Bücher von Paul Buhle

Hide in Plain Sight offers a powerful examination of the effects of Hollywood's blacklist era, taking up the question of how blacklistees fared after they were driven out of the mainstream. A good number entered careers in television, with many finding work in children's and family programs, writing for shows like Rocky and Bullwinkle, Lassie, and Flipper. Many also wrote adult sitcoms such as Hogan's Heroes,The Donna Reed Show, The Dick Van Dyke Show, M*A*S*H, Maude, and All in the Family. Ultimately, many returned to Hollywood in the sixties and seventies to work creatively on films that contained a dose of radical politics and influenced the creative outburst of that decade. The list of impressive films from the survivors of HUAC includes Bridge on the River Kwai, Lawrence of Arabia, and Midnight Cowboy. Hide in Plain Sight completes Paul Buhle and Dave Wagner's trilogy, which includes Tender Comrades (1998) and Radical Hollywood (2002). Together these books provide a thorough and disturbing portrait of the McCarthy era's impact on an important aspect of American culture and society.

Executed by a British firing squad on May 12, 1916, for his role in organizing the Easter Rising, James Connolly was one of the most prominent radical organizers and agitators of his day. Born in Scotland in 1868 to Irish immigrant parents, Connolly spent most of his adult life organizing for labor unions and socialist organizations in Ireland, Scotland, and the United States. Despite attending school for only a few years, Connolly became a leading socialist writer and theoretician, founding and editing newspapers including The Socialist (Scotland), The Harp (United States), and The Workers’ Republic (Ireland). As a labor organizer, Connolly stressed the importance of direct action, broad working-class unity, and a commitment to ending labor’s exploitation. As a socialist agitator, Connolly saw economic and political independence as inextricably intertwined. This pamphlet, the first graphic treatment of Connolly’s life, is issued on the centenary of the Easter Rising.

This work contains murals for the Teamsters, the Oil Chemical and Atomic Workers, the Communications Workers, United Electrical Workers, and the United Farm Workers. Other works respond to events such as the 1984 strike of P-9 workers in Austin, Minnesota.