Gedichte

Des mots sculptés de silence, peints avec le vide, avec le rien (¿) et toi, présence au sein du vide, bienveillance au c¿ur même de l'abîme. Expiration, inspiration, souffle intime et proche, là où il n'y a plus rien il y a tout.

Recueil de paroles, de mots qui claquent, ces textes regroupent les vibrations purement Gwada de Léna Léticée Chanas. D'autres sources d'inspiration lui viennent de la Caraïbe et du monde qui l'entoure et la pénètre, mais aussi de la planète. Les mots tus, parlent, mordent, effleurent, caressent, bercent. Son slam est le fruit de sa double appartenance noire et blanche. Il porte l'identité guadeloupéenne du passé, du présent, ses souffrances, ses espoirs.

Journey through Wings of Metamorphosis, a poetic odyssey from adversity to freedom. This collection of poetry weaves through the threads of nurturing the inner child, grappling with grief and the courage required to let go. From the depths of pain to the heights of healing, these verses embrace vulnerability and resilience, embarking on a transformative journey towards renewal and rebirth.

Joys (Joies in French) is the fourth book of poetry written by Francis Vielé-Griffin (1864-1937). It was first published in 1889, when Griffin was 25 years old. Griffin was American by birth, born in Virginia. As a boy of seven or eight years old, he was sent to France by his father to attend school; he remained.Francis Vielé-Griffin was an adherent, and one of the principal and early practitioners, of the Symbolist movement in poetry, which grew out of the Decadent movement of poetry. An intimate friend of Stéphane Mallarmé, Griffin was also a great believer in free verse.In his own words, Griffin says this about Joys:"The verse is free verse; - which means nothing more than that the ¿old¿ Alexandrine with one or more ¿cæsura,¿ with or without ¿rejet¿ or ¿enjambment,¿ is abolished or put down; but - more generally - that no fixed form is considered as the necessary mold anymore for the expression of all poetic thought; that, from now on, but consciously free this time, the Poet will obey the personal rhythm that must be, without M. de Banville or any other ¿legislator of Parnassus¿ intervening; and that talent shall resplend in different ways than by the traditional or illusory ¿vanquished difficulties¿ of rhetorical poetics: - Art is not merely learnt, it recreates itself continually; it does not live by tradition, but by evolving."

In this collection of poetry, the poet and scientist, Joseph Warden, explores the interface between life and dreams, memory and loss and the connections that both bind and separate us. Illustrated with both original and computer-assisted artwork, quotidian life is depicted in its many facets, both personal and universal.

Elizabeth O. Ogunmodede, only sixteen and has been published several times already, has her own lifestyle of the poet's program. I was interviewed by this star; and she is also creating her own magazine. In fact, she has many dreams, including coming to the USA for college. She is a brilliant young mind, and the world is her oyster. I'm confident she discovers her pearl. She is a Guardian of the Quill, reserved for a special poet. She is that and more. Let me begin with the END in mind. Listen up people, gather around...shhhh, I have something to foretell. She will be the brightest of the bright, and she will be a reason that this world goes forth. It's a real mess out there. So much strife, wickedness, war, and pain. It is so awesome to have this beacon, this star, because she shines bright already. Mark my words, she is a North Star, and the sky has never been brighter. It is indeed a privilege immeasurable to do her foreword. She is simply remarkable, and I am confident you will discover it too. Elizabeth, I am proud of you, and I will always be happy to help you along your way as you Assail to your true prominence. Robert R. Bradley, Jr., LCSW, LSATP Family Therapist and Published Author

Introducing The Chiselled Garden, a captivating collection of poetic musings that delve deep into the intricacies of identity, existence, and the human experience. This exquisite compilation invites readers on a profound journey of self-reflection and introspection, exploring the complexities of being and the yearning for fulfillment. Within these pages, the enigmatic poet pens verses that unravel the mysteries of life, contemplating the paths not taken and the profound impact of mortality. From poignant reflections on love and longing to meditations on the ephemeral nature of existence, each poem resonates with a haunting beauty that lingers in the reader's mind. The Chiselled Garden showcases a diverse range of themes, from the fleeting moments of joy to the depths of despair, invoking a kaleidoscope of emotions that stir the soul. With evocative imagery and lyrical prowess, the poet captures the essence of the human condition, inviting readers to ponder their own place in the tapestry of life. In this thought-provoking collection, the poet's eloquent words intertwine with introspective ponderings, creating a tapestry of emotions that will resonate with readers from all walks of life. The Chiselled Garden is a testament to the power of poetry to illuminate the human experience, to probe the depths of our souls, and to remind us of the profound beauty that exists within and around us. Immerse yourself in the profound wisdom and lyrical enchantment of The Chiselled Garden, a collection that transcends boundaries and invites you to contemplate the boundless possibilities of existence. Prepare to be captivated by the timeless allure of these poignant verses that whisper truths of the heart and spirit.

