Bücher von William Hope Hodgson

"The Ghost Pirates" by William Hope Hodgson is a terrifying maritime mystery that transports readers to the uncanny international of the excessive seas. The story takes vicinity onboard the ship "Mortzestus," in which a crew of sailors embarks on a perilous journey filled with mysterious encounters and unexplained happenings. As the sailors cruise through fog-shrouded waters, they're soon beset with the aid of peculiar occurrences and appearances of ghostly beings. Strange noises reverberate at some stage in the ship, and group participants vanish without a trace, producing an air of fear and discomfort. Amidst the rising anxiety and dread, the protagonist, Jessop, confronts the scary fact of malicious spirits inhabiting the vessel. As the group members face the horrors lurking in the shadows, they should work collectively to find out the fact behind the ghostly appearances and fight for their lives against otherworldly forces beyond their expertise. Hodgson expertly blends topics of horror, mystery, and maritime adventure to create a riveting tale that keeps readers on the brink of their seats until the stop. "The Ghost Pirates" is a demanding research of the macabre, as well as a haunting reminder of the persistent electricity of mystery.

"The Night Land" is a dystopian science fiction novel written by William Hope Hodgson, first published in 1912. Set in a far-distant future where the sun has died, the narrative follows an unnamed protagonist on a perilous journey through a desolate, post-apocalyptic Earth. As the last remnants of humanity survive in isolated redoubts, they face constant threats from monstrous creatures and supernatural forces that roam the dark, inhospitable landscape. Hodgson's vivid and imaginative prose creates a haunting and atmospheric world, filled with eerie landscapes, terrifying creatures, and a persistent sense of impending doom. Through the protagonist's quest to reunite with his beloved in the oppressive darkness, "The Night Land" explores themes of love, perseverance, and the resilience of the human spirit in the face of unimaginable adversity.

"The Boats of the 'Glen Carrig'" is a novel written by William Hope Hodgson. It falls within the genre of weird fiction and supernatural horror. The story is known for its eerie and mysterious atmosphere, as well as its exploration of the unknown and otherworldly elements.

"The Ghost Pirates" is a classic supernatural horror novel by William Hope Hodgson, published in 1909. The story follows a young sailor named Jessop who joins the crew of the ship Mortzestus, unaware of its haunted reputation. As the voyage progresses, the crew experiences terrifying and unexplained events, including strange apparitions and an oppressive sense of dread. The novel explores the psychological toll of fear and isolation as the crew confronts malevolent supernatural forces on board, making it a seminal work in early 20th-century horror literature.

""The House on the Borderland"" is a mesmerizing and unsettling novel by William Hope Hodgson, celebrated for its unique blend of supernatural horror and cosmic terror. The story centers around a recluse who lives in a remote house on the edge of an otherworldly abyss. As he uncovers an ancient manuscript, he begins to experience nightmarish visions and encounters grotesque, otherworldly creatures.Hodgson's narrative is a journey into the surreal and the unknown, as the protagonist grapples with forces beyond human comprehension. The novel's eerie and atmospheric writing delves into themes of time, space, and the fragility of human existence, creating an unsettling and hypnotic reading experience. ""The House on the Borderland"" is a masterpiece of early 20th-century weird fiction, captivating readers with its mind-bending horror and the sense of cosmic dread it evokes, making it a seminal work in the genre.

Two friends on a fishing trip discover a manuscript that chronicles a tale of cosmic horror in the ruins of an oddly shaped house at the edge of an abyss in a remote Irish landscape. The manuscript describes the apparent descent into madness of its author, a recluse who, according to his strange account, witnesses the destruction of the solar system and time itself. The House on the Borderland is a singular work that transcends Gothic-style psychological haunting to introduce a modern, evocative blend of horror, science fiction, and fantasy. This Warbler Classics edition includes the first-edition annotations and a detailed biographical timeline.

