Musik

Sound, throb, and a long low wail of pure, hard pain...Nine Inch Nails. The world's most disturbing rock band is in effect one man singer and songwriter Trent Reznor. Since stealing the show during the original Lollapalooza tour in 1991, NIN has limned the hard edge of the techno revolution. In Reznor's desperate, combative persona and disarrayed melodies the musical community has finally found a band that appalls, confounds, and undeniably attracts. Horrified yet entranced, NIN's fans are like moths drawn toward the disfiguring flame of their music. From a well of previously unpublished research, Huxley has carved out the history of this improbable hero: Reznor's rise as an Appalachian outcast to dyspeptic sex symbol; his connections to Courtney Love; and his relationship with his spasmodically fixated fans. Ricocheting wildly between goth rock and industrial grunge, Nine Inch Nails has achieved a legendary sound. Here, Martin Huxley digs hard and deep to unearth the truth beneath the ultimate noise.

Edition Peters presents the complete Flute Sonatas of J.S. Bach in two volumes. This second volume contains the Sonatas BWV 1033, 1034 and 1035 in an Urtext edition by Konrad Hampe. Cembalo (piano score) and separate flute part included. With a preface in English and German, and critical report.

Nos 115 Opp 228.

NOISE MUSIC und die Tradition künstlerischer Avantgarden des 20. Jhdts: Das einleitende Kapitel beginnt mit einem kulturhistorischen Überblick über die Herausbildung geräuschhafter Musik im 20. Jahrhundert. Das nächste Kapitel befasst sich mit dem primären Ort moderner Musikproduktion- der Stadt. Der urbane Raum wird dabei sowohl als reicher Pool außermusikalischer Klänge diskutiert, als auch als Produktions- und Konsumstätte von Musik verstanden. Im Kontext der Club Culture wird besonders auf die Etablierung des turntablism und der DJ culture eingegangen. Anhand dieser Subkultur wird ein neuer, postmoderner Zugang zu hochkulturellen Technologien beschrieben, der auch in der glitch und noise music aufgenommen werden wird. Im vierten Kapitel wird die technische Entwicklung, vom frühen 20. Jahrhundert bis zur Einführung digitaler Medien, und deren Auswirkungen auf den kreativen Schaffensprozess von Musik nachgezeichnet. Unter besonderer Berücksichtigung ökonomischer Verfügbarkeit hochkultureller Technologien und dem Entstehen neuer Distributionswege, wird die gegenwärtige Musikproduktion beleuchtet. Das fünfte Kapitel ist medientheoretischen Überlegungen und den Auswirkungen des mediatisierten Alltags auf den Produktions- und Rezeptionsprozess von Musik gewidmet. Im sechsten Kapitel werden die unterschiedlichen Stile einer post- digital music erläutert (cracked media).

Here is one of the most enjoyable and illuminating books ever published for the music lover, a feast of delightful anecdotes that reveal the all-too-human side of the great composers and performers.There are stories of appetites (Handel eating dinner for three), embarrassments (Brahms falling asleep as Liszt plays), oddities (Bruckner''s dog being trained to howl at Wagner), and devotions (a lovely admirer disrobing in tribute to Puccini). There are memorable accounts of Stravinsky telling Proust how much he hates Beethoven, of Tchaikovsky''s first bewildering telephone call, of Dvorak''s strange love of pigeons, and of Verdi''s intricate maneuvering to keep the now-famous melody of "La donna è mobile" top secret.There is also wonderful trivia (Beethoven loved to cat "bread soup" made with ten raw eggs), along with eccentric strategies (Verdi, disturbed by the sound of street organs playing arias from his operas, hired them all for a season and kept them locked in a room). There are examples of musicians munificent generosity (Haydn called Mozart "the greatest composer known to me, either in person or by name"), and scathing dismissal ("Have you heard any Stockhausen?" the conductor Sir Thomas Beecham was asked. "No," he replied, "but I believe I have trodden in some").Collected from thousands of books, articles, and unpublished manuscripts (with historical sources provided in extensive notes), these anecdotes appear in their original form, throwing fresh light on familiar figures in the musical hall of fame. For browsing, reading, research and amusement, this book is a grand entertainment for concert-goers, record-buyers, operamanes, gossips and music lovers everywhere.

Debussy's sole completed opera was given its premiere at Paris' Opera Comique on April 30, 1902. It was the culmination of an eight-year effort on the composer's part. Though not an immediate sensation like Puccini's "Madame Butterfly" two years later in Milan, the five-act lyric drama, after the identically titled play by Maeterlinck, enjoyed a successful run in the first two decades of the 20th century. This new vocal score is a digitally-enhanced reprint of the one issued in Paris by A. Durand et Fils in 1907, with an English translation of the text by Harry Grafton Chapman appearing beneath the original French. Now available in a convenient, readable A4 format at an affordable price. In contrast to so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is actually readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library. Wikipedia article IMSLP page

This work offers useful information on how jazz music can be improvised.

