Bücher von William Shakespeare

Romeo and Juliet is William Shakespeare's most celebrated stories of tragedy and romance. The story revolves around Romeo and Juliet, two star-crossed lovers whose love only knows the most heartbreaking ending.The romance between Romeo and Juliet began when Romeo, Montague's son, was advised to go to the ball at the Capulet house. Despite the mutual hatred between the Montagues and Capulets, Romeo attends the function where he sees the beautiful Juliet. They fall in love with each other and are inseparable. However, their families will not allow it and this leads to the young lovers making severe decisions on their own. Readers mourn the tragic ending to their love story even today.

The Tempest is one of the plays in which William Shakespeare's genius as a poetic dramatist found its fullest expression. The Tempest gives us a magician, Prospero, a former duke of Milan who was displaced by his treacherous brother, Antonio.Prospero is exiled on an island, where his only companions are his daughter, Miranda, the spirit Ariel, and the monster Caliban. When his enemies are among those caught in a storm near the island, Prospero turns his power upon them through Ariel and other spirits.William Shakespeare, also known as the "Bard of Avon," is often called England's national poet and considered the greatest dramatist of all time. Shakespeare's works are known throughout the world. Shakespeare was born and raised in Stratford-upon-Avon. His surviving works consist of 38 plays,154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language,and are performed more often than those of any other playwright

Double Falshood was staged at the Theatre Royal in Drury Lane at the end of 1727, and the following year Lewis Theobald (1688-1744) published the text, which was reprinted several times. Theobald was an energetic editor who translated Sophocles' Electra and Aristophanes' Plutus for performance in London, wrote and edited many other dramatic works, and caused great controversy in literary circles with his Shakespeare Restored (1726), a critique of Pope's edition. Scholars have debated for nearly three centuries to what extent, if at all, Double Falshood derives from a lost play by Shakespeare, as Theobald claimed. There is now widespread agreement that it is the only surviving version of Shakespeare and Fletcher's Cardenio, which was based on episodes from Cervantes' Don Quixote and is known to have been performed in 1613. Interest generated by the play's partial acceptance into the Shakespearean canon has also led to modern revivals.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

The anonymous 'Old Soldier' who compiled this anthology of passages from Shakespeare, published in 1877, states in the preface that he was inspired to make his selection by a passage in The Gentle Life: Essays in Aid of the Formation of Character, by the now largely forgotten Victorian essayist James Hain Friswell: 'If a man wanted to make a sugar-sweet book ... let him go through the plays of the great national Poet, and make an extract of those passages wherein he has exalted woman.' In thirty-three sections (four plays are omitted), extensive quotations present examples of 'exalted woman' and give an insight into the taste of the educated middle class in the mid-Victorian period.

T.G. Tucker was the founding professor of Classics and English at Auckland University College before moving to Melbourne in 1885. His 1924 edition of Shakespeare's Sonnets, with full commentary and notes, illuminates the power and beauty of the poetry for the reader. Tucker's detailed introduction contains discussion of key issues including the publication history of the Sonnets, the question of whether they are autobiographical, the arrangement of the First Series and factors of punctuation, spelling and misreadings or misprints. Recognising the significance of any corruptions of the text - however small - such as wrong emphasis or attaching the incorrect meaning to a word or phrase, Tucker aims to clear up as many as possible of the obscurities left by earlier commentators. Concise and accessible notes draw key comparisons between different editions, demonstrating for the reader the many possible variations and their effect on the meaning, and our understanding, of the Sonnets.

Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623. The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire.

As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 has been suggested as a possibility. As You Like It follows its heroine Rosalind as she flees persecution in her uncle's court, accompanied by her cousin Celia to find safety and, eventually, love, in the Forest of Arden. In the forest, they encounter a variety of memorable characters, notably the melancholy traveller Jaques, who speaks many of Shakespeare's most famous speeches (such as "All the world's a stage", "too much of a good thing" and "A fool! A fool! I met a fool in the forest").

Coriolanus is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. Shakespeare worked on it during the same years he wrote Antony and Cleopatra, making them the last two tragedies written by him. Coriolanus is the name given to a Roman general after his military feats against the Volscians at Corioli. Following his success he seeks to be consul, but his disdain for the plebeians and the mutual hostility of the tribunes lead to his banishment from Rome. He presents himself to the Volscians, then leads them against Rome.

Henry VIII is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. An alternative title, All Is True, is recorded in contemporary documents, with the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays. During a performance of Henry VIII at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original Globe building to the ground.