Human (

From Wikipedia:The Setting Sun (

A new translation of one of the greatest works of postwar Japanese literature, acutely capturing modern anxiety and alienation