FIRST FOLIO OF SHAKESPEARE IN MODERN TYPE
"It's Only a Movie is the best book ever written about my father. It really is amazing." -Patricia HitchcockNorth by Northwest. Psycho. Rear Window. The Birds. Vertigo. When it comes to murder and mayhem, shock and suspense, the films of Alfred Hitchcock can not be surpassed. For this book, Charlotte Chandler interviewed Hitchcock, his wife, daughter, film crew members, and many of the stars who appeared in his films, including Kim Novak, Janet Leigh, Cary Grant, Tippi Hedren and James Stewart.Throughout the book, Chandler shares Hitchcock's wit and wisdom. When actors took themselves too seriously, he would remind them, "it's only a movie." Chandler introduces us to the real Hitchcock, a devoted family man and notorious practical joker, who made suspenseful thrillers mixed with subtle humor and tacit eroticism.
EVENINGS WITH CARY GRANT: RECOLLECTIONS IN HIS OWN WORDS AND BY THOSE WHO KNEW HIM BEST
WORDS WITH MUSIC: CREATING THE BROADWAY MUSICAL LIBRETTO
Heaven's Gate, by comparison, was a party in Paradise. Some of cinema's legendary artists - renowned for their work with Fellini, Godard, Fassbinder, and Herzog among others - would unwittingly unite to create the greatest financial disaster in movie history: The Adventures of Baron Munchausen. Andrew Yule goes behind the scenes of Gilliam's epic and unravels, twist by agonizing twist, the contorted drama which saw the original budget of $23.5 million rocket to an astronomical $46 million - making it one of the most expensive features in history. Hardcover.
From the London ÊSunday TelegraphÊ: ÊActing ShakespeareÊ is extraordinary. The tone of the voice is unmistakably Sir John''s the atmosphere congenial. We''re in the company of our greatest actor who holds in his hands the last links of a chain of tradition leading to Shakespeare himself ... this book is crucial for anyone who believes that Shakespeare on the stage should be Shakespeare at his greatest ... Gielgud is by turns wise witty and wicked but unfailingly modest.
This book is an attempt to trace and illuminate, through interviews with colleagues, friends, and contemporaries, different perspectives about Rainer Werner Fassbinder.
QED is a seductive mix of science, human affections, moral courage and comic eccentricity... not to be missed."- John Simon, New York MagazineThe play itself is a kind of proof, dramatically illustrating how a man who happens to be a genius elegantly and movingly works through the human problem of how to face the end of his life." - Nancy Franklin, The New YorkerWith a moving and powerful introduction from Alan Alda.Who knew that quantum electrodynamics could make for a dramatic read? In the hands of the late, great physicist Richard Feynman, it does. Feynman''s theory of QED is just one of the many topics the playwright Peter Parnell explores in this nearly-one-man show, a recent Broadway triumph for star Alan Alda as Feynman.Set in Feynman''s office on the weekend of his realization that he has terminal cancer, this play is an intellectual tour-de-force that captures the unique, hilarious, and puckish genius that Feynman was. From his work on the Manhattan Project to the death of his beloved first wife, from his mission to reconstruct the Challenger space shuttle tragedy to his Nobel-prize winning physics ideas, the resume of Feynman''s life is fascinating. But Parnell gives us more, letting fill in the details of his life. When he reads a letter he wrote to his wife after her death, or flirts with a student, or chillingly recalls walking around Manhattan calculating the damage an atomic bomb could do, we, grow to love the man behind the scientist. And we read in fascination as he puzzles out the problem of his own death.Combining the current interest in science and math in the entertainment world with one of the most entertaining scientists in U.S. history, QED is a tour-de-force.
"There is no book about Hollywood as riveting as this documentary." - Allan Carr, Vanity Fair There is no question that the 1954 version of A STAR IS BORN holds a special place in the pantheon of classic movies. It was director George Cukor''s first foray into musicals, his first color film, and it was, without a doubt, Judy Garland''s greatest screen performance.With incredible detail and color, Ronald Haver gives us the fascinating story of the making, marketing and restoration of this groundbreaking classic. Here is how producer Sid Luft orchestrated the deal for his wife, how Cukor was selected to direct, how James Mason was cast to co-star and how Moss Hart''s script was developed. Here are the myriad techincal problems, the clashes of personalities and the shocking emotional ups and downs of the film''s star. Here, finally, is the author''s own mission to restore the film to its original length and glory in the 1980s.
Here is the original story of a true original, the celebrated and internationally renowned director, playwright and screenwriter Arthur Laurents, whose creative genius continues to energize American stage and screen today. Say his name, and images of West Side Story, Gypsy, Anastasia, The Turning Point, and The Way We Were appear. Laurents'' highly praised memoir is a dazzling portrait of his life - as he recounts the great moments, the trials and the joys of his incredible career. He takes us into his world, peopled with the creative artists, directors, actors and personalities who came of age in the theatre and in Hollywood after WWII. Later, back in New York, he writes about jump-starting Barbra Streisand''s career by casting her in I Can Get It for You Wholesale. He writes about the creation of Gypsy with Jule Styne and Stephen Sondheim. And he writes about coming together in a complex, fraught collaboration with his three old pals, Jerome Robbins, Leonard Bernstein and Sondheim for West Side Story. Throughout, Laurents is funny, fierce, and frank - a life recounted as richly as it was lived. "This is a historic work. A ''must'' for show biz mavens." - LIZ SMITH, Newsday & Syndicated
Mix one American director with a German producer on a period extravaganza set the locations in Italy and Spain and start the cameras rolling without enough money to do the job. Then sit back and watch disaster strike. That is the scenario Andrew Yule has painstakingly reconstructed. The more problems and reverses the greater our interest: costly postponements overwhelming language difficulties elephants and tigers turning on their trainers illnesses sets not being ready special effects breaking down and cameo stars (from Marlon Brando to Sean Connery) backing out of the project. You name it Andrew Yule reports it!
ADVENTURES OF BARON MUNCHAUSEN THE SCREENPLAY
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