Gedichte

Kheya (English: 'Ferrying Across') is a Bengali-language book of poems written by Rabindranath Tagore. It was published in 1906. It deals with humanity's sorrows, aspirations and spirituality. It consists of 55 poems.

Banabani is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1931.

Patraput is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1935.

Chitra is a one-act play written by Rabindranath Tagore, first published in English in 1913 by the India Society of London. The play adapts part of the story from the Mahabharata and centers upon the character of Chitrangada, a female warrior who tries to attract the attention of Arjuna. Chitra has been performed worldwide and has been adapted into several different formats, such as dance.

Kalpana (English: Imagination) is a famous Bengali language poetry book written by Rabindranath Tagore. It was published in 1900. It consists of 49 poems. He had included 1 poem of "Kalpana" in his Nobel Prize winning work Song Offerings.Tagore dedicated the book to Shrishchandra Majumder. He was Tagore's friend.

Naibedya (Offerings) is a famous Bengali language poetry book by Rabindranath Tagore. It was published in 1901. It is a great creation in the "Intermediate Period" of Rabindranath's poetry. Tagore had included 15 poems of "Naibedya" in the Nobel Prize winning book Song Offerings.In Rabindranath's "Naibedya", there is a scattering of spiritual thoughts. In it he describes the spiritual greatness of Ancient India.

Russiar Chithi is a Bengali language Travelogue book written by Rabindranath Tagore. It was published in 1931.

Shyamali is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1936.

Prahasini is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1935.

Nabajatak is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1940.

Japan Jatri is a Bengali language Travelogue book written by Rabindranath Tagore. It was published in 1919.

Samuha is a Bengali language Essays book written by Rabindranath Tagore. It was published in 1908.

Rogshajyay, also spelt as "Rogashojyay" or "Rogashajyaya", (English: "From the sickbed") is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1940. It is a significant work at the "Last Phase" of Rabindranath's poetry.

Adhunik Sahitya is a Bengali language Essays book written by Rabindranath Tagore. It was published in 1907.

Sanchaya is a Bengali language Essays book written by Rabindranath Tagore. It was published in 1916.

Gitimalya (A Garland of Songs) is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1914.

Bichitra Prabandha is a Bengali language Essays book written by Rabindranath Tagore. It was published in 1907.

Kari O Komal (English: Sharps and Flats) is a Bengali poetry book written by Rabindranath Tagore in 1886. It consists of 83 poems.Tagore dedicated this book to his elder brother, Satyendranath Tagore.

Sishu Bholanath (English: 'The Child Bholanath') is a Bengali book of poems written by Rabindranath Tagore. It was published in 1922. It consists of 27 poems. It is a famous work of Tagore for the children.The desire, imagination and courage of child is the main theme of the book. The poems are rhythmic and enriched with the thoughts of greatness. Most of the poems are written addressing a silent mother. The natural object is also an integral part of the book.

Bithika is a Bengali language poetry book written by Rabindranath Tagore. It was published in 1934.

In the shadows of silence; where pain resides, where stories of strength and survival collide, we gather the courage to give voice and speak, to dedicare these words, both bold and meek. To the souls who've been broken, their spirits scarred, to those who've suffered, their lives left marred, this page we offer, a solemn space, to honour your resilience, your unwavering grace. For the victims of sexual violence, we raise our pen, to echo your stories, again and again, we stand with you, in solidarity, in this pursuit of justice, to set you free. In these verses, we strive to shed light, on the darkest of truths, concealed out of sight, to expose the wounds that fester and ache, to confront the demons, their power to break. May these words ignite a fire, fierce and bright, to dismantle the systems that perpetuate the night, to challenge norms that silence and shame, to forge a path where healing can reclaim. We dedicate this book, with reverence and care, to the survivors who've battled, the ones who dare, to demand justice, to fight for change, to transform a world that's cruel and strange. Let these poems be a testament, a heartfelt plea, to embrace compassion, to ensure we see, that every voice, every story, every tear, matters deeply, and we hold them near.This dedication stands, a beacon of hope, for those who've suffered, unable to cope, we offer our hearts, our words, and our might, to stand as one, to bring forth the light.

The Pain We Carry is a captivating anthology that dredges into the depths of human emotions and experiences, focusing on pain we Africans carry. The poets weave a tapestry of pain that transcends geographical boundaries, inviting readers to immerse themselves in the shared sorrows, struggles, and triumphs of the human condition. It serves as a saddening reminder that pain is a universal language, and that as Africans, we bear burdens that are both personal and collective. It resonates with the unique perspectives of individuals hailing from different African backgrounds, experiences and cultures.The collection navigates a wide range of painful experiences, exploring themes such as loss, heartbreak, social injustices, historical traumas, and the weight of cultural expectations. However, they do not dwell solely on the anguish. Instead, they emphasize the transformative power of pain and its potential to shape individuals into resilient beings.It encourages readers to confront their pain head-on, acknowledging its presence while refusing to let it define them. It instills a sense of hope, urging Africans to embrace their pain as a catalyst for growth, self-discovery, and personal empowerment. In doing so, they offer a compelling perspective on the human capacity to rise above adversity and forge a path towards finding themselves. The lyrical prowess invites readers to embark on a transformative journey, reminding them that pain, when confronted with courage and resilience, can ultimately lead to profound self-discovery and liberation.

Inescapable Insatiable Shit Happens All the Time is a collection of poetry with prose interludes by a writer inspired by poets like John Cooper Clarke, Charles Bukowski, and Gil Scott-Heron. Hughes transgresses boundaries and bastardizes attitudes, combining the guttural and humorous colloquial voices of present-day streets and bars into a knot of parallels and paradoxes. In prose narratives like Guide to the Hamartons, two friends, John Joe B. Albino and Pavo la Terriblé, meet an alcoholic Cumbrian as they flâneur around the small town. In poems like Mr. Hyper, The Coal Man, and Hermes, for example, he embodies the subjects and presents personae in the way that Fernando Pessoa developed his numerous pseudonyms. This approach creates poetic elements layered with honest introversion and pugnacity in the face of defeat. The reader is shown rituals of seeing, much the same as John Berger intimated in his 1970s book Ways of Seeing. For Hughes, a leaf has 'clouds for pillows', poetry is the 'wind passing through fences', and time is 'calm as a cathedral's echoes'. The writing flows then pinballs at tangents and complications ripe with scorn, fortitude, sassiness, and candour. Often, an enigmatic sting is in the telling, and although each endgame may resolve, 'one hip bar's like another's destiny's near or far', and there is a pervading sense that you might as well be hung for a lamb as a sheep.

Love, like a diamond, has many facets.The authors featured in this collection were simply asked to provide a love poem.No rules. No suggestions. No boundaries.As a result, the poems on these pages come straight from the heart and the author's own vision.Take a moment and feel the love.

The following poems tells stories of people who have been through one ordeal after the other and specifically look into the final moments before they are ready to snap or close to reach their breaking point.