An emotional roller coaster, Telling the Truth is here to say all the things I never did, and it's my hope that these words resonate with others. The pull between love and hate and the emotional strangle life can have, this book expresses the words I struggled to.

Maeve Holler's debut collection, HOW TO LEAVE YOUR FAMILY, inspects the idea of family, the creation and destruction of it, and what being part of one really means. The book poetically and speculatively retraces the life story of Holler's late grandmother-who grows up in Mississippi, escapes an abusive relationship, and flees to Georgia, only to leave her two children behind-and the mass of folklore that has always surrounded her. Holler's poems follow the aftermath of this story and pick up the pieces her grandmother left behind, and together, ultimately taking the shape of a multigenerational, coming-of-self narrative of witness.

William David grew up in the Midwest, on the edge of the Ozarks close to the town of Joplin, Missouri. The first 5 years of his life he lived in the log cabin his grandfather built. He left home when he was 15 and supported himself with odd jobs until he joined the Army at 17. After the Army, William traveled around a lot to many parts of this country, from Alaska to Arizona and several in between. Having many adventures and getting to meet many interesting people. He found his soul mate, his wife Diane, in Tucson, Az. 43 yrs. ago, they married, and together raised two terrific kids, a daughter Jennifer, and a son, Cody. He hopes that you enjoy his poems and hopes that at least one or more will touch you in some way.Bio: William David has had a successful 40+ year career as a Senior Architectural & Engineering Designer working with international mining companies, designing Gold, Silver, and Copper processing plants all over the world, including being the Chief Designer of the first SX-EW copper processing plant built in Asia, located at Monywa, Myanmar. William is retired now and living with his wife of 39 yrs. in Tucson, Az. He likes spending time now devoted to his passion, reading, reviewing, and writing poetry. William writes for his pleasure and for the pleasure of those who might read his poems. Statement from the author: "When I write a poem, I don't seek to necessarily constrain that poem by any formal poetic style or technical form, I just write imagistically. I write in a nonce and a free form style, sometimes more of a narrative style. I write out the words as they sound right to me, while trying to stay true to the intent of the poem and what I am trying to convey to the reader. I prefer to allow the reader to understand what the poem has to say, not guess. Then, the reader can interpret and contemplate what it means to them, they don't have to speculate, just hopefully enjoy what the poem was trying to say.

La colección de poesías está compuesta de pensamientos y momentos que han marcado la vida de Leonel y la vida de las personas de su alrededor. Es como un tipo de jornada de los días cálidos como de los días nublados que hemos vivido. Cada sección intenta poner las diferentes etapas de emociones que vivimos en nuestro día a día y poder reflexionar indirectamente un poco sobre ellas. La colección de fotografías está compuesta del recorrido de Oscar por la fotografía. Cada foto muestra una perspectiva diferente de nuestro planeta además de los lugares que a visitado.

In his latest collection, the Cambodian-American poet Chath pierSath delves into the intricate relationship between the external and the intimate. A testament to the resilience of the human spirit, this is a poetry transcending boundaries and embracing the fullness of life. From public moments to inward reflections, from pride to joy and anger, pierSath's poetry balances across space and emotion, offering poems of composure and ectasy, of revelation and proclamation. Moving through a world made cold and closed by the isolation of the COVID era, these poems invite you to explore the act of opening. Through his journey of sexuality and understanding connection, pierSath fearlessly delves into the sensual, presenting it in myriad manifestations that resonate from present to past, from the United States to Cambodia, with emotions that dance in between.Carbonation 002Spokane, Washington

Letters from Life is Becky Hemsley's newest collection of words to help us recognise, understand and love ourselves. Becky writes for all aspects of life; to help us see that amongst the challenges we face, there is joy to be found in the simple things. And in a world that can often feel a little unpredictable and rough, Becky's words aim to bring calm and kindness to help us weather the storm.Including the poems 'Like a Girl', 'Could You?' and 'Handle with Care', Becky writes in a way that helps us feel less alone and more at peace with ourselves.

