Gedichte

The Making retells the universe through science and story, tracing the arc of the cosmos from its origin to the present. The poem recounts the early transformations of the universe, the emergence and development of life on Earth, and the broad span of human history, pairing each new phase with a story--stories drawn from Hinduism, Buddhism, Judaism, Christianity, and Islam, as well as from North American Indigenous traditions, Greek myth, and international creation tales and folktales. Coaxing science and history into evocative language while braiding them with tales, the poem sets a human perspective on the pageant of the cosmos and provides an unprecedented synthesis of evolutionary history with literary and religious imagination. The Making is a lyrical and pluralistic creation story of epic scope--a story that illuminates our time of planetary crisis and imagines ways we might press forward.

Poetry takes you places and Rhea's poems are no exception. Musing on the soft and hard realities of life, "I'm Too Young" transports readers from their own childhood memories to the change of seasons and into contemplation of life and death.¿¿Our Generation Several Miles AwaySeveral miles awayWe are All Getting OlderTruth be toldWe didn't thinkWe would last foreverAnd a DayBut we hopedWe knew This DayWould ComeBut hoped it WasJust a bit farther AwayTo Touch it AgainThe children in the playgroundDo you remember themThey were oursThe Babies the ToddlersNow the Women and MenWe birthed ThemWhen you get more tired outThen you think we wouldOr ShouldSeveral miles AwayThe wonder of itIt happened so fastIt was only yesterdayA Generation gone byThink of it thenAnd travel the MilesAlong the wayThe route was longAnd SometimesWearyBut we are notYet DoneNor even on the runFor the next will comeAnd we will be thereTo ShareThe JoysThe LaughsThe Death That LastsIn our MemoriesStrong and MightyAlong the WayAnd the Tales We will TellYesToday

American poet and author Helen Hunt Jackson, best known for her book "Ramona," also wrote the novel "Between Whiles." The first edition of "Between Whiles" came out in 1888. The novel explores issues like love, duty, and societal expectations while revolving around the lives of its protagonists. The late 19th century in which it is set is reflected in the social mores and values of the time. The main character, Lois, is a young lady divided between her desire for personal fulfilment and her obligations to her family. The story explores the intricacies of relationships and the limitations placed on women in 19th-century American society as Lois negotiates the difficulties of societal expectations and personal desires. It is crucial to remember that the specifics of the synopsis could change depending on the book's version; therefore, reading the book whole through is advised for a more accurate comprehension. "Between Whiles" is an examination of the human condition that gives readers a window into the difficulties and goals faced by people in the late 1800s.

"Chant" is a reflective poem written by Adelaide Anne Procter, an English poet and philanthropist of the 19th century. Born in 1825, Procter was known for her works that often addressed social issues and displayed a deep empathy for the less fortunate.In "Chant," Procter likely presents a meditative and contemplative piece, as the term "chant" suggests a rhythmic and melodic quality to the verses. The poem might encompass themes such as introspection, spirituality, or reflections on the human condition.Adelaide Anne Procter's poetry often carried a moral and humanitarian tone, reflecting her commitment to social causes. As the daughter of Bryan Procter, a notable poet of his time, she was immersed in literary circles and became a respected voice in her own right.To fully appreciate "Chant" and Procter's body of work, one may explore her broader collection of poems. Her writing, characterized by its emotional depth and social consciousness, contributes to the rich landscape of Victorian poetry.

"The Banks of the Yarrow" is a poignant and lyrical poem written by Susanna Blamire, an English poet born in 1747. Blamire, also known as the "Muse of Cumberland," was associated with the literary circles of the Lake District and was a contemporary of poets like William Wordsworth.In "The Banks of the Yarrow," Blamire likely draws inspiration from the natural beauty of the Yarrow River, which flows through the Scottish Borders. The Yarrow has been a recurring motif in literature, celebrated for its scenic landscapes and often associated with themes of love and melancholy.The poem may explore themes such as nature, love, and the passage of time. Blamire's verses are known for their emotive quality, and "The Banks of the Yarrow" is likely to capture the sentiments and reflections of the poet as she contemplates the picturesque surroundings.To fully appreciate the poem, one should delve into Blamire's body of work and the literary context of her time. Her poetry often reflects the spirit of the Romantic era, with a focus on nature, emotion, and the subjective experience."The Banks of the Yarrow" provides readers with a glimpse into the poetic talent of Susanna Blamire and her ability to intertwine personal reflections with the beauty of the natural world. Copies of her poetry collections, including this celebrated poem, can be explored in libraries or through online platforms dedicated to classic literature.

