Bücher von Richard P. Smiraglia

Cultural forces govern a synergistic relationship among information institutions that shapes their roles collectively and individually. The book addresses the origins of cultural information institutions, the history of the professions that run them, and the social imperative of information organization as a catalyst for semantic synergy.

Library music materials require a more complex shelflisting approach than books in order to account for extremely prolific composers, works with generic titles, opus numbers, and thematic index numbers. Shelflisting Music provides clear, straightforward instructions and flowcharts to guide the cataloger through the process of shelflisting music-whether in score or recorded format-enabling anyone to produce call numbers that are consistent, accurate, and in accordance with standard Library of Congress "e;M"e; classification practices.After a brief explanation of the conceptual basis of music shelflisting, Richard P. Smiraglia brings together and clarifies shelflisting practices that are otherwise difficult to find or understand, providing concise and easy-to-follow instructions for assigning shelflist numbers. Smiraglia also includes a glossary of terms, as well as flowcharts to illustrate the process graphically. This small, easily accessible book can be kept by a computer workstation and consulted quickly for shelflisting guidance by anyone who catalogs music materials, from novices to experts.

Living legend Smiraglia has written the first book devoted exclusively to exploring the concept that is commonly referred to as a bibliographic "e;Work."e; In bringing together material from both inside and outside the discipline of information studies, he traces the continuing development of catalogs, search engines, and other kinds of information retrieval tools, the better to understand the maze of editions and revisions and translations that make up the evolution of a Work.Two appendixes contain charts demonstrating the evolution of concepts and definitions of a Work; a third contains a summary of the sampling technique employed to generate the data in chapter 5 "e;Defining the Work in Quantatative Terms"e; and chapter 6 "e;The Constitution of Bibliographic Families."e;

Describing Music Materials, 4th edition is the latest update of a classic manual for resource description of music materials for library catalogs. Resource Description and Access (RDA) instructions for printed music, recorded music and music video are accompanied by advice, examples, illustrations and complete catalog records, including versions in MARC21 format.