Synopsis coming soon.......

Declares the relationship between sound art and music colloquial": spoken and accessible, rather than locked behind disciplinary boundaries.

Timeline of milestones to the day, looks at the band's influences, tours, recording sessions, charts, singles, break-ups, personal stuff, trivia, mixed with lots of quotes, turning the book into a smorgasbord of facts including Rainbow, Whitesnake, Gillan, Paice Ashton Lord, Jesus Christ Superstar, The Outlaws and all the other associations.

Arranging for the Small Jazz Ensemble presents an innovative approach to the challenging subject of jazz arranging. The author, Robert Larson, has narrowed down the choices of instrumentation and texture in such a way that anyone from a novice jazz enthusiast to a seasoned professional can learn how to arrange jazz standards and originals in a relatively short period of time. Four original jazz tunes are used throughout the book to demonstrate texture, instrumentation, introductions, endings, interludes, solo backgrounds, solis, and shout choruses. Each chapter contains exercises that give the reader a chance to practice the techniques learned in that chapter. By the end of the study, the reader will be equipped to create a complete jazz arrangement. With everything you need here in one book, why aren't you Arranging for the Small Jazz Ensemble?

Newly edited and engraved study score for the original 1877 version of Tchaikovsky's first ballet masterpiece. Includes Preface, Synopsis, and Cast of Characters. This is the complete orchestral score, not a piano reduction, based upon the composer's autograph, the first edition issued by P. Jurgenson, and the score from Tchaikovsky's complete works. Swan Lake, Tchaikovsky's first venture into ballet, was only moderately successful in its first production at Moscow's Bolshoi Theatre. Choreographer Julius Reissinger's dances were not well received, and those of his successor Joseph Peter Hansen fared no better. The ballet was propelled into the permanent repertoire only after a brilliant revival mounted by Marius Petipa and Lev Ivanov in St. Petersburg more than a year after Tchaikovsky's death from cholera. A new, reasonably priced study score that will be invaluable to students, conductors, music lovers and ballet aficionados everywhere.Originally issued in 2008 by the now-defunct American publisher E.F. Kalmus, the only authorized publisher of the Simpson edition is now Serenissima Music, who also offers the large conductor score (10 x 13 inches, 2 volumes) and orchestra parts (9.5 x 12.5 inches).

30th Anniversary Revised EditionGospel Music Performance Practice and Technique - Volume 1. 30th Anniversary Edition! This book is the leading book on how to play Gospel Piano. It offers step-by-step instructions to play both traditional and contemporary styles. It is perfect for intermediate to advanced students. Whether you are a private instructor or professor, it is your go-to guide. It has been updated and includes a chapter on curriculum and lesson plans that is perfect for a classroom setting or private studio.Audio Teaching Materials are available to go along with the books. For more information go to: www.learnhowtoplaygospelmusic.com"TRULY A TREASURE!To all who have wished for and searched for a good book on how to play Gospel Music. This is it!! This book is better than good. It is excellent. The author clearly knows his subject well..."Linden, NJ United States"Highly Substantive!!!A long overdue book that delves down into the theory behind playing Gospel Music. It is well written and substantive. Robert L. Jefferson has elevated the instruction of gospel to a totally new level. With players of the authentic music willing or able to teach being so rare, it is a true treat to study with an individual who is so clearly able to articulate it. After a brief history of the music, Dr. Jefferson tackles a wide array of topics from basic chord theory and gospel cadence, to everything from passing chords, secondary dominants, contemporary gospel licks and fills, and more. Examples are enlightening and abundant...Purchasing this book will definitely take you to a whole new level regardless of where you are now! When it comes to music instruction books, this book ranks TOP on my list!""Jazz Organist" (Tokyo, Japan)

In the fall of 1969, the story seemed to come out of nowhere. Was Beatle Paul McCartney dead? This was no ordinary death rumor. It was believed that McCartney had died years earlier and been replaced by a lookalike. What's more, the surviving Beatles were thought to have planted "clues" to his death on their record albums. "Paul-Is-Dead" mania swept the United States as people attempted to solve the riddle of Paul's alleged demise. How did all of this happen? Beatles scholar and journalist Andru J Reeve has gotten to the bottom of this intrigue. After years of research, Reeve has assembled TURN ME ON, DEAD MAN to tell the strangest tale ever in the history of rock 'n' roll.

A HUMAN CARTOON OF HAIR, SUPER-STRENGTH CIGARETTES AND THE WORLD'S MOST FAMOUS TOP HAT, SLASH IS THE EPITOME OF ROCK 'N' ROLL.

The first book ever on this classic British rock band UFO takes you through the Schenker era in great detail; album-by-album, song by song along with touring anecdotes and of course, tales revolving around the wild and excessive behaviour that was very much a part of the band.

This book explores the artistic principles of Arturo Benedetti Michelangeli, his concert activities, his art of piano playing, as well as his pedagogy and his attitude towards his students.