Bücher von Sadakichi Hartmann

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Sadakichi Hartmann - Drifting Flowers & Other VersesPublic Domain Poets #10 | Publicdomainpoets.comContaining Sadakichi Hartmann's 'Tanka & Haikai: Japanese Rhythms' (1915); selections from 'My Rubaiyat' (1913), and the earlier, 'Drifting Flowers of the Sea' (1904); and the essays 'Why I Publish My Own Books' (1915) and 'The Japanese Conception of Poetry' (1904). New edition designed, edited, and selected by Dick Whyte. If pleasures be mineAs aeons and aeons roll by,Why should I repineThat under some future skyI may live as a butterfly.Hartmann (1867-1944) was born on the island of Dejima, off the coast of Nagasaki, to a Japanese mother and German father. His mother died giving birth to his brother, and they were sent to Germany to live with relatives. Hartmann later ran away to Paris, was disinherited by his father, and sent to Philadelphia, to live with an uncle. It was there he self-published his first dramatic works, and a book of conversations with Walt Whitman.White petals afloatOn a winding woodland stream-What else is life's dream?In the 1900s Hartmann started writing poetry, drawing influence from Whitman, French symbolism, and Japanese poetics, and in 1904 he published the earliest known set of English-language tanka, alongside a short essay on tanka and haiku aesthetics. In the 1910s he followed this up with a collection of linked tanka-esque blank-verse, inspired by the Rubaiyat of Omar Khayyam, and befriended writers like Gertrude Stein and Ezra Pound. Hartmann's 'Japanese Rhythms' (1916), remains one of the earliest published collections devoted to English-language tanka and haikai, followed by Noguchi's 'Japanese Hokkus' (1920), and Jun Fujita's 'Tanka: Poems in Exile' (1923).Public Domain Press is dedicated to producing contemporary editions of out-of-print poets and poetry collections, particularly with regard to compressed and fragmented 'free verse' from the late-1800s and early-1900s. All poems start as facsimiles - to preserve the original fonts - which are then cleaned up, edited for consistency, and spaciously laid-out, adorned with borders, illustrations, and ornaments from the books and magazines they originally appeared in. These are not "reprints" of previously existing books, but newly crafted collection, lovingly edited from public domain material, for the serious poetry lover.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Shakespeare In Art is a comprehensive book written by Sadakichi Hartmann that explores the influence of William Shakespeare's works on the visual arts. The book is divided into two parts, with the first part providing a detailed analysis of the ways in which Shakespeare's plays have been depicted in paintings, sculptures, and other forms of visual art throughout history. The second part of the book examines the ways in which Shakespeare's themes and characters have influenced the artistic styles of various artists, such as the Pre-Raphaelites and the Symbolists.Hartmann's writing is both insightful and engaging, as he delves into the various interpretations of Shakespeare's works through different artistic mediums. He provides a wealth of information on the artists who have been inspired by Shakespeare, including the likes of William Blake, John Everett Millais, and Dante Gabriel Rossetti. The book is also filled with illustrations of the artwork being discussed, allowing readers to fully appreciate the beauty and complexity of the pieces being analyzed.Overall, Shakespeare In Art is a must-read for anyone interested in the intersection of literature and visual art. Hartmann's deep knowledge of both subjects makes for a fascinating exploration of the enduring influence of Shakespeare's works on the art world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

A study of the American artist James Abbott McNeill Whistler (1834-1903), first published in 1910. Sadakichi Hartmann considers Whistler's life and artistic career, and discusses his major works. Fully illustrated in a brand new format, from each stage in Whistler's career, plus illustrations of some of Whistler's contemporary artists. Painters Series. 220 pages. www.crmoon.com

Sadakichi Hartmann visited Whitman several times between 1884 and 1891 and recorded their talks. "Then he brought out some California claret, and when Billie returned with the lobster, we sat down - several hens running in and out of the half open door through which one could catch a glimpse of the red and green of a sunlit yard - and had a very jolly repast."