Bücher von Udith Dematagoda

Set in Glasgow 2015. A man suddenly finds himself alone, but not for too long. Soon his attention is consumed by another woman - sublime, inspired, unknowable - and different, he feels, from those who came before her. His friend, arrogant and unencumbered, taunts him as they drift aimlessly from one hangover to the next amidst a landscape of uniform grey, pulsating lights and insipid rain. Between querulous despondency and abject nihilism - an attempt to capture the disquiet of the decade just past, striking at the heart of a contagious male despair. 

This book argues that ideology is a prism through which the work of Vladimir Nabokov needs to be considered. It is thus the first attempt to foreground questions of ideology and politics within a field that has historically been resistant to such readings.The perception of Nabokov as an apolitical writer is one which the author encouraged throughout the latter part of his career in his non-fictional writings and in the small number of well-rehearsed interviews that he gave. When questions of ideology and politics have arisen in scholarship, they have only been featured in passing or have merely re-confirmed the author¿s self-designation as an «old-fashioned liberal». When we consider that Nabokov lived through some of the most traumatic historical ruptures of the past century then this lack of reference to ideology in the critical literature appears quite revealing.Through the analysis of works which have previously received little attention as well as new perspectives on better known works, this book demonstrates how ideology and politics were ever-present and had an indelible effect on Nabokov's literary aesthetics.