Bücher der Reihe After the Empire: The Francophone World and Postcolonial France

This collection of essays investigates the fundamental role that the loss of colonial territories at the end of the Ancient Regime and post-World War II has played in shaping French memories and colonial discourses. In identifying loss and nostalgia as key tropes in cultural representations, these essays call for a re-evaluation of French colonialism as a discourse informed not just by narratives of conquest, but equally by its histories of defeat.

Violence in Caribbean Literature: Stories of Stones and Blood, this book looks at the scene of the throwing of a stone found in five novels, and uses it as a starting point to an examination of the turmoil of history in the Caribbean, the colonial education imposed on Caribbean populations, the gendered relations that exist today in the Caribbean region, the political status and aspirations of Caribbean nations, and the psychological impact of colonization on Caribbean minds. The trope of the stone and the analysis of the violence it delivers provide the thread that conducts the linked readings of these novels, written by Dominican Jean Rhys, Trinidadian Merle Hodge, Guadeloupean Gisele Pineau, Martinican Patrick Chamoiseau, and Jamaican-American Michelle Cliff.The analytical and critical readings of these writers' novels complement each other, and draw out their commonalities, echoes, and differences, while the juxtaposition of Anglophone and Francophone novels from different Caribbean nations contributes to a polyphonic understanding of the region. While the book offers diversity in the range of countries and languages represented, and in the interdisciplinarity of the scholarly fields that intersect in its cultural discussions, it maintains its coherence by the unifying theme of violence and its representations in Caribbean literature.

In this book, Author Katharine N. Harrington examines contemporary writers from the French-speaking world who can be classified as literary ';nomads.' The concept of nomadism, based on the experience of traditionally mobile peoples lacking any fixed home, reflects a postmodern way of thinking that encourages individuals to reconsider rigid definitions of borders, classifications, and identities. Nomadic identities reflect shifting landscapes that defy taking on fully the limits of any one fixed national or cultural identity. In conceiving of identities beyond the boundaries of national or cultural origin, this book opens up the space for nomadic subjects whose identity is based just as much on their geographical displacement and deterritorialization as on a relationship to any one fixed place, community, or culture. This study explores the experience of an existence between borders and its translation into writing that. While nomadism is frequently associated with post-colonial authors, this study considers an eclectic group of contemporary Francophone writers who are not easily defined by the boundaries of one nation, one culture, or one language. Each of the four writers, J.M.G. LeClezio, Nancy Huston, Nina Bouraoui, and Regine Robin maintains a connection to France, but it is one that is complicated by life experiences, backgrounds, and choices that inevitably expand their identities beyond the Hexagon. Harrington examines how these authors' life experiences are reflected in their writing and how they may inform us on the state of our increasingly global world where borders and identities are blurred.

The Indian uprisings (185758) against British rule in India represent an iconic period within the history of anti-colonial resistance. Numerous works have considered these historical events from British and Indian perspectives, but none have yet questioned how they were viewed by Britain's foremost colonial rival in India, the French. The French Colonial Imagination examines how the potential for Britain to lose its most lucrative colony at the hands its own colonial ';subjects' allowed French writers to envisage a world freed from British dominance. The uprisings offered the attractive possibility that France could undergo a colonial revival in the wake of British defeat, thereby reversing the devastating losses inflicted upon France's former empire at the end of the Napoleonic Wars. Notable among these losses was Britain's decision (in the Treaty of 1814) to permanently reduce France's presence in India to five small trading posts scattered around the periphery of British territory. The extent to which to the French colonial imagination of the nineteenth century was shaped by the memories of such defeats forms a primary concern of this monograph. This investigation into French responses to the Indian uprisings reveals that French colonial discourse was determined as much by its visions of the colonized ';other,' as by the dominance of their British rivals. Drawing from journalistic, historical, political, and fictional texts written during Louis Napoleon's Second Empire (185270) and in the early years of the Third Republic (18701944), The French Colonial Imagination shows how the uprisings gave French writers the opportunity to speak out against the rapacity of British colonialism and its treatment of colonized Indians, while simultaneously constructing a competing colonial discourse that would justify further expansion in North Africa and South East Asia. Standing at a crossroads between the ';loss' of Ancien Regime's empire and the Third Republic's ideological investment in overseas expansion, this understudied period of colonial history reveals the centrality of loss, fracture, and political emasculation as core preoccupations haunting the French colonial discourse in its quest to regain cultural and ideological ascendancy over its greatest political enemy.

