Bücher von William Rothman

Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

An expanded edition of a classic work of film criticism, with a provocative and eloquent new chapter on Marnie, Hitchcock's most heartfelt--and most controversial--film.

Makes the case that philosophy has an essential role to play in the serious study of film.

A study of one of Stanley Cavell's greatest yet most neglected books. The authors address the philosopher's readers who have neither understood why he has given film so much attention, nor grasped the place of ""The World Viewed"" within the totality of his writings about film.