Bücher von Sir Walter Scott

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The Prior Aymer had taken the opportunity afforded him, of changing his riding robe for one of yet more costly materials, over which he wore a cope curiously embroidered. Besides the massive golden signet ring, which marked his ecclesiastical dignity, his fingers, though contrary to the canon, were loaded with precious gems; his sandals were of the finest leather which was imported from Spain; his beard trimmed to as small dimensions as his order would possibly permit, and his shaven crown concealed by a scarlet cap richly embroidered. The appearance of the Knight Templar was also changed; and, though less studiously bedecked with ornament, his dress was as rich, and his appearance far more commanding, than that of his companion. He had exchanged his shirt of mail for an under tunic of dark purple silk, garnished with furs, over which flowed his long robe of spotless white, in ample folds. The eight-pointed cross of his order was cut on the shoulder of his mantle in black velvet. The high cap no longer invested his brows, which were only shaded by short and thick curled hair of a raven blackness, corresponding to his unusually swart complexion. Nothing could be more gracefully majestic than his step and manner, had they not been marked by a predominant air of haughtiness, easily acquired by the exercise of unresisted authority. . . .

Book Excerpt: ...bout for a congenial subject upon which to try his hand in a larger way than he had as yet adventured. Such a subject came to him at last in a manner calculated to enlist all his enthusiasm in its treatment, for it was given him by the Countess of Dalkeith, wife of the heir-apparent to the dukedom of Buccleugh. The ducal house of Buccleugh stood at the head of the clan Scott, and toward its representative the poet always held himself in an attitude of feudal reverence. The Duke of Buccleugh was his "chief," entitled to demand from him both passive loyalty and active service; so, at least, Scott loved to interpret their relationship, making effective in his own case a feudal sentiment which had elsewhere somewhat lapsed. He especially loved to think of himself as the bard of his clan, a modern representative of those rude poets whom the Scottish chiefs once kept as a part of their household to chant the exploits of the clan. Nothing could have pleased his fancy more, therefore, than a request on the part of th..

"Reprinted from the 1894 edition"--T.p. verso.

The main characters are the Scottish knight Kenneth, a fictional version of David of Scotland, Earl of Huntingdon, who returned from the third Crusade in 1190; Richard the Lionheart; Saladin; and Edith Plantagenet, a relative of Richard.In Scott's own words: "the warlike character of Richard I, wild and generous, a pattern of chivalry, with all its extravagant virtues and its no less absurd errors, was opposed to that of Saladin, in which the Christian and English monarch showed all the cruelty and violence of an Eastern sultan and Saladin, on the other hand, displayed the deep policy and prudence of a European sovereign, whilst each contended which should excel the other in the knightly qualities of bravery and generosity. This singular contrast afforded, as the author conceived, materials for a work of fiction possessing peculiar interest."

Sir Geoffrey Peveril, an old Cavalier, and Major Bridgenorth, a fanatical Puritan, are neighboring landowners in Derbyshire, and though of widely different opinions and modes of life, have been connected by ties of reciprocal kindness in the days of the Civil War. Julian, the son of Sir Geoffrey, and Alic, the daughter of Bridgenorth, are deeply in love. The recrudescence of bitter political feeling during the period of the 'Popish plot' brings the parents into acute conflict. The author draws elaborate portraits of Charles II and Buckingham, and gives glimpses of Titus Oates, Colonel Blood and Sir Geoffrey Hudson. This edition includes an introduction by the author. Sir Walter Scott (1771-1832), began his career writing narrative poetry, and later re-launched his career as a novelist. Deriving most of his material from his native Scotland, its history and its legends, Scott invented and mastered what we know today as the historical novel.