African Pasts, Presents, and Futures: Generational Shifts in African Women's Literature, Film, and Internet Discourse, by Touria Khannous, critically reevaluates assumptions in liberal feminist theory, which has examined African women primarily in terms of their object status rather than as agents effecting change. By analyzing forces of marginalization, subordination and empowerment, the book carves out arenas for African women within feminist theory and creates spaces for the recognition of their place in national and global politics.

Collective Memory examines the difficult transmission of memory in France of the Algerian war of independence (1954-62). Emphasizing the current lack of transmission of memories of this war through a detailed case study of three crucial vectors of memory: the teaching of school history, coverage in the media, and discussion in the family, author McCormack argues that lack of transmission of memories is feeding into contemporary racism and exclusion in France. Collective Memory draws extensively on interviews with historians, teachers, and pupils as well as secondary sources and media analysis. McCormack proposes that a greater 'work of memory' needs to be undertaken if France is to overcome the division in French society that stems from the war. There has been little reconciliation of divisive group memories, a situation that leaves many individuals without a voice on this important subject. 'Memory battles' dominate discussion of the topic as many issues periodically flare up and cannot yet be overcome.

Globalizing the Postcolony: Contesting Discourses of Gender and Development in Francophone Africa is a study of development in the former French colonies of West Africa. It takes as its starting point the international community's reporting on human and social development and gender in the developing areas which began systematically in 1990 and which has provided a framework for policy-making in this field. International reports suggest that the francophone African countries have been experiencing low levels of social development throughout the past two decades. These levels fall dramatically when the factor of gender is introduced to the point where statistically-speaking francophone African women have had less access to social development than any other population in the world. This study analyzes current thinking on the challenges facing gender and development in Africa, before moving on to examine the historical factors marking the gender and development profile of the francophone West African region. Through an analysis of gender politics in the region from pre-colonial to postcolonial times, the book examines the gradual incursion of exogenous gender policies into the region throughout the 20th century. The discussion concludes by arguing that despite the tendency of the international community, and their colonial administrative forebears, to pursue 'one-size-fits-all' solutions to what they identified as the main development challenges of the day, the impact of standardized solutions remains subject to the unique historical and cultural context in which they are implemented. Adapting formula-driven policies to unique cultural contexts constitutes a major challenge for gender and development politics in the second decade of the new century. Meanwhile, the book coincides with the introduction of a new international development agenda in Africa articulated around issues of security and globalization. While civil unrest continues to destabilize vast regions of the continent making the prospects of human and social development ever more remote, the rise of China among the traditional powerbrokers threatens to push social development and gender equality even further down the international agenda for Africa. This book is a timely reminder of the feminisation of poverty and disadvantage in the region and the need to keep the gender dimensions of development at the top of the social policy agenda for Africa in the 21st century.

The events of 9/11 have cast a shadow of suspicion on Muslims in Western Europe and fostered a public discourse of arbitrary associations with violence and resistance to social and cultural integration. The antagonistic ascendancy of militant Islam globally and the anxiety this has engendered are animating day-to-day debates on the place and loyalty of Muslims in Western societies. Exploring the neglected reality of ethnic radio in Paris and Berlin, Voicing Diasporas: Ethnic Radio in Paris and Berlin Between Cultural Renewal and Retention examines how Muslim minorities of North African descent in France and Germany resist these glaring generalizations and challenge bounded narratives and laws of cultural citizenship in both countries. Through an analysis of Beur FM in Paris and Radio Multikulti in Berlin, this book also questions the reductionist view of diasporic media as expressions of longing, nostalgia, and cultural dislocation. This ground-breaking study is as essential read for not only scholars and higher educational students in various fields, but for those interested in this ever-changing, topical issue.

Motivated by a desire to narrate and contextualize the deluge of 'French theory,' After the Deluege showcases recent work by today's brightest scholars of French intellectual history that historicizes key debates, figures, and turning points in the postwar era of French thought.

