Romane

An Emmy Award-winning writer for The Colbert Report follows in the (big) footsteps of Bigfoot: I Not Dead. Monsters have it tough. Besides being deeply misunderstood, they suffer from very real problems: Mummies have body image issues, Godzilla is going through an existential crisis, and creatures from the black lagoon face discrimination from creatures from the white lagoon. At heart, these monsters are human; after all, you are what you eat. Quirkily illustrated, Sad Monsters hilariously documents the trials and tribulations of all the undead creatures monster-mad readers have grown to love, from vampires and werewolves, to chupacabras and sphinxes, and even claw-footed bathtubs.

A rancher and the woman he wronged get a second chance at love in the final western romance in Kaki Warner's Blood Rose Trilogy... Daisy Etheridge had to put her dreams aside when she fell in love and bore the child of a man who loved another. Now, she's been given the opportunity to sing on a real stage and provide a better life for her daughter-but training will require money Daisy doesn't have. With nowhere else to turn Daisy heads to New Mexico Territory to ask for the help of the wealthy family of the man who abandoned her... While Jack Wilkins never wanted to work his family's ranch, a devotion to a childhood love has brought him back home to win her one last time. But when Daisy appears with a baby who has eyes like his own, Jack gets caught between his feelings for his old flame and his new role as a father.Jack offers to marry Daisy-though she's wary of a man whose head and heart are prone to wanderlust. But when the ranch is threatened and the Wilkins family is strained to the breaking point, Jack and Daisy must choose what they want out of their lives-and out of each other...

"Anna Cayne had moved here in August, just before our sophomore year in high school, but by February she had, one by one, killed everyone in town." Anna-who prefers to be called Anastasia-is a slightly spooky and complicated high school girl with a penchant for riddles, Houdini tricks, and ghost stories. She spends much of her time writing obituaries for every living person in town. She is unlike anyone the narrator has ever known, and they make an unlikely, though happy, pair.Then a week before Valentine's Day, Anna disappears, leaving behind only a dress placed neatly near a hole in the frozen river, and a string of unanswered questions. Desperate to find her, or at least to comprehend what happened and why, the narrator begins to reconstruct the past five months. And soon the fragments of curious events, intimate conversations, secrets, and peculiar letters (and the anonymous messages that continue to arrive) coalesce into haunting and surprising revelations that may implicate friends, relatives, and even Anna herself.

These lush, rewarding reflections on a woman's passage into midlife are grounded in our intimacy with nature and mortality. Deborah Digges, now in her fifties, looks back in such poems as "Boat” to see younger mothers and their children, and ponders her own "brilliant, trivial unmooring.” As she wanders from the garden to the barn and into the woods, she finds her moods mirrored in the calendar of the seasons, making lush music of the materials at hand and accepting the seismic changes in her life with an appreciation for the incidental scraps of beauty she chances upon. Throughout these luminous poems-which touch movingly on the illness and loss of her husband-Digges marvels at the brio with which we fling ourselves daringly into the night:See how the first dark takes the city in its armsand carries it into what yesterday we called the future.O, the dying are such acrobats.Here you must take a boat from one day to the next,or clutch the girders of the bridge, hand over hand.But they are sailing like a pendulum between eternity and evening,diving, recovering, balancing the air.

In the small town of Amagansett, perched on Long Island's windswept coast, generations have followed the same calling as their forefathers, fishing the dangerous Atlantic waters. Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.

Five Oaks, Michigan is not exactly where Saul and Patsy meant to end up. Both from the East Coast, they met in college, fell in love, and settled down to married life in the Midwest. Saul is Jewish and a compulsively inventive worrier; Patsy is gentile and cheerfully pragmatic. On Saul's initiative (and to his continual dismay) they have moved to this small town-a place so devoid of irony as to be virtually "a museum of earlier American feelings”-where he has taken a job teaching high school.Soon this brainy and guiltily happy couple will find children have become a part of their lives, first their own baby daughter and then an unloved, unlovable boy named Gordy Himmelman. It is Gordy who will throw Saul and Patsy's lives into disarray with an inscrutable act of violence. As timely as a news flash yet informed by an immemorial understanding of human character, Saul and Patsy is a genuine miracle.

From the author also known as Ariana Franklin-the thrilling sequel to A Catch of Consequence that "moves at a cracking pace."( London Times) Makepeace Hedley is frantic when she learns that her young daughter, sailing home to England from the rebelling American colonies, has been taken prisoner by the British. With her usual determination, Makepeace sets out for Plymouth to rescue her child. And when Countess Diana Stacpoole is asked by an American friend to help his son, also a British prisoner, Diana responds quickly and leaves her genteel past behind. In the chaos of wartime Plymouth the two women face social outrage, public scandal, and even arrest. Amidst docks and prisons, government bureaucracy and brothels, they forge an unlikely and unshakable friendship. And in freeing others, they discover their own splendid liberty.

One part Nietzsche, one part Humbert Humbert, and a soupcon of Milton's Lucifer, Axel Vander, the dizzyingly unreliable narrator of John Banville's masterful new novel, is very old, recently widowed, and the bearer of a fearsome reputation as a literary dandy and bully. A product of the Old World, he is also an escapee from its conflagrations, with the wounds to prove it. And everything about him is a lie. Now those lies have been unraveled by a mysterious young woman whom Vander calls "Miss Nemesis.” They are to meet in Turin, a city best known for its enigmatic shroud. Is her purpose to destroy Vander or to save him—or simply to show him what lies beneath the shroud in which he has wrapped his life? A splendidly moving exploration of identity, duplicity, and desire, Shroud is Banville's most rapturous performance to date.

Stanley Crouch's gloriously bold first novel provides an intimate and epic portrait of America that breaks all the rules in crossing the boundaries of race, sex, and class. Blonde Carla from South Dakota is a jazz singer who has been around the block. Almost suddenly, she finds herself fighting to hold on to Maxwell, a black tenor saxophonist from Texas. Their red-hot and sublimely tender five-year union is under siege. Those black people who oppose such relatonships in the interest of romantic entitlement or group solidarity are pressuring Maxwell, and he is wavering. As Carla battles to save the deepest love of her life, her past plays out against the present, vividly bringing forth a startlingly fresh range of characters in scenes that are as accurately drawn as they are unpredictable and innovatively conceived.