Bücher von William Shakespeare

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems and an extensive introduction. The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary. Appendices include the theatrical practice of doubling.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. In this second edition of Shakespeare's Merry Wives of Windsor David Crane emphasises the liveliness of the play in stage terms. He also claims that this citizen comedy was an expression of Shakespeare's fundamental understanding of human life, conveyed centrally in the character of Falstaff. In the process he examines Shakespeare's free and vigorous use of different linguistic worlds. An account of the play's textual history concludes that at the time of its earliest performances Shakespeare's text was being adapted to specific theatrical needs, and as much in the possession of its players as of its author.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. In this second edition of The Two Gentlemen of Verona, Kurt Schlueter approaches Shakespeare's early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which in combination show high-flown human ideals as incompatible with each other and with human nature. Since the first known production at David Garrick's Drury Lane Theatre, the play has tempted major directors and actors, though changing conceptions of the play often fail to recognise its subversive impetus. This updated edition includes a new introductory section by Lucy Munro on recent stage and critical interpretations, bringing the thoroughly researched, illustrated performance history up to date.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of King Richard III, Janis Lull has added a new section to her introduction, in which she focuses on contemporary productions of the play as well as recent scholarly criticism. Lull emphasises the importance of women's roles in this popular drama but shows how the text has frequently been cut, rewritten and reshaped by directors and actors to enhance the role of Richard, often at the expense of female characters. The special relationship between King Richard III and Macbeth is also explored while the notes detail the play's language in terms that are easily accessible to contemporary readers.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries, textual notes on the plays and poems and an extensive Introduction. Since the late twentieth century, when scholarly attention began to focus on sexuality, collaboration and Shakespeare's late plays, The Two Noble Kinsmen has become an essential script. Turner and Tatspaugh's edition presents a strong case for taking the play more seriously now than ever before. A lively introduction discusses Shakespeare's craftsmanship in adapting a medieval tale for the Jacobean stage, the extent of co-authorship with John Fletcher, the rhetorical complexity of Shakespeare's late style, the themes of sexuality and friendship, and contemporary critical responses to the play. The edition demonstrates the theatrical vitality of The Two Noble Kinsmen and confirms it as a play for today.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by William C. Carroll, this edition of Love's Labour Lost features a lively account of the play's performance history from 1632 to the present day. Stage and screen productions of the late twentieth century receive particular attention and a range of international performances are also explored. New trends in the scholarly criticism are discussed in the introduction, as are the play's sources and historical contexts. Carroll's text is freshly edited from the First Quarto, published in 1598, and presents a highly readable modernised edition of Love's Labour Lost; a play known for its unorthodox ending and extraordinary use of language.

'We go to Shakespeare to find out about ourselves' Jeanette WintersonBeatrice and Benedick both claim they are determined never to marry. But when their friends trick them into believing that each harbours secret feelings for the other, the pair begin to question whether their witty banter and verbal sparring conceal something deeper. Schemes abound, dangerous misunderstandings proliferate and matches are eventually made in this dazzling, dark-edged comedy of mature love and second chances. Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by R. A. FoakesIntroduction by Janette Dillon

'He could mingle sublimity with pathos, bitterness with joy and peace and love' Aldous HuxleyIn one of Shakespeare's most perennially popular comedies a young woman, Hermia, flees ancient Athens with her lover, only to be pursued by her would-be husband and her best friend. Unwittingly, all four find themselves in an enchanted forest where fairies and sprites take an interest in human affairs, dispensing magical love potions and casting mischievous spells. Slapstick collides with courtly romance and confusion ends in harmony, as love is transformed, misplaced and ultimately restored.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Stanley Wells Introduction by Helen Hackett

'All the world's a stage, And all the men and women merely players' Rosalind, banished by her cruel uncle, travels secretly to the Forest of Arden, where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves - now a fellow exile - and resolves to remain in disguise to test his feelings for her. One of Shakespeare's most sunny, fast-paced and accessible comedies, As You Like It is an exuberant combination of concealed identities and verbal jousting, burlesque and pastoral dream, reconciliations and multiple weddings.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by H. J. Oliver Introduction by Katherine Duncan-Jones