The Night Land is science fiction ahead of its time. Published in 1912, the book introduces a 17th-century gentleman who loses his wife. He soon discovers himself somehow reanimated in Earth¿s far future, millions of years from now, when the sun has died and the Earth has become a hellish waste. What remains of humanity lives in titanic mile-high pyramids surrounded by energy shields to protect them from the abhuman monsters lurking in the darkness.The human survivors soon receive a distress signal sent by a long-forgotten lesser pyramid, and the narrator embarks on a bloody quest to rescue the maiden of the pyramid¿which he knows to be his lost love, somehow transcending time and space. On his journey the narrator is beset by countless horrifying monsters, many of them mutated former-humans. These depictions are so singular that H. P. Lovecraft called The Night Land ¿one of the most potent pieces of macabre imagination ever written.¿The novel is unique in its farsighted depiction of technology. The narrator has telepathic powers and is able to communicate with others over long distances. These powers are enabled by his ¿brain elements,¿ which are possibly surgically-implanted. Telepathic communications may be spied upon by the monsters of the waste, but a ¿master word¿ sent by the caller may verify the integrity of the signal¿a description of a kind of early public-key cryptography.The narrator survives on food pellets and ¿powdered water,¿ predicting a kind of astronaut food. His weapon of choice is a Diskos, a kind of whirling razor-sharp blade that shoots fire and energy. The machines and force fields of the human pyramid monument are powered by ¿Earth current,¿ which the narrator worries is slowly becoming dimmer over the years. The pyramid itself is a jewel of imagination: described as miles wide and miles high, each layer is its own city, and it continues deep underground where artificial grow chambers provide food for millions of humans.Though the novel maintains a sort of legendary status for its grim and imaginative depiction of a monstrous future world, critics acknowledge the work as a flawed masterpiece. The narrative is written in a highly affected style, perhaps meant to emulate 17th century speech, or perhaps meant to be a stylized form of speech used by far-future humans. In any case, it resembles no real style of English, past or present. While some critics praise this style as uniquely atmospheric, others point to it, along with the lack of dialog or proper names, as some of the book¿s more difficult aspects. Critics also frequently cite the book¿s highly repetitious nature, simplistic characterization, and inordinate length¿nearly 200,000 words¿as major flaws. But despite whatever flaws the novel may have, the awesome vision of The Night Land remains a marvel to behold.

" Now we had been five days in the boats, and in all this time made no discovering of land. Then upon the morning of the sixth day came there a cry from the bo'sun, who had the command of the lifeboat, that there was something which might be land afar upon our larboard bow; but it was very low lying, and none could tell whether it was land or but a morning cloud. Yet, because there was the beginning of hope within our hearts, we pulled wearily towards it, and thus, in about an hour, discovered it to be indeed the coast of some flat country.Then, it might be a little after the hour of midday, we had come so close to it that we could distinguish with ease what manner of land lay beyond the shore, and thus we found it to be of an abominable flatness, desolate beyond all that I could have imagined. Here and there it appeared to be covered with clumps of queer vegetation; though whether they were small trees or great bushes, I had no means of telling; but this I know, that they were like unto nothing which ever I had set eyes upon before.So much as this I gathered as we pulled slowly along the coast, seeking an opening whereby we could pass inward to the land; but a weary time passed or ere we came upon that which we sought. Yet, in the end, we found ita slimybanked creek, which proved to be the estuary of a great river, though we spoke of it always as a creek. Into this we entered, and proceeded at no great pace upwards along its winding course; and as we made forward, we scanned the low banks upon each side, perchance there might be some spot where we could make to land; but we found nonethe banks being composed of a vile mud which gave us no encouragement to venture rashly upon them."

" In response to Carnacki's usual card of invitation to have dinner and listen to a story, I arrived promptly at 427, Cheyne Walk, to find the three others who were always invited to these happy little times, there before me. Five minutes later, Carnacki, Arkright, Jessop, Taylor, and I were all engaged in the "pleasant occupation" of dining."You've not been long away, this time," I remarked, as I finished my soup; forgetting momentarily Carnacki's dislike of being asked even to skirt the borders of his story until such time as he was ready. Then he would not stint words."That's all," he replied, with brevity; and I changed the subject, remarking that I had been buying a new gun, to which piece of news he gave an intelligent nod, and a smile which I think showed a genuinely goodhumored appreciation of my intentional changing of the conversation.Later, when dinner was finished, Carnacki snugged himself comfortably down in his big chair, along with his pipe, and began his story, with very little circumlocution:"As Dodgson was remarking just now, I've only been away a short time, and for a very good reason tooI've only been away a short distance. The exact locality I am afraid I must not tell you; but it is less than twenty miles from here; though, except for changing a name, that won't spoil the story. And it is a story too! One of the most extraordinary things ever I have run against."

A romance of the far future, in which humankind has relocated underground, where it is beset by monsters from another dimension—but love leads on.In the far future, humankind’s survivors huddle below Earth’s frozen surface in a pyramidal fortress-city that, for centuries now, has been under siege by loathsome “Ab-humans,” enormous slugs and spiders, and malevolent “Watching Things” from another dimension. When our unnamed protagonist receives a telepathic distress signal from a woman whom (in a previous incarnation) he’d once loved, he sallies forth on an ill-advised rescue mission—into the fiend-haunted Night Land!“Like certain rare dreams,” C. S. Lewis wrote of Hodgson’s masterpiece, The Night Land can give “sensations we never had before and enlarge our conception of the range of possible experience.” H. P. Lovecraft agreed that this is “one of the most potent pieces of macabre imagination ever written.”William Hope Hodgson (1877–1918) was an English poet, sailor, bodybuilder, and weird fiction pioneer whose horror, fantastic, and proto-sf novels—in addition to The Night Land—include The Boats of the “Glen Carrig” (1907), The House on the Borderland (1908), and The Ghost Pirates (1909). He also wrote stories in the Sargasso Sea series, the Captain Gault series, and a series about the occult detective Carnacki.

