Bücher von Paul Verlaine

""Correspondance Et Documents In�����dits Relatifs A Son Livre Quinze Jours En Hollande (1897)"" de Paul Verlaine est un ouvrage qui rassemble la correspondance et les documents in�����dits relatifs ������ son livre ""Quinze Jours En Hollande"". Ce livre est une �����uvre autobiographique dans laquelle Verlaine raconte son voyage en Hollande en 1892. Dans cette correspondance, Verlaine �����change avec des amis et des �����diteurs sur la publication de son livre, ainsi que sur sa vie personnelle et ses projets litt�����raires. Les documents in�����dits comprennent des lettres, des manuscrits et des photographies qui offrent un aper�����u unique de la vie de l'auteur et de son processus de cr�����ation. Cet ouvrage est une ressource pr�����cieuse pour les �����tudiants et les chercheurs int�����ress�����s par la vie et l'�����uvre de Paul Verlaine.""This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Good Song (originally La Bonne Chanson) was the third book of poetry written by French poet Paul Verlaine (1844-1896). Originally published in 1870, The Good Song¿s theme is love. More particularly its theme is love for, and anticipation of marriage with, his future child-wife, Mathilde Mauté de Fleurville. It includes all the concomitant feelings one might expect from the poet: love, joy, elation, doubt, fear, nuptial desire or passion, to name only a few. Their romance took place with the Franco-Prussian War in the background. Having appeared during the war, it was according to Victor Hugo "a flower in a shell." It represented, according to Edmond Lepelletier, a "transformation," a "change in poetic matter" and "a transition piece... the passage from objective, descriptive, plastic, externalized poetry to personal expression, to a confession of the soul, to the notation of battles of the heart or excitations of the brain."Included with this translation, in the appendix, is an extant excerpt of chapter VII, "Marriage - The Good Song (1869-1871)" from Edmond Lepelletier¿s "official" biography of Paul Verlaine: Paul Verlaine: His Life, His Work.

Réussissez votre bac de français 2024 grâce à notre fiche de lecture du recueil Romances sans paroles de Paul Verlaine !Validée par une équipe de professeurs, cette analyse littéraire est une référence pour tous les lycéens.Grâce à notre travail éditorial, les points suivants n'auront plus aucun secret pour vous : la biographie de l'écrivain, le résumé du livre, l'étude de l'oeuvre, l'analyse des thèmes principaux à connaître et le mouvement littéraire auquel est rattaché l'auteur.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Fêtes Galantes & Songs Without Words are the 2nd and 4th books of poetry by French poet and author Paul Verlaine.Fêtes Galantes (Fêtes Galantes in French) was originally published in 1869. A common theme running through these poems is the scenes, characters, and props of French comedy, semi-civilized pastorals, and commedia dell¿arte, - figures like Harlequin, Colombine, Pierrot, Leandre, the Innamorati, etc., against natural backdrops and dreamy Watteau-like landscapes, with all the appurtenances that one might expect: mandolins, lutes, masques, moonlight, prettily-clad women, moss-covered benches... - interfused with the poet¿s feelings, melancholy, amorous longings, joys, and regrets.Songs Without Words (Romances sans paroles in French) was originally published in 1874. The common theme in these poems is the amorous and sentimental love lost, found, and lost again between the poet and his childhood female cousin, or his child wife, or his new-found friend and fellow poet Arthur Rimbaud against a backdrop of the Ardennes, the Belgian countryside, Brussels, and London. It includes perhaps Verlaine¿s most famous poem: "Il pleure dans mon c¿ur..."

The first things that come to minds and lips, when thinking about Paul Verlaine¿s poetry, are music and nuance. It is through his heightened employment simultaneously and regularly of those two attributes, of those two mesmerizing attributes of his often absinthe-like poetry, that Paul Verlaine, the poet, really shines, - brightly, not incandescently, but fluorescently, like the greenish-blue polestar on a winter¿s night. But the poetry found in Songs for Her (1891) and Odes in Her Honor (1893) is somewhat contrary to the commonly held ideas of what Paul Verlaine¿s poetry is or "should be," in terms of nuance; it is just as musically virtuosic or experimental as his earlier poetry was, which we all know and love. Because these are poems of mostly physical love, but also emotional love, between a middle-aged man and a woman (two women actually, just not à trois) - there is arguably little need for, and little use of, nuance. They are paeans to physical love.Paul Verlaine didn¿t set out to be Petrarch in these two books of poetry. And neither Philomène, the tantalizing tart at least twenty years his junior, the "her" in Odes in Her Honor; nor Eugénie, his practical and good-hearted if not somewhat ugly and thick-necked bed partner, the "her" in Songs for Her, - neither of them, those two muses, are like Laura.

