Bücher von Sam Shepard

In eighteen stories unlike any in our contemporary literature, Sam Shepard explores the vast and rugged American West with the same parched intensity that has made him "the great playwright of his generation” (The New York Times).A boy watches a "remedy man” tame a wild stallion, a contest that mirrors his own struggle with his father. A woman driving her mother's ashes across the country has a strangely transcendent run-in with an injured hawk. Two aging widowers, in Stetsons and bolo ties, together make a daily pilgrimage to the local Denny's, only to be divided by the attentions of their favorite waitress. Peering unblinkingly into the chasms that separate fathers and sons, husbands and wives, friends and strangers, these powerful tales bear the unmistakable signature of an American master.

From one of our most admired writers: a collection of stories set mainly in the fertile imaginative landscape of the American West, written with the terse lyricism, cinematic detail, and wry humor that have become Sam Shepard’s trademarks.A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs on the overhead sound system. A wandering actor returns to his hometown against his better instincts and runs into an old friend, who recounts their teenage days of stealing cars, scoring Benzedrine, and sleeping with whores in Tijuana. A Minnesota family travels south for a winter vacation but, caught up in the ordinary tyrannies of family life, remains oblivious to the beauty of the Yucatán Peninsula. A solitary horse rancher muses on Sitting Bull and Beckett amid the jumble of stuff in his big country kitchen—from rusted spurs and Lakota dream-catchers to yellowing pictures of hawks and galloping horses to “snapshots of different sons in different shirts doing different things like fishing, riding mules and tractors; leaning up against their different mothers at radical angles.”Made up of short narratives, lyrics, and dialogues, Day out of Days sets conversation against tale, song against memory, in a cubistic counterpoint that finally links each piece together. The result is a stunning work of vision and clarity imbued with the vivid reverberations of myth—Shepard at his flinty-eyed, unwavering best.

The final work from the Pulitzer Prize-winning writer, actor, and musician, drawn from his transformative last days In searing, beautiful prose, Sam Shepard's extraordinary narrative leaps off the page with its immediacy and power. It tells in a brilliant braid of voices the story of an unnamed narrator who traces, before our rapt eyes, his memories of work, adventure, and travel as he undergoes medical tests and treatments for a condition that is rendering him more and more dependent on the loved ones who are caring for him. The narrator's memories and preoccupations often echo those of our current moment-for here are stories of immigration and community, inclusion and exclusion, suspicion and trust. But at the book's core, and his, is family-his relationships with those he loved, and with the natural world around him. Vivid, haunting, and deeply moving, Spy of the First Person takes us from the sculpted gardens of a renowned clinic in Arizona to the blue waters surrounding Alcatraz, from a New Mexico border town to a condemned building on New York City's Avenue C. It is an unflinching expression of the vulnerabilities that make us human-and an unbound celebration of family and life.

This collection shares decades of correspondence between the Pulitzer Prize-winning playwright and one of his closest friendsincluding personal photos.One of America's leading dramatists, as well as an accomplished actor, screenwriter, and director, Sam Shepard's legacy includes immortal plays like True West andBuried Child, as well as memorable film roles, including his Academy Award-nominated performance in The Right Stuff. Though Shepard remained an intensely private man, he wrote candidly about his life and work in letters to his close friend Johnny Dark. His former father-in-law, Dark became a surrogate brother to Shepard, and even an artistic muse. Two Prospectorsgathers nearly forty years of correspondence and transcribed conversations between them.In these letters, the men open themselves to each other with gripping honesty. Shepard's letters give us the deepest look we will ever get into his personal philosophy and creative process, while in Dark's letters we discover insights into Shepard's character that only an intimate friend could provide. The writers also reflect on the books and authors that stimulate their thinking, their relationships with women (including Shepard's anguished decision to leave his wife and son for actress Jessica Lange), personal struggles, and accumulating years. Illustrated with Dark's photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters,Two Prospectorsis a compelling portrait of a complex friendship that anchored both lives for decades, a friendship also poignantly captured in Treva Wurmfeld's film,Shepard & Dark.

When Roscoe, a 65-year-old Cervantes scholar, runs off with a young woman named Sally, he decides to stay a while in her family home. Soon he discovers that Sally's house-once inhabited by James Dean; perched precariously over the San Fernando valley-is filled with secrets, sadness, and haunted women who cannot leave themselves or anyone else in peace. From Lucy, Sally's suspicious sister, to Mable, their Shakespeare-quoting invalid mother, to Elizabeth, Mable's lovely and mysteriously mute nurse, the forces of the house conspire to make Roscoe question his assumptions about everything. As scars and histories are revealed, Shepard shows, as only he can, what happens when the secrets simmering within a family boil over. Heartless masterfully explores the irrevocability of our pasts-and the possibility of life begun anew.

'Set in a desolate motel room on the edge of the Mojave desert, the play has something of the timeless universality of a Greek tragedy .

These three plays by Pulitzer Prize winner Sam Shepard are bold, explosive, and ultimately redemptive dramas propelled by family secrets and illuminated by a searching intelligence.In The Late Henry Moss–which premiered in San Francisco, starring Sean Penn and Nick Nolte–two estranged brothers confront the past as they piece together the drunken fishing expedition that preceded their father’s death. In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.