William Hope Hodgson, an English author, collected occult detective short stories under the title Carnacki the Ghost-Finder.The Grey Room, a chamber in an old mansion, was the scene of a gruesome murder many years ago. He underestimates the strength of the manifestation, and he spends a wretched, terrifying night within his electrified pentacle. In Ireland, a derelict home exhibits paranormal activity, including what seems to be blood falling from the roof. Carnacki assembles a team of strong neighborhood guys and many dogs for the investigation. According to a Celtic tradition, a court jester was once burned to death while whistling in the fireplace of the chamber. The chamber is then completely destroyed, with all of its components being burnt in a blast furnace inside of a protective pentacle that features an old Celtic inscription. There is a female firstborn for the first time in seven generations, and her fiancée has just had her arm shattered by an unidentified attacker. Carnacki looks into a haunting that has occurred at his mother's home. The tenant informs Carnacki about the house's enigmatic past and rumours of a ghostly woman. Carnacki spends the night at the chapel dressed in armour, his camera at the ready to capture any enigmatic occurrences. He had been hearing strange noises all night.

"From the manuscript, discovered in 1877 by Messrs Tonnison and Berreggnog, in the ruins that lie to the south of the village of Kraighten, in the west of Ireland. Set out here, with notes." -This large format (6 x 9 trade paperback) exceptionally faithful reference edition by Along About Midnight Press presents William Hope Hodgson's chilling novel The House on the Borderland as published by Chapman and Hall, of London, in 1908. The novel is presented complete and unabridged. This edition has been carefully edited with the goal of restoring the original novel, and contains no interpretive essays, "modern perspectives," or other vanity content. About 236 strange, pit-watered pages.

Hodgsons dritter Roman. Nachdem er in "Das Haus an der Grenze" sämtliche Dimensionsgrenzen hinter sich ließ und damit quasi das Genre des kosmischen Horrors begründete, kehrte er hier nun wieder in bekanntere Gewässer zurück. Die 1909 veröffentliche Geschichte spielt nämlich komplett auf dem Meer. "Er kam ohne Umschweife zur Sache" lautet der erste Satz des Romans - Und das tut Hodgson dann auch. Genau wie schon in "Die Boote der Glen Carrig" hält er sich nicht lange mit Exposition auf. Die erste Geistererscheinung gibt's bereits auf Seite 3: "Es war die Gestalt eines Mannes, der soeben über die Steuerbordrehling an Bord stieg." Und in diesem Tempo geht es dann weiter.Über den Protagonist und die restliche Besatzung erfährt man im weiteren Verlauf der Handlung hingegen so gut wie nichts. Sie bleiben nur Statisten, denen Hodgson jedoch auch gar keine Zeit für zwischenmenschliches Geplänkel oder das gegenseitige Ausloten biographischer Daten gönnt. Er konfrontiert sie stattdessen lieber mit einem paranormalen Ereignis nach dem nächsten.Diese fallen übrigens weniger pulpig oder trashig aus, als der Titel "Die Geisterpraten" vielleicht vermuten lässt.

The Night Land (1912) is a terrifying tale of romance and fantasy in which William Hope Hodgson imagines humanity at the end of the world. Noted for its creative exploration of concepts such as telepathy, futuristic technologies, and reincarnation, Hodgson's novel is an indisputable classic of literary science fiction.When a widower dreams of Earth in a far-off future, what he sees is nearly unrecognizable. The sun has been extinguished, and all human life has been forced to gather within the Last Redoubt, a metal pyramid looming miles above the darkened planet. Outside, monstrous forces gather, waiting for the mysterious energy source powering humanity's last refuge to die out. When the narrator unexpectedly connects with a young woman telepathically, he makes the horrifying choice to leave the safety of the pyramid in order to search for her at the rumored Lesser Redoubt, long thought lost to the dark. The Night Land journeys to the outer reaches of space and time to see how far humanity will go to keep love, and itself, alive.Complex and kaleidoscopic, William Hope Hodgson's The Night Land is a classic story of romance and loss projected into a harsh, unpredictable future. It is often considered a seminal work in the Dying Earth or apocalyptic subgenre of science fiction and fantasy. For its strange blend of futuristic imagery and archaic narration, the book was initially deemed difficult to read. However, as time has passed, and with the help of positive reviews by such figures as H.P. Lovecraft, The Night Land is now appreciated for the depths of its vision and the experimental nature of its form.For modern readers, who face the daily reality of a deadly pandemic and a future threatened by global climate disaster, Hodgson's work can only prove timely. For fans of classic science fiction, horror, and fantasy, The Night Land is a guaranteed hit.With a beautifully designed cover and professionally typeset manuscript, this new edition of William Hope Hodgson's The Night Land is a classic work of science fiction reimagined for modern readers.

