Bücher von Richard Wagner

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Briefe Richard Wagners An Otto Wesendonk, 1852-1870 (1905) is a collection of letters written by the renowned composer Richard Wagner to his friend and patron Otto Wesendonk between the years 1852 and 1870. The letters offer a fascinating glimpse into the personal and professional life of Wagner during this period, as he worked on some of his most famous operas, including Tristan und Isolde and Die Walk¿¿¿¿¿re.The letters cover a wide range of topics, from Wagner's creative process and artistic philosophy to his personal relationships and financial struggles. They also provide insight into the complex and often controversial figure of Wagner himself, as he grappled with issues of nationalism, anti-Semitism, and his own place in the world of music.Despite the sometimes challenging subject matter, the letters are written in a lively and engaging style, with Wagner's wit and humor shining through even in the most serious discussions. They offer a unique perspective on one of the greatest composers of all time, and are a must-read for anyone interested in the history of music and culture in the 19th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Richard Wagner to Mathilde Wesendonck (1905) is a collection of letters written by the famous German composer Richard Wagner to his muse and friend, Mathilde Wesendonck. The letters were written between 1853 and 1872, and they offer a unique insight into the personal and creative life of one of the most important figures in the history of classical music. The letters cover a wide range of topics, from Wagner's thoughts on music and art to his personal relationships and struggles. They also reveal the intense emotional and creative connection between Wagner and Wesendonck, who inspired some of his most famous works, including Tristan und Isolde. This book is a must-read for anyone interested in the life and work of Richard Wagner, as well as for those interested in the history of classical music and the creative process. The letters are presented in their original German with English translations, and the book includes an introduction and notes by the editor, William Ashton Ellis.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The World-ruler recognised from whence his deepest wound had come, and who it was that cried his world-plan final halt. It was the spirit of free Manhood loosed from the nature-soil of race, that had faced him in this Lombard Bond. He made short work of both the older foes: to the High-priest he gave his hand, --he fell with crushing force upon the selfish Guelphs; and so, once more arrived at summit of his power and undisputed might, --he spake the Lombards free, and struck with them a lasting peac

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Der epochale Klaviervirtuose Liszt verfasste für sein Instrument zahllose Transkriptionen von Werken anderer Komponisten - Wagners Tristan und Isolde als Schlüsselwerk des 19. Jahrhunderts gehörte natürlich dazu. Seiner kongenialen Übertragung der berühmten Schluss-Szene ("Mild und leise, wie er lächelt") auf das Klavier verdanken wir im Übrigen auch den heute geläufigen Titel "Isoldens Liebestod" - Wagner selbst sprach noch von Isoldes "Verklärung". Den raffinierten - aber nicht unspielbar schweren - Klaviersatz Liszts bringen wir in bester Urtext-Qualität, inklusive des originalen Fingersatzes des Tasten-Meisters. Im Anhang unserer Ausgabe ist zudem der Gesangstext dieser finalen Szene des Dramas abgedruckt.

Wagner's The Flying Dutchman (WWV 63), opera in two acts, first premiered in 1843. Piano reduction with text by Gustav Brecher.Die Klavierauszüge der Edition Peters von Richard Wagners Bühnenwerken sind für ihre Zuverlässigkeit, Praktikabilität und Qualität bekannt. Sie werden von den weltweit führenden Sängern, Regisseuren, Korrepetitoren und Dirigenten bei Aufführungen dieser Werke in aller Welt verwendet. Wagners romantische Oper Der fliegende Holländer (WWV 63) aus dem Jahr 1843, Klavierauszug von Gustav Brecher.

The Edition Peters vocal scores of Wagner's stage works are famed for their reliability, practicality and quality. They are used by the world's leading singers, directors, repetiteurs and conductors in productions of these works across the world. Die Walküre, the second of the four music dramas that constitute Wagner's Der Ring des Nibelungen cycle is presented with a piano reduction by Felix Mottl with German sung text and stage directions.Die Klavierauszüge der Edition Peters von Richard Wagners Bühnenwerken sind für ihre Zuverlässigkeit, Praktikabilität und Qualität bekannt. Sie werden von den weltweit führenden Sängern, Regisseuren, Korrepetitoren und Dirigenten bei Aufführungen dieser Werke in aller Welt verwendet. Die Walküre (WWV 86B), das zweite der vier Musikdramen aus Wagners Zyklus Der Ring des Nibelungen, in einem Klavierauszug des bekannten Dirigenten Felix Mottl mit deutschem Gesangstext und Regieanweisungen sowie einem Einführungstext von Richard Sternfeld.

The Edition Peters vocal scores of Wagner's stage works are famed for their reliability, practicality and quality. They are used by the world's leading singers, directors, repetiteurs and conductors in productions of these works across the world. Tristan und Isolde, an opera that changed music and the arts forever, is presented with a piano reduction by Felix Mottl with German sung text and stage directions.Die Klavierauszüge der Edition Peters von Richard Wagners Bühnenwerken sind für ihre Zuverlässigkeit, Praktikabilität und Qualität bekannt. Sie werden von den weltweit führenden Sängern, Regisseuren, Korrepetitoren und Dirigenten bei Aufführungen dieser Werke in aller Welt verwendet. Tristan und Isolde (WWV 90), die Oper, die die Musiksprache und die Künste entscheidend verändert hat, in einem Klavierauszug des bekannten Dirigenten Felix Mottl (1. Akt) und von Gustav F. Kogel (2. und 3. Akt), mit deutschem Gesangstext und Regieanweisungen sowie einem Einführungstext von Richard Sternfeld.

Thea Dorn und Richard Wagner bringen dem Hörer das eigene Land näher – kenntnisreich, kritisch, leidenschaftlich und ohne Berührungsängste. Sie erforschen die deutsche Seele und widmen sich einer Vielzahl von Begriffen wie beispielsweise 'Abendbrot', 'Gemütlichkeit', 'Wanderlust', 'Fußball' und 'Kulturnation'. Die deutsche Seele ist keine nüchterne Bestandsaufnahme, sondern ein persönliches Plädoyer der Autoren. Eine erkenntnisreiche und unterhaltsame Reise zu den Wurzeln unseres nationalen Erbes.

Tristan and Isolda is an unchanged, high-quality reprint of the original edition of 1892.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.