Bücher von Richard Foreman

A unique concept frames Richard Foreman's ';Wilful Misunderstandings', a collection of short stories from Lepus Books. In each of these thirty-four tales the author takes a word, phrase or saying, twisting it into a new meaning, and by extension a new reality. The stories that emerge extend across a diverse stylistic range through sci-fi, adventure, crime, romance, horror, folk tale and magic realism. The many worlds of ';Wilful Misunderstandings' can be rampantly surrealistic at times, not so very different from our own at others. A ';parapet' becomes a beast assigned as a familiar to would-be mystics. If you go out and ';stretch your legs' you come home taller. ';Accolade' is a drink that gives you a pat on the back. But in each tale, readers will meet engaging characters in intriguing situations - some humorous, some perilous, some with deep emotional resonance.

The extended title of The Cherokee Physician serves as an apt summary of its contents. The book was the result of a remarkable collaboration between James Mahoney, an Irish American and native Tennesseean, and Richard Foreman, whose parental ancestry was probably Scottish and Cherokee. Typical of its time, the book dispenses moral advice as cheerfully as medical advice.

Plays with Films brings together texts of the final three productions of Richard Foreman¿s Ontological-Hysteric Theater at St. Mark¿s Church-in-the-Bowery: Zomboid! (2006), Wake Up Mr. Sleepy! Your Unconscious Mind is Dead! (2007), and Deep Trance Behavior in Potatoland (2008). In these three exhilarating and challenging works, Foreman turns to a meditation on the mechanical and digital reproductions of screen images within the discipline of theater, and thereby recalibrates and expands the potential relationship we can have with the live art that is theater.Extending the model of theater as a ¿reverberating machine,¿ Foreman¿s use of film in these plays is intimately integrated into the complex network of impulse generators, creating an unprecedented experience of multi-dimensional scriptural space, a new kind of total theater that effectively recharges and redirects the issues of consciousness he has been exploring with indefatigable intensity since the establishment of his theater in 1968. The bodied reality of theatrical experience, and the recognition of unconsciousness within that experience, becomes more fraught with peril in today¿s screened world. These plays, originally conceived as his final theater works (though he did change his mind), engage in ways that continue his ambition to upend habitual thinking and may prove transformative for the individual¿s ability to interpret and understand the threats of deadening conformity and loss of identity through the new digital culture.Employing an innovative typographical presentation, Plays with Films demonstrates how Americäs most daring theater artist alchemizes reproducible and non-reproducible reality into a unique contemplation of the project of self-construction in the 21st century.