Bücher von Shahid Akhtar

Shahid Akhtar's fiction is the process of capturing the universal feelings of life and seeing the fictional reality through the eyes of a viewer without creating an analytical or meaningful impression. He has created an individual process of characterizing the landscape in the Surrealistic style and has tried to transform fiction into a multi-dimensional concept rather than a one-dimensional concept. In the fictions of Shahid Akhtar, not the psychological cracks, but the collective impact of psychological concepts and the earthquakes of cultural decline are prominent, which makes the reader himself shiver.

Shahd Akhtar's name needs no introduction to the Urdu world. Earlier, three of his collections of fiction, 'Barf Par Nange Paaon', Monty' and 'Khaabgeene' have come out and a novel 'Shahar Mein Samudra' has also received praise from the readers.The first quality of 'Shahar-e-Zaat' is that this novel engages its reader. The interest of the reader is maintained from the beginning to the end. In fact, Shahid's grasp of language is very strong, with simple and smooth language, the metaphors seem to flow. In other detailing, he describes things in such a way that we seem to be watching these scenes. His observation of human life also sets him apart from others. He is a very sensitive writer and knows how to convey his feelings to the reader.

After 1970, some fiction writers raised questions that the story and narration have been removed from fiction and such a confusing atmosphere is being created, which does not allow fiction to be comprehensible. This voice of protest grew louder by the 1980s, and modern fiction writers began to favor non-metaphorical and narrative styles in order to bring back the anecdotal.This is the stage in the context of which the yeast of Shahid Akhtar's stories developed. He began to grasp the new landscape of human tradition and social breakdown amidst the living and breathing characters.We can consider Shahid Akhtar as a representative of the updated and modern tradition of Urdu fiction.Shahid Akhtar's fiction is a process of capturing the universal feelings of life and seeing fictional reality through the eyes of a viewer without creating an analytical or interpretive impression.Shahid Akhtar has made these characters of big cities his subject which are called Margined Characters. These cities include Mumbai and Kanpur. There is a lot of fiction on Mumbai in Urdu but Shahid Akhtar has presented Mumbai as a symbolic city in his fiction, so Kanpur is his main palace where he observes and studies the basic institutions of life which are fundamental to every other values. captures the scene of destruction.

Shahid Akhtar's narrative continues with his own creative richness. Fluency of expression with clear expression creates readability and no interruptions in delivery. Those things are done in secret in such a way that the imaginary enjoyment of the beauty in the oat increases. What lies behind it becomes interesting. Nevertheless, while reading Shahid Akhtar, one sometimes fears that he may fall into the cycle of eroticism, from which he has narrowly escaped so far. At one or two places, they have come to the mood of creating poetry in the sentences.Shahid Akhtar also exposes international religious blackouts through his art and also shows a mirror to the general social constitution. These are the eternal problems of the mortal world where only the artist's eyes and artistic values work.

Shahid Akhtar's fiction breathes in the present moment. Here they are today, in full force. It is a search for today, even if it is showing a descent into the cultural decline of today. If they have a glimpse of the past, then this form is seen in the mirror of today.Shahid Akhtar draws on the depth of psychology for the creative practice of characterization and narrative where sex becomes art. Sex is a natural thing and nature is not art, it is nature itself. Highlighting the beauty of nature by separating it from its non-beauty is the work of art, but it is the effort of the artist to bring its non-beauty to the level of art through creative efforts. As an artist, Shahid Akhtar plays the role of a psychological realist.