Joe Ortiz gave up writing poetry in 1974 "in order to learn how to speak." Now he writes an occasional verse, convinced that, for him, mastering the art of speaking is impossible. Ortiz, co-owner of Gayle's Bakery, will publish a bread-baking book with Prentice Hall Press sometime this year. He also writes on restaurants for The Sun.Poems that lead to the song lyrics and musical productions.

From the Author and Beautiful Warrior: The year that Carolyn died, I thought I had already seen everything that was difficult in this journey we call life. Her suicide was like a slap into my reality. Mental illness robs one of their logic. Even in my hardest times; I had my logical mind to help me rise above very difficult obstacles. If I had only one message to convey to my readers, it is compassion. Please share in the compassion my heart wants to express for the suffering during Carolyn's illness. Let's open our minds and hearts, not with judgments when we don't understand, but with kindness and love. We can be a "Heart Mender" for each other. Beautiful Warrior Poetry & Prose is a book consisting of poetry and prose about different aspects of my life. It shows that we all have similarities and differences, but most of all it shows beauty and insight into the Warrior Spirit that the author believes is in all of us - Did you see her?... Take the time to find her... Did you see her? That beautiful warrior of light. Who has eyes that blaze like amethysts... The light from them has burned through the darkness. She can see a new horizon.

This book is a compilation of poems that I wrote throughout myhighschool years. Most of the poems I wrote as a way of getting mythoughts organized, to try and come up with an answer to a question, or as a way to express myself. The poems were also a way to get people thinking. Some of these poems were more personal, trying to use words to express a feeling. The majority of them were me just trying to explore thoughts, concepts, and imagery.I decided to get my poems published as a way to touch people'shearts. To inspire others like me, young authors, and those who struggle with mental disabilities, learning disabilities, or both. It can feel daunting to try something that you dream of doing when it feels like you are steps behind everyone else. I hope this book can be an inspiration for at least one person to feel like they can achieve their dream or calling. This is not a book about dreams, this book is the achievement of a dream.

As a child on a cold Christmas Eve in a country farmhouse in the early 1950s, R. Olin Jackson sat mesmerized before a crackling warm fire in the hearth at his family home in the mountains of northwest Georgia, as his father read - in a deep sonorous voice - Clement Clarke Moore's immortal "T'was The Night Before Christmas." Olin, his brother, David, and sisters Patricia and Mary were fascinated and awed by this wonderfully-lyrical work of art, just as children occasionally continue to be even today. The unique verse in Moore's poem introduced Olin to the inspirational world of that art and its poignant influences upon life.Even though he didn't know it at the time, poetry was to become incremental to Olin's life. Inspired by such masterpieces as Robert Frost's "Stopping By Woods on a Snowy Evening," the captivating Kipling's "If," John Greenleaf Whittier's "The Barefoot Boy," and the incomparable Longfellow's "The Wreck of the Hesperus," Olin eventually began making lyrical attempts of his own.On the pages which follow, a handful of those efforts are presented for the reader. In these heart-felt simple works, Olin has presented a picture of, perhaps, the forces at work as one pursues his or her daily life, and further, musings of the manner in which the Almighty demonstrates to each and every one of us what truly is important in this life so fleeting. . . .

Die Publikation widmet sich Paul Hutchinsons fotografischerArbeit aus den Jahren 2019 bis 2024. Wirsehen Bilder, die auf Fragen von Klasse anspielen,Momente von Fragilität und Rauheit, und eine Stadt,die sich selbst durch Schriftzüge auf Wänden artikuliert. Remnants bezieht sich auf eine Gruppe abstrakterArbeiten, in denen Hutchinson unbeabsichtigte Überresteabbildet, die bei der Entfernung von Graffiti anU-Bahn Wägen entstehen. Der Titel verweist außerdemauf das wachsende Gefühl eines akuten gesellschaftlichenWandels, die zunehmenden sozialen Spannungenund Hutchinsons persönliche Reflexionen, die vondiesenumfassenderen Themen durchdrungen sind. PAUL HUTCHINSON (*1987, Berlin) hinterfragt kritisch die Entwicklung sozialer Prozesse im urbanen Raum. In seiner fotografischen Praxis und in seinen Texten setzt er sich mit innerstädtischer Kultur und Bedingungen sozialer Mobilität auseinander und oszilliert dabei zwischen Dokumentation, Fiktion und Poesie. Seine Arbeiten wurden in zahlreichen Einzel- und Gruppenausstellungen gezeigt, zuletzt in der Kunst-Station Wolfsburg via Städtische Galerie Wolfsburg, während des Europäischen Monats der Fotografie Berlin und im Kunstverein Ulm. Er lebt und arbeitet in Berlin.