Poems Saturnian by French poet Paul Verlaine (1844-1896) is the first book of poetry that the "Prince of Poets" wrote. This is the book that launched his career. First published in 1866 under the title of Poèmes Saturniens, the influences are clearly Romantic and Parnassian: Charles Baudelaire, Victor Hugo, Leconte de Lisle principally, but also Théophile Gautier, Catulle Mendès, Théodore Banville, and Albert Glatigny even.The poetry speaks for itself.Memory, memory, what do you want from me?In the fall, thrushes fluttered through the atonal air,And the sun was shooting a monotonous arrowThrough the yellowing woods where the bise blared.We were alone, and we were walking while dreaming,Our hair and our thoughts to the wind, she and I.When, turning her face to me, she said, suddenly,"What was your finest day?" in a voice golden and lively.Her sweet and sonorous voice, with its angelic timber.A discreet smile of mine gave her the answer, andDevotedly, I kissed her pale white hand.- Ah! the first flowers, how sweetly scented they are!And what a charming sound the first "yes" makesWhen it exits the lips and mouth of the beloved!

"Romances sans Paroles" de Paul Verlaine est un recueil de poèmes emblématique, véritable hymne à la musicalité et à l'émotion. Verlaine, maître du symbolisme, invite les lecteurs dans un voyage poétique en dehors du temps et de l'espace.Ces poèmes, dépourvus de ponctuation et de structure traditionnelle, captivent par leur rythme envoûtant et leurs images évocatrices. Verlaine peint des tableaux verbaux, évoquant des paysages mélancoliques, des sentiments enivrants et des rêveries éthérées. "Romances sans Paroles" est une invitation à l'évasion, où les mots dansent dans une symphonie émotionnelle, offrant une expérience poétique d'une rare intensité où l'âme du lecteur s'unit à celle du poète.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Paul Verlaine (1844-1896) war unter den französischen Lyrikern der Frühmoderne der große Klangzauberer und Melodiker. 'Musik, Musik vor allen Dingen' - das war für ihn die Hauptforderung, die ein Gedicht erfüllen mußte, um ein Gedicht zu sein: 'De la musique avant toute chose'. Die kunstreiche Reimform war ihm das Mittel, Ängste zu bannen und den Widersprüchen der modernen Welterfahrung Ausdruck zu geben, ohne von ihnen zerrissen zu werden. Er aktiviert damit die magische Wurzel der Poesie: die beschwörende und verwandelnde Kraft der Klanggebärde macht es möglich, daß Ich und Welt im dichterischen Wort für einen ekstatischen Augenblick zusammenfinden.Die Klanggestalt ist also ein ganz wesentlicher Teil der Aussage. Dem wollen die neuen Übertragungen des Lyrikers Hans Krieger gerecht werden, der auch in seiner eigenen Poesie ein Meister der Wortmusik ist; fünf Gedichtbände hat er bisher veröffentlicht. In dem alten Streit, ob es beim Übersetzen von Lyrik mehr auf die Bildlichkeit oder auf die lautliche Schwingung ankomme, mehr auf die Gedankenbewegung oder auf die Klangsinnlichkeit der Versflusses, ergreift Hans Krieger entschieden Partei für den Primat des Musikalischen. Ihm geht es um den betörenden Sound Verlaines, die obertonreiche Harmonik, den vibrierenden Rhythmus.Die Malerin Christine Rieck-Sonntag hat zu dem bibliophil ausgestatteten Band einen Zyklus von 16 Zeichnungen beigesteuert, die mit fiebrig erregtem Strich die Ängste und Sehnsuchtsträume, die Schwermutsattacken und die erotischen Obsessionen Paul Verlaines in eine hochexpressive Bildsprache übersetzen.

Paul Verlaine is one of the great lyrical French poets. This selection of poems includes work from Paul Verlaine's important collections.