"The Baron's Yule Feast: A Christmas Rhyme" is a festive poem written by Thomas Cooper, an English poet and Chartist associated with the working-class movement of the 19th century. Born in 1805, Cooper was not only a poet but also a political activist, trade unionist, and lecturer.In "The Baron's Yule Feast," Cooper likely weaves a poetic narrative centered around a Christmas celebration, employing rhyme to capture the spirit of the holiday. The term "Yule" refers to the Christmas season in traditional English usage.Given Cooper's background as a Chartist, a movement advocating for political and social reform, his works often reflected themes of social justice and the plight of the working class. While "The Baron's Yule Feast" is likely to embody the festive and celebratory atmosphere of Christmas, it may also contain elements that resonate with Cooper's broader views on society.Cooper's poetry often featured a blend of themes, including nature, labor, and the struggles of the working class. If you delve into "The Baron's Yule Feast," you may encounter a rich depiction of Christmas traditions, potentially interwoven with reflections on the societal context of Cooper's time.To fully appreciate the poem and its nuances, one would benefit from exploring Thomas Cooper's broader body of work and the historical and literary context in which he wrote. Copies of his poetry collections, including "The Baron's Yule Feast," can be found in libraries or through online platforms specializing in classic literature.

"Ballads and Lyrics of Old France: With Other Poems" is a captivating collection penned by Andrew Lang, a versatile Scottish writer celebrated for his contributions to various literary genres. Published in the late 19th century, the anthology delves into the rich tapestry of Old French literature, offering a poetic exploration of traditional ballads and lyrics from France's literary heritage.Andrew Lang's keen interest in folklore, mythology, and classical literature is evident in this collection. The title itself suggests a deep engagement with the poetic traditions of France, showcasing Lang's skill in translating and adapting these timeless narratives. His proficiency in capturing the essence of Old French material reflects a dedication to preserving and presenting the cultural richness embedded in these traditional verses.Beyond the focus on Old French literature, the collection encompasses a diverse array of themes. Lang's poetic versatility shines through as he navigates through various subjects, providing readers with a tapestry of emotions, narratives, and reflections. Each poem within the collection serves as a testament to Lang's ability to engage with a wide spectrum of topics, showcasing his literary dexterity.

"Thanatopsis" is a renowned poem written by William Cullen Bryant, an American poet and editor of the 19th century. First published in 1817 when Bryant was just 17 years old, the poem is considered one of the early masterpieces of American literature.In "Thanatopsis," Bryant explores themes related to death and nature, contemplating the idea of mortality and the interconnectedness of life and death. The title, derived from the Greek words "thanatos" (death) and "opsis" (view), suggests a meditation on the contemplation of death.The poem begins with an invocation to nature, portraying it as a grand and eternal force. Bryant expresses the idea that death is a natural part of the cycle of life, and all living things ultimately return to the earth. He emphasizes the consoling and unifying aspects of death, encouraging readers to view it as a peaceful and harmonious process."Thanatopsis" reflects the Romantic literary movement's appreciation for nature and its role in shaping human perspectives. Bryant's eloquent language and profound reflections on mortality contribute to the enduring appeal of the poem.

"Azaria and Hushai" is a poem written by Elkanah Settle, an English poet and playwright who lived during the 17th century. Settle (1648¿1724) was known for his works in various genres, including drama, poetry, and political satire.The names "Azaria" and "Hushai" are biblical references. Azaria is a name found in the Old Testament, often associated with figures in the Bible, while Hushai was an advisor to King David. The poem may draw on biblical and historical themes. Settle's works often incorporated a narrative style, and he was known for his ability to weave stories and themes into his poetry. Settle lived during a period of political and social upheaval in England. His works sometimes reflected the political and cultural dynamics of the late 17th century.

"Targum" is a work by George Henry Borrow, a 19th-century English author and translator. George Borrow (1803¿1881) was known for his travel narratives, language studies, and translations, particularly his works related to Romani people and their languages. The term "targum" itself has historical and religious connotations. In Jewish tradition, a "targum" refers to an Aramaic translation or paraphrase of the Hebrew Scriptures.Borrow's writing is situated within the 19th-century literary context, where travel literature, language studies, and ethnographic works were gaining popularity.

