Bücher von Sara MacDonald

A haunting story of family ties and wartime secrets The house opposite the church, overlooking the Cornish coast, is home to three generations of Tremains. Fred Tremain, the country doctor who built the house for his wife, Martha (and for whose sake he became estranged from his family); Anna, the difficult, determined older child, now a highly successful lawyer; Barnaby, the easygoing second child, now a vicar to the parish; and the beloved granddaughter, Lucy. A safe haven for a loving family, especially now that Fred and Martha are growing old, the house and cottage are also the keeper of secrets, solemn and tragic. That is until the day Lucy discovers a hidden cache of papers that brings to light the first of many long-hidden mysteries. As each layer is unwrapped and each secret laid bare, the family is forced to confront its past, to question the price paid for the upheavals caused by violence, wars, and prejudice, and ultimately to unlock the path to new relationships and new loves.

This book provides an analysis of five of the best known comedies of the award winning American film makers Joel and Ethan Coen. It demonstrates that their films, while popular and entertaining, also contain substantial philosophic and political ideas, particularly focusing on the nature of liberal democracy.

In Fate and Freedom in the Novels of David Adams Richards, MacDonald and Craig explore the Christian foundation of Richards's writing and reveal an account of freedom that is fulfilled only in love.

Recovering Hegel from the Critique of Leo Srauss offers a defense of modernity against the critique of the influential mid-twentieth century political philosopher, Leo Strauss. Strauss, whose influence on contemporary conservative political theory is well documented, discovered the ground of much of what he found wanting in contemporary political and social life to lie in the philosophy of the 19th century German philosopher, G. W. F. Hegel. Specifically, Strauss accused Hegel of being the greatest exponent of historicism and thus the relativism that afflicts modern thought. Ultimately, according to Strauss, this has led to the nihilism and general mediocrity that characterizes modern western culture. In this book, Sara MacDonald and Barry Craig examine Strauss's reading of Hegel and argue that in fact it is a mis-reading. Contrary to Strauss's interpretation, this book holds that Hegel was no relativist and in fact sought to show the compatibility of objective, eternal truth with modern human subjectivity. At the same time, it illustrates the way in which Hegel's thought prepared the ground for enlightened modern liberal democracies and also remains relevant to current social and political conversations.

This book studies several of Mark Helprin's novels in terms of their relation to Dante's Divine Comedy. The authors demonstrate that A Soldier of the Great War, In Sunlight and in Shadow, and Winter's Tale substantially correspond to, respectively, Dante's Inferno, Purgatorio, and Paradiso. The author himself has acknowledged his debt to Dante and references to the Comedy appear throughout his works. It is not that Helprin's novels track their Dantean antecedents slavishly, or even follow the structure of the Canticles explicitly. Rather, the central arguments of Dante's three works are taken up by Helprin in his novels. In adopting Dante's essentially Platonic doctrine of mediation, Helprin's characters are fully instantiated human beings who also mediate and reveal the divine. In his engagement with Dante, Helprin affirms the core philosophical, theological and psychological arguments of the Comedy, and then modifies those arguments in a distinctly modern way. Specifically, Helprin focuses on human freedom as the necessary precondition for justice to exist, both for individuals and for societies. In the final chapter of the book, the authors turn to Helprin's Freddy and Fredericka. In this novel, Helprin both assumes Dante's argument, and then radically alters it, by pointing to the possibility of a just regime on earth, rather than one that exists merely in heaven. While accepting much of Dante's metaphysical argument, Helprin shows the virtues of liberal democracy as that form of political regime that is most able to unite human eros with eternal principles. In the end, Helprin's novels are remarkable for the way in which they advocate for ancient virtues, while insisting upon the distinctly modern liberal account of human freedom as the necessary foundation for human flourishing.