Fotografi

Female View puts the focus on women fashion photography. Although this medium has been shaped by female photographers for decades, a large number of publications or exhibitions have focused primarily on the male gaze of the female body. Numerous female fashion photographers worked for influential magazines such as Harper's Bazaar or Vogue, thus shaping the style of their time. Using exemplary positions, this book traces the transformation of the photographic image from the 1940s to the present day: from the fashion magazine to the showroom and the coffee table book to videos and digital self-staging in social media today. On display will be works by: Lillian Bassman, Sibylle Bergemann, Louise Dahl-Wolfe, Madame d'Ora, GABO, Ingeborg Hoppe, Nadine Ijewere, Liv Liberg, Ute Mahler, Charlotte March, Lee Miller, Sarah Moon, Amber Pinkerton, Elizaveta Porodina, Regina Relang, Bettina Rheims, Charlotte Rohrbach, Alice Springs (June Newton), Deborah Turbeville, Ellen von Unwerth and Yva.

Joseph Berg Esenwein (May 16, 1867 Philadelphia - November 1, 1946) was an American editor, lecturer and writer. He was noted for contributions to the Library of the World's Best Literature. He was educated at Albright College, Millersville Normal School, Lafayette College, Richmond College and the University of Omaha. He was president of Albright Collegiate Institute in 1895-96, and in the following year held the position of educational director of the Y. M. C. A. at Washington Heights, New York City. After a year of foreign travel, he became professor of English in the Pennsylvania Military College at Chester, subsequently giving up teaching in 1903 to become manager of the Booklovers' Magazine.

Boken innehåller svartvita fotografier och domineras av så kallade gatufotografier det vill säga urbana miljöbilder av snapshot-karaktär. Fotografierna är tagna på olika platser i Sverige och utomlands.

As author and photographer, Julie Crawford takes you on her adventurous journey through the path of self-discovery. Fueled by lyrical verses, Mother Nature's churches, and undeniably fated interactions with kindred spirits, she wanders throughout her inner wilderness mapping out roads that connect mind, body, and soul.Eight years ago in February 2014, with the northern lights in Alaska as witness, she made a promise to herself: be brave enough to step into my divine power. With the commitment to her truth, shadow work, emotional depth, intentional living, and vulnerability, she creates a fulfilling life as she consistently chooses to show up as her favorite version of the authentic self.In Tuesdays, Heartbreaks, and Soulmates, she shares fragments of time that have weaved themselves into the celestial fibers of her existence. As the pages turn and seasons change, she reflects on moments where she felt the essence of honest connection and was reminded that the love she seeks has lived within herself all along-the kind of love that brings *you* home.

A vivid, imaginative response to the sensual and erotic in postwar American photography, with attention to the beauty of the nude, both male and femaleWhen photographer Coda Gray befriends a family with a special interest in a young boy, the motivation behind his special attention is difficult to grasp, "e;like water slipping through our fingers."e; Can a man innocently love a boy who is not his own?Using fiction to reveal the truths about families, communities, art objects, love, and mourning, Like a Lake tells the story of ten-year-old Nico, who lives with his father (an Italian- American architect) and his mother (a Japanese-American sculptor who learned how to draw while interned during World War II). Set in the 1960s, this is a story of aesthetic perfection waiting to be broken. Nico's midcentury modern house, with its Italian pottery jars along the outside and its interior lit by Japanese lanterns. The elephant-hide gray, fiberglass reinforced plastic 1951 Eames rocking chair, with metal legs and birch runners. Clam consomm with kombu, giant kelp, yuzu rind, and a little fennel-in each bowl, two clams opened like a pair of butterflies, symbols of the happy couple. Nico's boyish delight in developing photographs under the red safety light of Coda's "e;Floating Zendo"e;- the darkroom boat that he keeps on Lake Tahoe.The lives of Nico, his parents, and Coda embody northern California's postwar landscape, giving way to fissures of alternative lifestyles and poetic visions. Author Carol Mavor addresses the sensuality and complexity of a son's love for his mother and that mother's own erotic response to it. The relationship between the mother and son is paralleled by what it means for a boy to be a model for a male photographer and to be his muse. Just as water can freeze into snow and ice, melt back into water, and steam, love takes on new forms with shifts of atmosphere. Like a Lake's haunting images and sensations stay with the reader.