"Stories in Verse" is a collection of poems written by Henry Abbey, an American poet and playwright. Henry Abbey (1842¿1911) was known for his contributions to American literature during the late 19th and early 20th centuries. Abbey wrote in various genres, including poetry and drama. "Stories in Verse" may showcase his skill in crafting narrative poetry. The title suggests that the collection comprises poems that tell stories. Narrative poetry often involves the use of verse to convey a tale or series of events. The poems in this collection likely cover a range of themes, reflecting Abbey's interests and observations about life, society, and the human experience. Henry Abbey was a contemporary of poets like Walt Whitman and Emily Dickinson. His work is situated within the broader context of American literature during the late 19th century. Abbey gained popularity for his poetry and was recognized for his contributions to the literary scene of his time.

"Songs of Two Nations" is a collection of poems written by Algernon Charles Swinburne, an English poet, playwright, and critic of the 19th century. Swinburne was associated with the Decadent movement and is known for his lyrical and often sensual poetry.Key features of "Songs of Two Nations":Publication: "Songs of Two Nations" was published in 1875.Themes: The collection explores various themes, including social and political issues. Swinburne addresses topics such as war, nationalism, and the human condition.Style: Swinburne's poetry is characterized by its rich and rhythmic language, as well as its exploration of controversial and provocative themes. His style often involves intricate rhyme schemes and vivid imagery.Political Engagement: Swinburne was known for his engagement with political and social issues of his time. "Songs of Two Nations" reflects his views on contemporary events, including conflicts and political struggles.Literary Context: The collection is situated within the broader literary context of the Victorian era, and Swinburne's work is often associated with the poets and writers of the Decadent and Aesthetic movements.

"The Task and Other Poems" is a collection of poems written by William Cowper, an English poet and hymnodist of the 18th century. William Cowper (1731¿1800) was known for his reflective and contemplative poetry, as well as his contributions to the Olney Hymns.Main Poem: : "The Task" is a significant long poem within this collection. It is one of Cowper's most famous works and is often regarded as a landmark in the development of 18th-century poetry.Reflective and Descriptive Poetry: Cowper's poetry is characterized by its introspective and descriptive nature. "The Task" is particularly known for its exploration of nature, everyday life, and the poet's personal reflections.Hymns and Religious Themes: In addition to his secular poetry, Cowper collaborated with John Newton on the Olney Hymns, contributing several hymns that became widely known in Christian worship.Mental Health Themes: Cowper's life was marked by struggles with mental health, and his poetry often reflects his battles with depression and a deep sense of religious introspection.Popularity: Cowper's poetry gained popularity not only for its literary merit but also for its accessibility and emotional resonance.

"Ballads in Blue China and Verses" is a collection of poems written by Andrew Lang, a Scottish poet, novelist, literary critic, and contributor to the field of folklore. Andrew Lang (1844¿1912) was known for his prolific output across various genres. Andrew Lang's poetry often demonstrated a keen sense of imagination, romanticism, and a fascination with folklore and mythology.The inclusion of "Verses" in the title suggests that the collection may encompass a variety of poetic forms and themes. Andrew Lang was associated with the literary scene of the late 19th and early 20th centuries. He was a contemporary of writers like Robert Louis Stevenson and was involved in the vibrant intellectual circles of his time.

Gedichte, Wort- und Bilderspiele, Ernstes, Albernes und zuweilen Absurdes

Featuring exclusive new work, Precious and Impossible gathers together over three decades of poetry from the T S Eliot Prize-winning Anthony Joseph___________________________________________A poet, musician and academic, Anthony Joseph's work has explored the transnational vibrations of the African Diaspora for over three decades. Interwoven with fresh and exclusive new material, Precious and Impossible brings together thirty years of Joseph's poetry and lyrics - cementing his status as one of our greatest living poets and polymaths. 'Joseph is both a faithful heir and an agnostic rebel; a Black poet haunted by Africa's past as well as a bilingual post-modernist amused by the possibilities of the future' Ali Alizadeh

