Bücher von S. T. Joshi

Lovecraft Annual is published once a year, in Fall. Articles and letters should be sent to the editor, S. T. Joshi, ¿ Hippocampus Press, and must be accompanied by a self-addressed stamped envelope if return is desired. All reviews are assigned. Literary rights for articles and reviews will reside with Lovecraft Annual for one year after publication, whereupon they will revert to their respective authors. Payment is in contributor's copies.

H. P. Lovecraft is distinctive for having inspired a plethora of poetic tributes from friends, colleagues, and disciples. These tributes emerged surprisingly early; the first ones date to 1918, when several amateur writers took note of the unique characteristics of Lovecraft's life and work. During his lifetime, Samuel Loveman, Frank Belknap Long, Robert E. Howard, Donald Wandrei, and others sought to portray Lovecraft's inimitable personality and his innovative work in wide-ranging verse. After Lovecraft's early death in 1937, other writers-Clark Ashton Smith, August Derleth, R. H. Barlow, Joseph Payne Brennan, Lilith Lorraine-paid homage to him in odes, quatrains, and sonnets. The tradition has continued to the present day, with such contemporary writers as Ann K. Schwader, Leigh Blackmore, Wade German, W. H. Pugmire, Adam Bolivar, Fred Phillips, and countless others envisioning the myriad phases of Lovecraft's creative work in poetry that itself evokes the terror and pathos of his writing. This volume contains dozens of poems, written over a period of more than a century, in which a multitude of diverse authors use the medium of poetry to convey their devotion to Lovecraft the man and to his imperishable literary oeuvre.

For more than forty years, S. T. Joshi has been a presence in the weird fiction community. In this expansive and elegantly written memoir, Joshi reflects on the major facets of his life. Born in India in 1958, he came with his family to the United States in 1963, settling in the Midwest. He hit his stride in an Indiana high school, where he first read Lovecraft's books from the public library. He was accepted as an undergraduate at Brown University, where he not only learned Greek and Latin but explored the vast resources of the Lovecraft Collection at the John Hay Library. By 1982, Joshi was already recognized as a leading authority on Lovecraft, and his preparation of corrected texts of Lovecraft's fiction for Arkham House helped to launch a revolution in the study of the dreamer from Providence. In the decades that have followed, Joshi has expanded his range to cover the entire history of weird fiction, as well as such fields as atheism and left-wing politics. Among his nearly 400 books are bibliographies of leading weird writers, monographs, histories and biographies, and even a few works of fiction. What Is Anything? speaks frankly of Joshi's relations with friends and colleagues (among them Ramsey Campbell, T.E.D. Klein, Marc Michaud, Robert M. Price, and David E. Schultz), as well as his two wives. This memoir, enlivened with many photographs of Joshi and his friends and family, provides unprecedented insights into the worlds of Lovecraft scholarship and many other related subjects. For this paperback edition, Joshi has added a lively chapter covering the eventful years of 2018-22.

After two centuries of literary and pop culture procreation, Victor Frankenstein and his monster are as virile as ever: synthetic biology, genetically modified organisms, artificial intelligence, the creation of one life at the cost of others. On the threshold of the third century, we stand on unforeseen shores of deep, far-reaching scientific and technological waters. And yet no truth-told tale is ever far from the sublime, the supernatural, the interior. The alchemy of art is always central to the story. In the case of Mary Shelley's masterpiece, the lives of those involved in its making were as dramatic and mysterious as any character from literature. In 1816, nineteen-year-old Mary Wollstonecraft Godwin, lover and future wife of poet Percy Bysshe Shelley, conceived the idea for Frankenstein during a summer of darkness. Within a few years of the novel's publication, three of the members involved in its conception were dead. Suicide, premature death, and tragedy are as woven into the tale as the words themselves. Frankenstein is at heart the story of a very misguided "parent" whose destructive offspring outlives him both in the novel and in our collective imagination. Ambition divorced from responsibility; genius wedded to derangement; the creator who rejects his own creation so fully he will not even give it a name. It is a tale of monsters and their monstrosities; it is thus also, of course, a very human tale, and one that continues to be written. Featuring artwork from award-winning artist Robert Payne Cabeen, this collection brings together two hundred years' worth of monstrous birthings: facts and fictions, lore and lunacy from the underground laboratories where monsters are both born and made.

Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical. Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.

H. P. Lovecraft (1890-1937) is commonly regarded as the leading author of supernatural fiction in the 20th century. He is distinctive among writers in having a tremendous popular following as well as a considerable and increasing academic reputation as a writer of substance and significance. This encyclopedia is an exhaustive guide to many aspects of Lovecraft's life and work, codifying the detailed research on Lovecraft conducted by many scholars over the past three decades. It includes hundreds of alphabetically arranged entries on Lovecraft and presents extensive bibliographical information.The volume draws upon rare documents, including thousands of unpublished letters, in presenting plot synopses of Lovecraft's major works, descriptions of characters in his tales, capsule biographies of his major colleagues and family members, and entries on little known features in his stories, such as his imaginary book of occult lore, the Necronomicon. The volume refers to current scholarship on the issues in question and also supplies the literary, topographical, and biographical sources for key elements in Lovecraft's work. As Lovecraft's renown continues to ascend in the 21st century, this encyclopedia will be essential to an understanding of his life and writings.

Ambrose Bierce is well known to readers as the author of The Devil's Dictionary (1906) and numerous short stories, such as the Civil War tales gathered in Tales of Soldiers and Civilians (1891) and the horror stories collected in Can Such Things Be? (1893).

In this, the first academic study of Dunsany's work, Joshi establishes that Dunsany has a remarkable grasp of the symbolic function of fantasy, and that he used fantasy, horror, and the supernatural as metaphors for his most deeply held convictions on life and society.