Addresses the development since the 1950s of a type of Francophone African novel created by first-generation black African authors living in France. This work draws parallels with other literatures, and examines how these authors, are parting from mainstream African literature by exploring more personal avenues.

This volume explores the ways in which considerations of difference, especially colonialism, post-colonialism, and race, have shaped French culture and French studies in the modern era.

Organized by region, boasting an international roster of contributors, and including summaries of selected creative and critical works and a guide to selected terms and figures, Salhi's volume is an ideal introduction to French studies beyond the canon.

With global promotion of la Francophonie, the relation between the different constituencies of the world's French-speaking regions needs to be reexamined and debated. This book questions ingrained assumptions, pointing out the complexity of a never-ending relationship between francophone communities after the Empire.

Rethinking Marriage in Francophone African and Caribbean Literatures analyzes novels and films that demonstrate how marriage affects Francophone African and Caribbean women in their respective societies. It argues that marriage serves as a catalyst for intense identity formation because it functions as a narrative intersection for a number of overlapping themes on gender and the body, class and economics, religion, interracial and intercultural identity and nation building. Marriage provides a narrative space for commentary on cultural practices presented in the works in question as the foundations of cultural identity.

The Narrative Mediterranean: Beyond France and the Maghreb examines literary texts by writers from the Maghreb and positions them in direct relation to increasingly querulous debates on the shifting identity of the modern Mediterranean. This book argues that reading works by writers such as Albert Camus and Tahar Ben Jelloun alongside authors such as Fawzi Mellah and Mahi Binebine in a transnational rather than binary interpretive framework transcends a colonial and postcolonial bind in which France is the dominant point of reference. While focusing on works in French, this book also examines Maghrebi authors who write in Italian. The texts examined in The Narrative Mediterranean critique narrow identitarian labeling, warn against sectarianism, and announce the necessity of multiple forms of translation and historical rewritings. Their modes of expression differ as they range from poetic to baroque to realist, as do their concerns, which include but are not limited tothe human condition, gender identity, and emigration. Claudia Esposito explains how these writers operate between and outside the confines of several nations, tracing imagined affiliative horizons, and consequently address questions of multiple forms of cultural, political, sexual and existential belonging. Esposito convincingly demonstrates that in a Mediterranean context, moving between nations means to be in both foreign and familiar physical, affective and intellectual spaces.

From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956-2006, Sandra Gayle Carter chronicles the changes in Moroccan laws, institutions, ancillary influences, individuals active in the field, representative films, and film culture during this fifty-year span. Focusing on Moroccan history and institutions relative to the cinema industry such as television, newspaper criticism, and Berber videomaking, What Moroccan Cinema? is an intriguing study of the ways in which three historical periods shaped the Moroccan cinema industry. Carter provides an insightful and thorough treatment of the cinema institution, discussing exhibition and distribution, censorship, and cinema clubs and caravans. Carter grounds her analysis by exploring representative films of each respective era. The groundbreaking analysis offered in What Moroccan Cinema? will prove especially valuable to those in film and Middle Eastern studies.

Motivated by a desire to narrate and contextualize the deluge of "French theory," After the Deluege showcases recent work by today's brightest scholars of French intellectual history that historicizes key debates, figures, and turning points in the postwar era of French thought.

The only studies on North African caves have been published in French and examine primarily physical cave sites. My book discusses the literary cave as a metaphor for national identity and the homeland-patrie- in Francophone North African postcolonial literature and film focusing on the themes of folklore, war, Berber traditions, femininity, sexuality, and war. It offers new insights into Francophone postcolonial studies and folklore and fills a gap in postcolonial literary and cultural scholarship.

Through the study of Charles Testut's Le Vieux Salomon, a nineteenth-century southern Francophone antislavery novel, this book encourages a reassessment of the southern experience and of the canon of southern literature. Arguing for a southern literary identity strongly influenced by French socialist thought and colonial culture, Abel's book is an invaluable resource for Francophone scholars interested in race and colonial literature.

Breadfruit or Chestnut? examines gender construction comparatively across the fiction of contemporary writers of Guadeloupe and Martinique. In particular, it explores the construction of gender identity by six authors-three male and three female-who have never been brought together in a study of this issue.

Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. This interdisciplinary volume explores the multiple forms of this upsurge and the forces driving it in popular culture, scholarly research, and public commemorations.

Fictions of Childhood analyzes identity from the perspective of child/adolescent narrators and protagonists using the works of Nina Bouraoui, Linda Lê, and Gisèle Pineau. This theme is studied in French narratives that bring to the fore questions of the power imbalances in both the sociological context of the family and the larger geopolitical context of French colonialism.

Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth compares the specific potential and the limits of each medium to craft unique responses to the genocide and instill in us its haunting legacy. In the wake of genocide, urgent questions arise: How do survivors both claim their shared humanity and speak the radically personal and violent experience of their past? How do authors and filmmakers make inconceivable trauma accessible to a society that will always remain foreign to their experience? How are we transformed by the genocide through these various modes of listening, viewing, and reading?

Writerly Identities in Beur Fiction and Beyond explores the Beur/banlieue literary and cultural field from its beginnings in the 1980s to the present. It examines a set of postcolonial Bildungsroman novels by Azouz Begag, Farida Belghoul, Le la Sebbar, Sa d Mohamed, Rachid Dja dani, and Mohamed Razane. In these novels, the central characters are authors who struggle to find self-identity and a place in the world through writing and authorship. The book thus explores the different ways all these novels relate the process of 'becoming' to the process of writing. Neither is straightforward as the author-characters struggle to put their lives into words, settle upon a genre of writing, and adopt an authorial persona. Each chapter of Writerly Identities in Beur Fiction and Beyond focuses on a given author's own relationship to writing before assessing his or her use of the author-character as a proxy. In so doing, the study as a whole explores a set of literary questions (genre, textual authority, reception) and engages them against the backdrop of socio-cultural challenges facing contemporary French society. These include debates on education, cultural literacy, diversity and equal opportunity, and the banlieue environment. Finally, it argues in relation to the authors and novels in question for the particular relevance of 'rooted and vernacular' cosmopolitanism, which suggests both that exploration of the world must begin at home and that stories are crucial for such explorations.

The Other Hybrid Archipelago presents the postcolonial literatures of the Francophone Indian Ocean islands to an Anglophone audience. The islands of Madagascar, Mauritius, Reunion, the Comoros, and the Seychelles form a region that has a particular cultural identity because of the varied mixture of populations that have settled there and the dominant influence of French colonialism. This survey concentrates on the period since the Second World War, when most of the islands achieved independence, except for Reunion and Mayotte, which maintain a regional status within the French Republic. The postcolonial approach suggests certain recurrent themes and preoccupations of the islands' cultures and an appropriate way to define their recent cultural production, while taking account of the burden of their colonial past. The rich cocktail of cultural and linguistic influences surveyed is situated in relation to the contemporary political and social context of the islands and their marginal status within the global economy.

'Rewriting' in the context of critical work on Caribbean literature has tended to be used to discuss revisionism from a variety of postcolonial perspectives, such as 'rewriting history' or 'rewriting canonical texts.' By shifting the focus to how Caribbean writers return to their own works in order to rework them, this book offers theoretical considerations to postcolonial studies on 'literariness' in relation to the near-obsessive degree of rewriting to which Caribbean writers have subjected their own literary texts. Focusing specifically on FrankZtienne, this book offers an overview of how the defining aesthetic and thematic components of FrankZtienne's major works have emerged over the course of his forty-year writing career. It reveals the marked development of key notions guiding his literary creation since the 1960s, and demonstrates that rewriting illustrates the central aesthetic of the Spiral which has always shaped his Iuvre. It is, the book argues, the constantly moving form of the Spiral which FrankZtienne explores through his constant reworking of his previously written texts. FrankZtienne and Rewriting negotiates between the literary and material ends of the burgeoning field of postcolonial studies, arguing that literary characteristics in FrankZtienne connect with changing political, social, economic, and cultural circumstances in the Haiti he rewrites.

Presents a study of five writers from lands formerly or currently ruled by France (Algeria, Cambodia, Guiana, Madagascar, and Mali) and an interrogation of the relevance of postcolonial theory, criticism and studies to these writers. This work places the writers against the background of postcolonial studies.