"The Bab Ballads" is a collection of humorous verses written by W. S. Gilbert, the English dramatist, librettist, and humorist best known for his collaboration with composer Arthur Sullivan on the Gilbert and Sullivan comic operas. The Bab Ballads were originally written as illustrated comic poems for the magazine "Fun" in the late 19th century.Key Features of "The Bab Ballads":Humorous and Satirical: The poems in "The Bab Ballads" are known for their wit, humor, and satirical take on various aspects of Victorian society, politics, and daily life.Illustrations: Gilbert's verses were accompanied by illustrations by various artists, enhancing the comedic effect of the poems.Versatility: While Gilbert is perhaps more famous for his librettos for the Savoy Operas, "The Bab Ballads" showcases his versatility as a humorist and wordsmith.Influence on Gilbert and Sullivan: The style and humor found in "The Bab Ballads" greatly influenced the tone of Gilbert's collaborations with Arthur Sullivan. The wit and wordplay seen in the ballads are evident in their comic operas.Popular Reception: The Bab Ballads gained popularity during their initial publication in "Fun" and were later compiled into book form.If you enjoy clever wordplay, satire, and humorous observations of Victorian society, "The Bab Ballads" is a delightful collection to explore.

"Discours prononcés le 12 septembre 1909 à Sarlat à l¿inauguration de son monument" est un recueil de discours de Gabriel Tarde, sociologue et criminologue français.Ce recueil regroupe les discours prononcés par Gabriel Tarde le 12 septembre 1909 à l'occasion de l'inauguration de son monument à Sarlat. Ces discours offrent un aperçu des idées et des contributions de Tarde dans le domaine de la sociologie et de la criminologie.Dans ces discours, Tarde pourrait aborder divers sujets, y compris ses perspectives sur la société, la criminalité, et peut-être ses réflexions sur l'importance de la compréhension sociologique dans l'analyse des phénomènes sociaux.L'inauguration d'un monument en l'honneur de Tarde à Sarlat souligne l'impact de son travail et de sa pensée dans le domaine des sciences sociales. Les discours prononcés à cette occasion peuvent également témoigner de la reconnaissance de Tarde en tant que figure éminente dans son domaine.En résumé, ce recueil offre un aperçu des discours prononcés par Gabriel Tarde lors de l'inauguration de son monument à Sarlat, mettant en lumière sa pensée et son influence dans les domaines de la sociologie et de la criminologie.

The Auctor is a poem written by Stephen Hawes, This poem is a humble submission to a sovereign lord. The speaker trembles with fear at approaching the lord's majesty but submits to his mercy, seeking forgiveness for any rudeness. The poem's language is simple and direct, reflecting the speaker's humility and the time period's emphasis on deference to authority. Compared to other works by the author, this poem is less allegorical and more straightforward, focusing on the speaker's personal relationship with the lord rather than on broader themes.

"Specimens with Memoirs of the Less-Known British Poets" is a collection of poetry compiled by George Gilfillan. George Gilfillan (1813¿1878) was a Scottish author, poet, and literary critic known for his anthologies and works on poetry.Key Features of "Specimens with Memoirs of the Less-Known British Poets":Scope: The collection aims to showcase the works of lesser-known or underappreciated British poets, providing a platform for poets who may not have gained widespread recognition.Memoirs: In addition to the poems, Gilfillan includes memoirs or biographical sketches of the featured poets. These sections provide context and information about the lives of the poets.Multivolume Work: As indicated by "Volume I," this collection was likely part of a multivolume series. Each volume would feature different poets and their works.Literary Criticism: Gilfillan, being a literary critic, may have provided commentary or analysis in addition to the poems and memoirs. His insights could offer readers a deeper understanding of the featured poets and their contributions.Period Covered: Depending on the poets included, the collection may cover a range of periods in British literary history.

In 1838, Doctor Holmes accepted his first professorial position, and became professor of anatomy and physiology at Dartmouth. Two years later, he married, and took up the practice of medicine in Boston. In 1847, he returned to his old love, accepting the Parkman professorship of anatomy and physiology, in the Medical School at Harvard. While engaged in teaching, he prepared for publication several important books and reports relating to his profession, and his papers in the various medical journals attracted great attention by their freshness, clearness, and originality. But it is not as a medical man that Doctor Holmes may be discussed in this paper. We have to deal altogether with his literary career,¿a career, which for its brilliancy has not been surpassed on this side of the Atlantic. As a poet he differs much from his contemporaries, but the standard he has reached is as high as that which has been attained by Lowell and Longfellow. In lofty verse he is strong and unconventional, writing always with a firm grasp on his subject, and emphasizing his perfect knowledge of melody and metre.

