Bücher von Valerius Flaccus

Valerius Flaccus' Argonautica is one of the most significant surviving works of Flavian epic, which has recently become much more popular as a field of study and teaching in Latin literature. This is the first commentary in English directly tailored to the needs of graduate and advanced undergraduate students. It provides an introduction to the major themes of the poem and the structure and content of Book III in particular which can function as an overview of the key features of Flavian epic. The detailed commentary on Book III discusses linguistic issues, intertextual and mythical allusions and thematic strands. The book consists of two major episodes in the adventures of Jason and the Argonauts which can be read together or independently of each other.

Swollen seas, erotic monsters, Greek passion gone Latin, deftlyThis 1st-century AD Latin version of the earlier Greek epic features exotic lands, wondrous monsters and a sea voyage over swells of young love. Valerius Flaccus lent sharp Roman refinements and erotic passion to the tale, which are skillfully sustained in this careful and appealing modern translation in English verse.Apollonius Rhodius’ epic poem Argonautica, written in Greek during the 3rd century BC, has become the de facto standard version of the story of Jason and the Argonauts and their quest for the Golden Fleece. Valerius Flaccus’ Latin epic of the last 1st century AD is by contrast little known, even to those well-read in ancient literature. This translation offers an accurate and appealing version in English verse.Flaccus’ Argonautica lends keen Roman touches to the tale, amplifying the sense of adventure and the erotic passion found in the Greek. It offers vicarious travel to exotic lands, gripping heroism before wondrous monsters and a dream team of famous Greek heroes. The stirring sea voyage is spiced by the blossoming love of Jason and Medea, young passion not yet gone sour. Michael Barich’s deft translation and lyrical grace notes will delight devotees and newcomers to this timeless classic.Many know of this tale via the 1963 Columbia Pictures film, with its stop-motion animation by Ray Harryhausen. Not many know (why would they?) that the cover artwork by Kenyon student Thomas Chappell Lewis was made on Post-it Notes. Examine the cover carefully and you’ll see them. And now you’re one of not-many.