Bücher von Zaifu Liu

Ever since they were written in the fourteenth century, The Romance of the Three Kingdoms and The Water Margin have been considered masterpieces of traditional Chinese fiction. People from different social strata have read them and remembered their stories and characters. Since the early twentieth century, Chinese critics have regarded them as part and parcel of their country's literary heritage, offering largely positive artistic assessments even as they criticize their feudal elements. In contemporary China the popularity of the two novels has made them logical choices for adaptation, resulting, for example, in a large number of films and TV dramas based on episodes in the two novels. Given their importance in traditional Chinese literature, these two classics have garnered a tremendous amount of critical attention from scholars. However, nearly all critics have treated them as literary works, failing to explore, in a concentrated manner, their cultural values even as they acknowledge their widespread social influence. This book is not a work of literary criticism in the conventional sense. Rather, it is a cultural/ideological critique. Liu Zaifu's interest lies not in the artistry of the two novels but in the cultural values they reflect and spread. In summing up the worship of violence as the ideal in The Water Margin and the worship of trickery as the ideal in The Romance of the Three Kingdoms, Liu Zaifu uses the two novels as windows to look into certain unhealthy aspects of Chinese culture, linking the novels' enduring popularity and social impact to the Chinese national character. Liu also contrasts the two novels with other classics, such as The Classic of Mountains and Seas and The Dream of the Red Chamber, to demonstrate the multiplicity of Chinese culture. As he calls the two classics into question, he continues to carry the May Fourth critical spirit in contemporary China and expands the scope of cultural criticism. A Study of Two Classics is the first book that focuses exclusively on the cultural values of the two classics. In addition, Liu Zaifu examines how traditional commentators like Jin Shengtan and Li Zhi promoted the cultural values embedded in the two classics and how these harmful values are received and reinforced in contemporary China. He draws inspiration from May Fourth intellectuals, particularly Lu Xun, and from a wide range of works by Western scholars. For instance, he uses Oswald Spengler's notion of "pseudomorphosis" to explain the degeneration and falsification of certain values in Chinese culture. As he engages in cultural comparison either implicitly or explicitly he also asks questions about modernity and modernization. Liu's style is essayistic, which allows him to bring both erudition and personal observation into play. Originally written for a Chinese audience, this highly anticipated translated work will help English-speaking readers understand the issues a leading contemporary Chinese critic tries to address. This is a critical book for scholars and students in Asian studies and literature. This book is part of the Cambria Sinophone World Series (series editor: Victor H. Mair).

This book is the much awaited English translation of Liu Zaifu's book, Reflections on Dream of the Red Chamber. The book consists of three parts-reflections on Dream of the Red Chamber, comments on Dream of the Red Chamber, and discussions on Dream of the Red Chamber. There is also an appendix, "A Discussion of the Philosophy in Dream of the Red Chamber," a speech delivered by Liu Zaifu at the Institute of Philosophy, Central University and at the Chinese Department of Tunghai University, Taiwan, in December 2005. The first part comprises two hundred and four personal reflections on all aspects of Dream of the Red Chamber, the undisputed best traditional novel in China. The second part contains three essays on the spiritual value of the novel, the feeling of repentance and the transcendental philosophical viewpoint in the novel. The third part includes thirteen discussions of various characters and episodes in the novel. The appendix discusses the philosophy in the novel. As the best traditional novel in Chinese literature, Dream of the Red Chamber has attracted a tremendous amount of critical attention over the last hundred years and has given rise to a scholarly field commonly referred to as "redology." In contrast to the works on the novel by other scholars, Liu's book stands out with its personal, intuitive approach. Instead of engaging himself in evidential research, as many scholars in the field have done, Liu reflects on the spiritual orientation and the philosophical implications in the novel from a personal perspective. In so doing he infuses his reflections with his personal experience, his interpretations of works in Chinese literature and world literature, and his philosophical views. Influenced by Zen, Liu's book makes a connection between Dream of the Red Chamber and real life as it exalts the values and philosophical understandings in the novel. Reflections on Dream of the Red Chamber, with its highly original approach to its subject, will be an essential resource for English-speaking readers interested in the classical novel as well as those interested in contemporary literary criticism in China.