Go, idle Boy! I quit thy pow'r; Thy couch of many a thorn and flow'r; Thy twanging bow, thine arrow keen, Deceitful Beauty's timid mien; The feign'd surprize, the roguish leer, The tender smile, the thrilling tear, Have now no pangs, no joys for me, So fare thee well, for I am free! Then flutter hence on wanton wing, Or lave thee in yon lucid spring, Or take thy bev'rage from the rose, Or on Louisa's breast repose: I wish thee well for pleasures past, Yet bless the hour, I'm free at last. But sure, methinks, the alter'd day Scatters around a mournful ray; And chilling ev'ry zephyr blows, And ev'ry stream untuneful flows; No rapture swells the linnet's voice, No more the vocal groves rejoice; And e'en thy song, sweet Bird of Eve!With whom I lov'd so oft to grieve, Now scarce regarded meets my ear, Unanswer'd by a sigh or tear. No more with devious step I choose To brush the mountain's morning dews; "To drink the spirit of the breeze," Or wander midst o'er-arching trees; Or woo with undisturb'd delight, The pale-cheek'd Virgin of the Night, That piercing thro' the leafy bow'r, Throws on the ground a silv'ry show'r. Alas! is all this boasted ease To lose each warm desire to please, No sweet solicitude to know, For others' bliss, for others' woe, A frozen apathy to find, A sad vacuity of mind? O hasten back, then, heavenly Boy, And with thine anguish bring thy joy! Return with all thy torments here, And let me hope, and doubt, and fear. O rend my heart with ev'ry pain! But let me, let me love again.

"La Criminalité Comparée" est un ouvrage de Gabriel Tarde, sociologue et criminologue français. Voici un résumé de l'¿uvre :Dans "La Criminalité Comparée", Gabriel Tarde entreprend une analyse comparative des phénomènes criminels. L'auteur s'intéresse aux différentes formes de criminalité et cherche à établir des comparaisons entre les sociétés, les époques et les cultures. Son objectif est de dégager des tendances générales et des motifs communs qui traversent les divers contextes criminels.Tarde examine les facteurs qui influent sur la criminalité, allant au-delà des explications purement juridiques pour inclure des aspects sociaux, psychologiques et économiques. Il explore également les variations dans les taux de criminalité et les réponses sociales à la délinquance.L'approche comparative de Tarde vise à élargir la compréhension de la criminalité en examinant ses manifestations à travers des perspectives diverses. Il propose une réflexion sur la nature humaine, la société et les forces qui contribuent à la genèse des comportements criminels.En résumé, "La Criminalité Comparée" offre une analyse comparative approfondie des phénomènes criminels, explorant les divers aspects de la délinquance à travers le prisme de la sociologie et de la criminologie.

As a soul from whom companionships subside The meaningless and onsweeping tide Of the river hastening, as it would disown Old ways and places, left this stone Of sand above the valley, to look down Miles of the valley, hamlet, village, town. It is a head-gear of a chief whose head, Down from the implacable brow, Waiting is held below The waters, feather decked With blossoms blue and red, With ferns and vines; Hiding beneath the waters, head erect, His savage eyes and treacherous designs. It is a musing memory and memorial Of geologic ages Before the floods began to fall; The cenotaph of sorrows, pilgrimages Of Marquette and LaSalle. The eagles and the Indians left it here In solitude, blown clean Of kindred things: as an oak whose leaves are sere Fly over the valley when the winds are keen, And nestle where the earth receives Another generation of exhausted leaves.