Rankkoja riimirunoja rankoista aiheista.Kirja on omistettu Nepsy-lapsille ja heidänvanhemmilleen."Mä voin rakennella huoneessani kaikes rauhassavaikka pommia Ei ketään kiinnosta Mitä mulle kuuluu."Mikko Nevantakanen on Vaasalainen runoilija ja taiteilija.Biisit 2on hänen kuudestoista runokokoelma.

In Book II, poetry had been further collated that had been written during the Third Lockdown in Vienna, Austria, while the statistics of the Covid-19 pandemic showed a staggering increase in infections and deaths due to it.Pro and con corona health management filled the daily newspapers and TV debates.During this time the poet's art exhibition in downtown Vienna remained hung at Gallery Z, but visitor groups were forbidden to enter, and only individuals could visit on invitation at a prior appointment. Masks were obligatory in all public places and a general depressive mood spread throughout the communities.The poet had a good understanding with his friends, who appeared regularly on the social pages of the Internet. One still could feel a longing for hope and good wishes for staying healthy became an important regular ritual to live through this ordeal to see the turn of the pandemic tide. And yet, everybody became aware of the changing times thereafter. The poet had been blessed with his fount of memories that started to flow and provide him with many contemporary poems thanks to encouragement from friends and Muses.

»Eva-Maria Berg schreibt moderne Gedichte, ohne zu viel Worte, von fast schmerzhafter Präzision. Ihre Gedichte berühren nicht nur in politischer Dimension, sondern auch im ganz Persönlichen.« (Badische Zeitung)»Ihr großes Thema ist die Suche nach der Identität, die, so abgegriffen es auch klingt, Grundvoraussetzung für ein verantwortungsvolles Miteinander ist. Das gedachte Wort wird bei ihr zur Momentaufnahme, die es möglich macht, innezuhalten. Und diese Ruhe strömt auch aus ihren Gedichten.« (Stuttgarter Nachrichten)

Ein 30-jähriger Bankangestellter (Zyman) nimmt sich in seiner Freizeit den Nöten seiner Mitmenschen an. Darüber kommt er mit einer jungen Frau (Jenny) in Kontakt, einer Prostituierten, die er zunächst als Hilfsmittel benötigt. In Rückblenden, die in einem eigenen sprachlichen Stil gehalten sind und in vergangene Zeiten entrücken, werden die Wurzeln der beiden Personen, vor mehreren Jahrhunderten in Europa beginnend und irgendwann nach Amerika übergesprungen, beschrieben, bis Jennys Wurzellinie in einer dramatisch eskalierenden Situation in Asien endet. An wenigen Stellen sind einige allgemein gehaltene Ausführungen eingeflochten, da es sich auch um eine beschreibende Darstellung verschiedener Erscheinungsformen der körperlichen Liebe, der Sexualität handelt, in die wir alle mehr oder weniger dicht eingehüllt sind.

Kahden vanhan kirjan kokoomateos uusintapainoksena. Tule matkalle, jossa kerron ensimmäisessä kirjassa tuntemuksistani nuoren serkkuni kuolemasta. Jonka kirjoittamisen aikana kävin Tampereen seurakuntien sururyhmässä. Itkusta ei ollut tulla loppua.Toinen kirja taas kertoo tarinan rakkaudenkaipuusta. Välillä rakkaudenkaipuukin on hukassa. Kun se löytyy. Ja kohdekin vaihtuu välillä. Ei aina tarvitse kaivata yhtä ja ainoaa.

Ein großartiges Buch für alle, die in deutscher und/oder spanischer Sprache Freude an neuzeitlicher Poesie und Prosa haben. Ein Buch, das am Meer beginnt und dort endet. Passend zu Tagen, an denen der Wind eine leichte Meeresbrise vorzugaukeln vermag, mit dessen Gedanken und Texten man sich gerne ans Wasser begibt, sich vom Wohlklang der Worte und der üppigen Vielfalt poetischer Bilder wiegen lässt, als betrachte man die Brandung des Meeres. Un gran libro para cualquiera que disfrute con la poesía y la prosa contemporáneas en alemán y/o español. Un libro que empieza junto al mar y termina allí. Adecuado para los días en que el viento brisa marina, cuyos pensamientos y textos dan ganas de ir al como si contemplaras el oleaje del mar, el agua, el melodioso sonido de las palabras y la exuberante exuberante variedad de imágenes poéticas.