'The Mona Lisa of literature' T. S. EliotIn Shakespeare's verbally dazzling and eternally enigmatic exploration of conscience, madness and the nature of humanity, a young prince meets his father's ghost in the middle of the night, who accuses his own brother - now married to his widow - of murdering him. The prince devises a scheme to test the truth of the ghost's accusation, feigning wild insanity while plotting revenge. But his actions soon begin to wreak havoc on innocent and guilty alike.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by T. J. B. SpencerIntroduction by Alan Sinfield

'I pity the man who cannot enjoy Shakespeare' George Bernard ShawThe beautiful and witty Katherina has sworn never to accept the demands of any would-be husband. But when she is pursued by the wily Petruchio, it seems that she has finally met her match. As he meets her caustic words with capricious cruelty, Katherina is forced to reconsider her position, in one of the greatest and most contentious of all comic battles of the sexes.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by G. R. HibbardIntroduction by M. J. Kidnie

'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe ShelleyShakespeare's bleak and brutal tragedy begins when an ageing king, seeking a successor, rejects the young daughter who loves him and misplaces his trust in her malevolent sisters. In return they strip him of his power and condemn him to a wretched wasteland of horror and insanity. Set in a pitiless universe, King Lear is a towering, elemental masterpiece of fierce poetry and vast imaginative scope.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by George HunterIntroduction by Kiernan Ryan

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare's most elusive and suggestive. A revised and updated reading list completes the edition.

"e;You are deluded, Romeo. Vampires do not have the capability to love. They are heartless."e; The Capulets and the Montagues have some deep and essential differences. Blood differences. Of course, the Capulets can escape their vampire fate, and the Montagues can try not to kill their undead enemies. But at the end of the day, their blood feud is unstoppable. So it's really quite a problem when Juliet, a vampire-to-be, and Romeo, the human who should be hunting her, fall desperately in love. What they don't realize is how deadly their love will turn out to beor what it will mean for their afterlives. . . . This riotous twist on the ultimate tale of forbidden romance is simply to die for.

'If we wish to know the force of human genius we should read Shakespeare' William HazlittA soldier of great standing and a newly married man, Othello seems to be in an enviable position. And yet, when his supposed friend sows doubts in his mind about his wife's fidelity, he is gradually consumed by suspicion. In this tragedy of strange, ornate beauty and remarkable psychological power, innocence is corrupted, and goodness and happiness are wantonly destroyed.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Kenneth Muir Introduction by Tom McAlindon

'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret AtwoodA storm rages. Prospero and his daughter watch from their desert island as a ship carrying the royal family is wrecked. Miraculously, all on board survive. Plotting, mistaken identities, bewitching love and enchantment follow as the travellers explore this mysterious place of spirits and monsters, and discover that all is not as it seems. Shakespeare's late, great play is a work filled with marvels, music and strangeness, fully exploiting the power of language and the magic of theatre.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited with an Introduction by Martin Butler

Macbeth is a tragedy by William Shakespeare about a regicide and its aftermath. It is Shakespeare's shortest tragedy and is believed to have been written sometime between 1603 and 1606. This is a classic audiobook recording read by Sir Anthony Quayle, Robert Hardy and other cast members.Promised a golden future as ruler of Scotland by three sinister witches, Macbeth murders the king to ensure his ambitions come true. But he soon learns the meaning of terror - killing once, he must kill again and again, and the dead return to haunt him. A story of war, witchcraft and bloodshed, Macbeth also depicts the relationship between husbands and wives, and the risks they are prepared to take to achieve their desires.

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Romeo & Juliet is an unchanged, high-quality reprint of the original edition of 1895.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Boure : zpevohra o 3 jednáních, op. 40 = Der Sturm : Oper in 3 Acten, Op. 40 - Vol. 3 ist ein unveränderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1895.Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ernährung, Medizin und weiteren Genres. Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur. Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquitäten erhältlich. Hansebooks verlegt diese Bücher neu und trägt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch für die Zukunft bei.

Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. The plot is based on an Italian tale translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. The text of the first quarto version was of poor quality, however, and later editions corrected the text to conform more closely with Shakespeare's original.Shakespeare's use of his poetic dramatic structure (especially effects such as switching between comedy and tragedy to heighten tension.