A house seemingly disconnected in time and space becomes the setting for brutal conflict between the hapless homeowner and a collection of grotesque semi-human creatures in this landmark of fantasy and horror.The House on the Borderland is the account of a man, known only as the recluse, who moves into a remote and shunned house and unwittingly finds himself suspended between worlds, traveling through time, and fighting for his life against a siege of misshapen monstrosities. The author's sweeping imagination evokes a wide variety of fantastical effects, from eerie intimations of the weird to vivid manifestations of supernatural horror, from fabulous glimpses of otherworldly landscapes to direct combat with non-human assailants of murderous intent. First published in 1908, the novel quickly acquired a reputation as a rare and visionary example of cosmic horror that would influence and draw praise from H.P. Lovecraft, Clark Ashton Smith, Olaf Stapleton and others. As gripping and surreal as a fever dream, The House on the Borderland remains one of the most transporting destinations in literature.With an eye-catching new cover, and professionally typeset manuscript, this edition of The House on the Borderland is both modern and readable.

he Sun has gone out and the Earth is lit only by the glow of residual vulcanism. The last few millions of the human race are gathered together in the Last Redoubt, a gigantic metal pyramid, nearly eight miles high, which is under siege from unknown forces and Powers outside in the dark. These are held back by a shield known as the "air clog", powered from a subterranean energy source called the "Earth Current". For thousands of years vast living shapes known as the Watchers have waited in the darkness near the pyramid. It is thought that they are waiting for the inevitable time when the Circle's power finally weakens and dies. Other living things have been seen in the darkness, some of unknown origins, and others that may once have been human. Hodgson uses the term "Abhuman" to name several different species of intelligent beings evolved from humans who interbred with alien species or adapted to changed environmental conditions, and are seen as decayed or maligned by those living inside the Last Redoubt.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

A house seemingly disconnected in time and space becomes the setting for brutal conflict between the hapless homeowner and a collection of grotesque semi-human creatures in this landmark of fantasy and horror.The House on the Borderland is the account of a man, known only as the recluse, who moves into a remote and shunned house and unwittingly finds himself suspended between worlds, traveling through time, and fighting for his life against a siege of misshapen monstrosities. The author¿s sweeping imagination evokes a wide variety of fantastical effects, from eerie intimations of the weird to vivid manifestations of supernatural horror, from fabulous glimpses of otherworldly landscapes to direct combat with non-human assailants of murderous intent. First published in 1908, the novel quickly acquired a reputation as a rare and visionary example of cosmic horror that would influence and draw praise from H.P. Lovecraft, Clark Ashton Smith, Olaf Stapleton and others. As gripping and surreal as a fever dream, The House on the Borderland remains one of the most transporting destinations in literature.With an eye-catching new cover, and professionally typeset manuscript, this edition of The House on the Borderland is both modern and readable.

The Night Land (1912) is a terrifying tale of romance and fantasy in which William Hope Hodgson imagines humanity at the end of the world. Noted for its creative exploration of concepts such as telepathy, futuristic technologies, and reincarnation, Hodgson¿s novel is an indisputable classic of literary science fiction.When a widower dreams of Earth in a far-off future, what he sees is nearly unrecognizable. The sun has been extinguished, and all human life has been forced to gather within the Last Redoubt, a metal pyramid looming miles above the darkened planet. Outside, monstrous forces gather, waiting for the mysterious energy source powering humanity¿s last refuge to die out. When the narrator unexpectedly connects with a young woman telepathically, he makes the horrifying choice to leave the safety of the pyramid in order to search for her at the rumored Lesser Redoubt, long thought lost to the dark. The Night Land journeys to the outer reaches of space and time to see how far humanity will go to keep love, and itself, alive.Complex and kaleidoscopic, William Hope Hodgson¿s The Night Land is a classic story of romance and loss projected into a harsh, unpredictable future. It is often considered a seminal work in the Dying Earth or apocalyptic subgenre of science fiction and fantasy. For its strange blend of futuristic imagery and archaic narration, the book was initially deemed difficult to read. However, as time has passed, and with the help of positive reviews by such figures as H.P. Lovecraft, The Night Land is now appreciated for the depths of its vision and the experimental nature of its form.For modern readers, who face the daily reality of a deadly pandemic and a future threatened by global climate disaster, Hodgson¿s work can only prove timely. For fans of classic science fiction, horror, and fantasy, The Night Land is a guaranteed hit.With a beautifully designed cover and professionally typeset manuscript, this new edition of William Hope Hodgson¿s The Night Land is a classic work of science fiction reimagined for modern readers.