A gorgeous, heartfelt, atmospheric novel by a wonderful storyteller' LUCY ATKINS'A beautifully moving portrait of youth, friendship and love . . . I loved it' MIKE GAYLE'Beautifully written, funny and wise . . . heart-breaking and heart-warming' ALEXANDRA POTTER*Pre-order the brand new novel from Sunday Times bestselling author Freya North* When your present meets your past, what do you take with you - and what do you leave behind?Eadie Browne is an odd child with unusual parents, living in a strange house neighbouring the local cemetery. Bullied at school - but protected by her two best friends, Celeste and Josh, and her many imaginary friends lying six feet under next door - Eadie muddles her way through.Arriving in Manchester as a student in the late 1980s, Eadie confronts a busy, gritty Victorian metropolis a far cry from the small Garden City she's left behind. Soon enough she experiences a novel freedom she never imagined and it's seductive. She can be who she wants to be, do as she pleases, and no one back home needs to know. As Manchester embraces the dizzying, colourful euphoria of Rave counterculture, Eadie is swept along, blithely ignoring danger and reality. Until, one night, her past comes hurtling at her with ramifications which will continue into her adult life.Now, as the new millennium beckons, Eadie is turning thirty with a marriage in tatters. She must travel back to where she once lived for a funeral she can't quite comprehend. As she journeys from the North to the South, from the present to the past, Eadie contemplates all that was then - and all that is now - in this moving love letter to youth.PRAISE FOR FREYA NORTH:'A terrific family drama of secrets . . . and so cleverly plotted' Graham Norton'A completely compelling story of family secrets, courage and resilience' Fearne Cotton'Immensely enjoyable . . . infused with empathy and a great sense of place' Erica James'What a treat. This filled my heart with joy and occasionally my eyes with tears; it is beautiful' Prima

"Gelebte Lyrik"Eine bunte Mischung aus Begebenheiten und Gedanken aus einem langen Leben und dem aktuellen Alltag.Übersichtlich geordnet in:Erinnerungen, Zweisamkeit, das Leben, Spaß und Kritisches, über das Schreiben, Tiere und Kinder, Jahreszeiten und Märchenhaftes.

Eine gefühlvolle Gedankenreise zu einer verletzenden Vergangenheit, einer heilenden Gegenwart und einer aussichtsreichen Zukunft. Es ist nie zu spät, alten Groll hinter sich zu lassen und neue Liebe anzunehmen. Nur nicht die Hoffnung aufgeben!

So wie wir Musik mit dem ganzen Körper wahrnehmen, lesen wir leibhaft. Lesen ist kein Vorgang der rein optischen Datenverarbeitung, weshalb Maschinen Lektüre lediglich simulieren können. Das Leibhafte der Lektüre ,zeigt sich' - vor allem zeigt es sich gestisch: in Veränderungen der Körperhaltung, im Kopfschütteln, Wippen, Erröten, Auflachen, Vor- und Zurückblättern, Augenschließen, Fingerkneten; selbst die stille Versenkung ist Gebärde. Lesegebärden sind daher weder Ausdruck bloß individueller Reaktionen noch das Resultat sozialer Prägungen, sondern die buchstäbliche Verkörperung kultureller Praktiken im Erleben jeder und jedes Einzelnen. Vor diesem Hintergrund widmet sich vorliegender Band der wissenschaftlichen sowie künstlerischen Selbstreflexion des leibhaften Lesens. Anhand von Beispielen aus Literaturgeschichte und Philosophie, Musik und Kunst, aber auch mittels empirischer Ansätze, wird die Lesegebärde als zentraler Lektüremodus entdeckt und erstmals systematisch untersucht.

"Ich bin nur das, was ich schreibe" - ist die Lebensdevise von Josef Wilms. In prekären Verhältnissen, vom Literatur- und erst recht vom Wissenschaftsbetrieb fast vollständig unbeachtet, verfasst er ein riesiges Werk. Siebzig Jahre lang lebt Wilms in einem maroden Einfamilienhaus in Köln-Vogelsang, arbeitet als Autor und Herausgeber einer Literaturzeitschrift, versteht sich als Dichter, ringt um Anerkennung. Zu seiner Arbeitsweise gehören ein extremer Rückzug aus dem alltäglichen und literarischen Leben sowie die Verweigerung gegenüber jeglichen gesellschaftlichen Ansprüchen. Das Werk dieses nach gängigen Kriterien erfolglosen Autors kommt in Form einer Literaturgeschichte von unten zur Darstellung. Seine poetologischen Reflexionen, seine Archive und Briefe, text- und veröffentlichungsgenetische Aufzeichnungen sowie Resonanzen der Rezeption lassen erkennen, wie Autorschaft hier ent- und schließlich besteht.