Musik

Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

An original and compelling account of the social nature of music and its interplay with the wider society to which it belongs. Crossley explores the doing and meanings of music, as well as its interface with economic, political and wider social structures. -- .

A style of lo-fi electronic music that emerged from the first generation of 8-bit video game hardware, chiptune thrives today in a vibrant musical subculture that repurposes obsolete gaming hardware. Bits and Pieces tells the story of chiptune in full.

The cofounder and central figure of one of America's most successful vocal groups, The Beach Boys, Brian Wilson is a standout artist with an astonishing volume of diverse work spanning over half a century that serves as testament to his creative output and influence on modern music. Today, Wilson stands as a survivor of life challenges stemming from substance abuse and mental illness and enjoys a revitalized career in which he continues to create new works and perform around the world to enthusiastic audiences in sold-out venues.This unique book covers the breadth of Wilson's creative life as composer, producer, performer, and collaborator, not only as a Beach Boy, but also as a solo artist and collaborator with artists such as Jan and Dean, The Honeys, Spring, The Castells, and The Hondells. The book also surveys his less-examined work as a performer of the music of George Gershwin, of the songs from Disney films, and of children's books and movies. Because of its breadth, The Words and Music of Brian Wilson will appeal both to dedicated and casual fans alike of The Beach Boys and of Brian Wilson as well as to scholars in popular music and American studies.

Bruce Springsteen's words and music have been part of the American landscape for nearly half a century, and are today cherished by millions worldwide. Indeed, Springsteen has been known to inspire religious devotion among his fans, and his shows with the E Street Band are often compared to a revivalist congregation. However, there has not been a comprehensive scholarly study of the biblical and theological motifs in Springsteen's lyrics.Until now.Reading Springsteen's songs as one would a poem, The Grace of God and the Grace of Man sheds new light on Springsteen's work. The book's first section examines the theological overtones of Springsteen's early albums, focusing on his critique of traditional religious institutions and the promise of this-worldly salvation through romantic love and the open road. This trajectory in Springsteen's writing reaches an exhilarating apex in Born to Run, only to be methodically dismantled in the subsequent Darkness on the Edge of Town. The second section of the book examines the ways in which Springsteen reworks three traditional terms in his work after Darkness on the Edge of Town: sin, grace, and the struggle within. Drawing on songs from across Springsteen's later work, the book demonstrates that Springsteen consistently situates these terms in the lived struggle to overcome the forces that pull us away from our better selves. Sin is the surrender to these forces, and grace the blessings that come from overcoming them; both result from the struggle within. The third and final section, ';Springsteen's Midrash,' examines songs that explicitly interpret biblical passages, including ';Into the Fire,' ';Adam Raised a Cain,' and the hauntingly beautiful ';Jesus Was an Only Son.' The Grace of God and the Grace of Man's close readings of Springsteen's songs provide a wealth of local insights as well as a new critical framework for the appreciation of this major American artist.

Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.

An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others.

In this book, Alison Stone argues that popular music since rock-`n'-roll is a unified form of music which has positive value.

Through an analysis of four contemporary operas, Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions of how we think about sound, music, and listening by challenging common assumptions about sound, freeing it from a constraining set of fixed concepts and meanings.

SEX DRUMS ROCK 'N' ROLL! THE HARDEST HITTING MAN IN SHOW BUSINESS

Notes for Flutists: A Guide to the Repertoire is the only single-source reference of essential historical and analytical information about 35 of the best-known pieces written for the instrument. Its contextual and theoretical insights make this text an indispensable resource for teachers as well as student, professional, and amateur flutists.

Leitmotifs are a type of associative theme found in dramatic music. In this book, Matthew Bribitzer-Stull explores the background and development of the musical leitmotif, from Wagner and art music to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series.

A Danish musician here presents the most accurate, comprehensive work on a major figure in American jazz: Lester Willis Young (1909-1959), better known as `Pres' or `Prez,' from the nickname `President' given to him by Billie Holiday.