Bücher von Richard Wagner

Richard Wagner: Das Rheingold. Der Ring der Nibelungen Vorabend Textbuch ¿ LibrettoLesefreundlicher Großdruck in 16-pt-SchriftGroßformat, 210 x 297 mmBerliner Ausgabe, 2024Durchgesehener Neusatz mit einer Biografie des Autors bearbeitet und eingerichtet von Theodor BorkenEntstanden 1848¿1874. Erstdruck der Dichtung als anonymer Privatdruck: Zürich 1853. Uraufführung 13.¿17.08.1876, Festspielhaus, Bayreuth.Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Arthur Rackham, Siegfried und die Rheintöchter, um 1900.Gesetzt aus der Minion Pro, 16 pt.Henricus - Edition Deutsche Klassik GmbH

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The World-ruler recognised from whence his deepest wound had come, and who it was that cried his world-plan final halt. It was the spirit of free Manhood loosed from the nature-soil of race, that had faced him in this Lombard Bond. He made short work of both the older foes: to the High-priest he gave his hand, --he fell with crushing force upon the selfish Guelphs; and so, once more arrived at summit of his power and undisputed might, --he spake the Lombards free, and struck with them a lasting peac

Der Briefwechsel Richard Wagners und seiner ersten Frau Minna Wagner, geb. Planer, erstmals zusammengestellt!"Glaube mir, liebe Minna, wenn wir auch in manchem nicht recht gleich denken und uns über diess und jenes dann und wann verschieden auslassen: keiner von uns kann doch sein Leben mehr überblicken, ohne zu sehen durch welche grossen Beweise von Liebe und Ausdauer in den schwierigsten und oft schrecklichsten Tagen wir uns nahe stehen."(Richard Wagner, 1855)"Was sein geistiges Gedeihen betrifft, beglückt mich das Bewußtsein, daß er alles was er geschaffen nur in meiner Umgebung schuf." (Minna Wagner, 1850)

" La France traverse actuellement une période d¿élaboration. De toutes parts, éclatent les singuliers et profonds changements qui s¿opèrent dans les manières de penser, comme aussi les tendances à jeter les bases de nouvelles croyances. Et c¿est, pour tout être pensif, un émouvant et magnifique spectacle que de voir l¿élite du pays tra- vailler avec vigueur, fermeté et constance à l¿instauraon de notre Science et de notre Art futurs.Est-elle prochaine la solution résultante de ces nobles efforts ? Oui, semble-t-il. Ce qui le fait présager, c¿est d¿abord la nouvelle conception du monde que nous commençons à avoir ; c¿est ensuite l¿accumulation des matériaux propres à édifier un art original et vraiment national."

" Si insuffisantes que soient la plupart des biographies françaises de Wagner (si niaises même, oserait-on dire, car les allemandes ne valent guère mieux), je n'ai pas à faire ici de notice biographique. Il me suffira de préciser, parmi les circonstances de sa carrière d'artiste, celles qui me sembleraient, plus directement, intéresser le présent labeur de Traduction et d'Édition.Peu de lecteurs ignorent, je le présume, les mésaventures parisiennes du Tannhäuser de Richard Wagner.¿C'était en 1860: on répétait, à l'Opéra, cet ouvrage du compositeur, qui devait être joué l'année suivante, en Mars. Or, quelques mois avant cette représentation, dans les premiers jours de Décembre, l'artiste crut utile de publier, sous forme de Lettre(à M.FrédéricVil lot) , un résumé total de ses idées sur l'Art, et spécialement sur laMusique."

La Tétralogie de l'Anneau du Nibelung, a été considérée comme importante tout au long de l'histoire de l'humanité. Dans un effort pour s'assurer que ce travail ne soit jamais perdu, nous avons pris des mesures pour assurer sa préservation en republiant ce livre dans un format moderne pour les générations actuelles et futures. Ce livre complet a été retapé, remanié et reformaté. Comme ces livres ne sont pas des scans des publications originales des auteurs, le texte est lisible et clair.

This book forms part of our 'Pook Press' imprint, celebrating the golden age of illustration in classic literary works. The Rhinegold and the Valkyrie' was written by the German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas, and are here translated into English by Margaret Armour. The chief components include 'The Rhinegold' - the prelude, 'The Valkyrie' - the first day of the trilogy, 'Siegfried' - the second day of the trilogy, and 'The Twilight of the Gods' - the third day of the trilogy. The text is accompanied by a series of dazzling colour illustrations by Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration, his artistry still delights both young and old over a century later. The text is presented in its original translation, alongside Rackham's beautiful images which only serve to refine Wagner's masterful story-telling.

Grünliche Dämmerung, nach oben zu lichter, nach unten zu dunkler. Die Höhe ist von wogendem Gewässer erfüllt, das rastlos von rechts nach links zuströmt. Nach der Tiefe zu lösen sich die Fluten in einen immer feineren feuchten Nebel auf, so daß der Raum der Manneshöhe vom Boden auf gänzlich frei von Wasser zu sein scheint, welches wie in Wolkenzügen über den nächtlichen Grund dahinfließt. Überall ragen schroffe Felsenriffe aus der Tiefe auf und grenzen den Raum der Bühne ab; der ganze Boden ist in ein wildes Zackengewirr zerspalten, so daß er nirgends vollkommen eben ist und nach allen Seiten hin in dichtester Finsternis tiefere Schlüffte annehmen läßt. Um ein Riff in der Mitte der Bühne, welches mit seiner schlanken Spitze bis in die dichtere, heller dämmernde Wasserflut hinaufragt, kreist in anmutig schwimmender Bewegung eine der Rheintöchter Volles Wogen der Wassertiefe.