Denne lille bog, dette hæfte, er blevet til i en tid, hvor der er særligt fokus på biodiversitet. På betydningen af den globalt, og for os som mennesker. Ikke mindst tabet af biodiversitet.Den indeholder netop fotos fra et sted med høj biodiversitet, et sted på Amager Fælled, i København, der måske vil forsvinde. Et krat på den sydlige del af Amager Fælled. Det er en lille billedbog, med glimt fra et storslået sted. Glimt af et tilholdssted, ynglested, levested for mange arter.Den er tænkt som en sansebog, inspiration til nærvær, meditation. Billederne er tænkt, som et hvilested for øjet.Hvis man trænger til at se på krat og græs.Det er den første i en række bøger med fotos fra Amager Fælled.

There are over eighty images in Exposing Mississippi, including some never-before-seen archival photographs. The chapters on institutional, leisure, and memorial landscapes address how Eudora Welty's photographs contribute to, reflect on, and intervene in customary visual constructions of the Depression-era South.

This pioneering book offers the first account of the work of the photographers, both official and freelance, who contributed to the forging of Mussolini's image.

As the narrative continues from summer, autumn, and now to winter - R. Clift offers her third evolved poetry & photography collection, tomorrow will be kinder, as a companion to solitude and coping with mental health in the dark times we all face in the seasons of our lives.Like life and death, chaos and peace, captivity and freedom- everything must have balance. This is the beauty of inner growth. Winter reflection. A collection of words and photographs woven together in hopes to remind you that no one is ever really alone. That there will always be a reason to keep going. Allow this winter journey across pages to speak to your heart, hold your hand when you feel trapped in the dark, let your mind find peace in the stillness, and once again-challenge loneliness to be a work of art.No matter how many times a heart may break, it will always keep beating.Also by R. Clift:to feel anything at all - summer evolved poetry collection (2019)to be remembered - autumn evolved poetry collection (2020)

Rembrandt Harmenszoon van Rijn (15 July 1606 - 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies.

One of Nat Geo's most popular nature photographers shares 200 breathtaking images and the stories behind them from wild ocean locales around the globe

40th Edition.

Harry Bensons Aufnahmen von Paul McCartney reichen zurück bis ins Jahr 1964, diesem so entscheidenden Jahr für die Beatles, als sie Amerika im Sturm eroberten, durch die ganze Welt tourten und mit A Hard Day's Night ihr Filmdebüt feierten - stets war der freundliche Schotte mit seiner Kamera dabei. Nachdem die Fab Four sich getrennt hatten und Paul sowohl privat als auch künstlerisch neue Weg ging, war es ebenfalls Benson, der Paul und seine Ehefrau Linda aus nächster Nähe fotografisch begleitete.Mit mehr als 100 Farb- und Schwarzweißfotos des legendären Fotojournalisten bietet diese Sammlung einen intimen Zugang zum Leben eines einzigartigen Künstlers, der fast sein gesamtes Leben im Rampenlicht verbracht hat und dennoch immer ein wenig rätselhaft geblieben ist.Bensons Kamera folgt Paul McCartneys Werdegang und Entwicklung sowohl in seinem öffentlichen Auftreten als Ikone, Sänger, Musiker, Performer, Popstar, als auch in seinem privaten Umfeld als Ehemann und Familienvater. Wir sehen ihn auf dem Höhepunkt seines Ruhms bei den Beatles, im Tonstudio mit seiner Frau Linda und ihrer gemeinsamen Band Wings sowie während der Wings Over America-Tour (1975-76). Wir erleben durchtanzte Nächte auf der Queen Elizabeth 2, wo Paul und Linda mit Freunden und Prominenten das neueste Album der Band feiern, und schließlich die Familienidylle auf ihrer Farm in England Anfang der 1990er Jahre.Sir Paul begeht in diesem Jahr seinen achtzigsten Geburtstag und Paul gibt Einblicke in ein Leben, in dem die bekannteste und beliebteste Musik der Welt entstanden ist.Ein Muss für jeden Musikfan.