A documented screenplay of the Oliver Stone film complete with historical annotation with 340 research notes and 97 reactions and commentaries by Norman Mailer Tom Wicker Gerald R. Ford and many others.ÞÞ It''s a lesson in craft to watch ÊJFKÊ on video while reading along charting what got cut softened and rethought. äÊEntertainment WeeklyÊ
THE MOTHER AND OTHER UNSAVORY PLAYS
The complete script to the critically acclaimed play.
David Rothenberg's multilayered life thrust him into Broadway's brightest lights, prison riots, political campaigns, civil rights sit-ins, and a Central American civil war. In his memoir, Fortune in My Eyes, his journey includes many of the most celebrated names in the theater: Richard Burton, Elizabeth Taylor, Bette Davis, Sir John Gielgud, Peggy Lee, Alvin Ailey, Lauren Bacall, Christine Ebersole, and numerous others.He produced an Off-Broadway prison drama, Fortune and Men's Eyes, which reshaped his life. John Herbert's chilling play led directly to the creation of the Fortune Society, which has evolved into one of the nation's most formidable advocacy and service organizations in criminal justice.Rothenberg was Elizabeth Taylor's opening night date at the Richard Burton Hamlet - a distant cry from his entering Attica prison during that institution's famed inmate uprising; these are just two of the experiences revealed in this memoir. As a theater publicist and producer - and as a social activist - he shares experiences with politicians and with anonymous men and women, out of prison, who have fought to reclaim their lives. The human drama of the formerly incarcerated that unfolds in this book is a match for many of the entertainment world's most fabled characters.
Gloumov, (the protagonist) has not only become an eduring character on the Russian stage, but the abstract noun derived from his name, gloumovshchina (or gloumovism), has entered the language. As long as ambitious young men with brains and talent can most readily achieve success by selling themselves and betraying their better natures, gloumovism will thrive. Transitional societies have a special need of Gloumov to keep things moving - as well as to maintain equilibrium - since the actor-opportunist will further any cause, switch positions overnight, defend opposite sides of the same issue, and turn his coat with every wind until he almost becomes the coat. - from the Afterword by Daniel Gerould
The rise of Golda Meir from impoverished Russian schoolgirl to Prime Minister of Israel is one of the most amazing stories of the 20th century. Now her life has been transformed into a one-woman play of overwhelming power and triumph by William Gibson, author of The Miracle Worker. Golda's Balcony earned actress Tovah Feldshuh a 2003 Drama Desk award."Enlightening ... Now, hearing from someone who was there at the birth of the country, who sacrificed to make that happen, helps remind us where the Middle East standoff came from and why it never seems to end."- The New York Times"A valentine to the famously tough prime minister."- New York Post
35 scenes from Shakespeare are presented in newly-edited texts with notes which clarify meanings topical references puns ambiguities etc. A brief description of characters and situation prefaces each scene and is followed by a commentary which discusses its major acting challenges and opportunities. Each scene has been chosen for its independent life requiring only the simplest of stage properties and the barest of spaces.
THE TELEVISION PLAYS OF PADDY CHAYEFSKY
DEFYING GRAVITY: THE CREATIVE CAREER OF STEPHEN SCHWARTZ FROM GODSPELL TO WICKED 2ND ED
Combine Kafka''s eerie vision with a soulless world run by computers and the result is this comic nightmare of a play. Strand''s play - revolving around a bug in the system - premiered at the Actor''s Theatre in Louisville Humana Festival, and has been produced by other theatres across the country.
SOUND OF THEIR MUSIC THE STORY OF RODGERS & HAMMERSTEIN
When CLERKS opened at cinemas across the country in 1994, it took everyone, especially the film industry, by surprise. Filmed on a shoestring budget after hours at a convenience store, it was crude (in technique and language), realistic and, above all, hilarious. The movie''s nationwide success helped launch the indepedent film boom of the 1990s and catapulted its director, Kevin Smith, to full-fledged stardom. Smith''s work is explored in AN ASKEW VIEW, the first ever study of his films. John Kenneth Muir examines all of Smith''s movies. including MALLRATS, CHASING AMY, and the hugely controversial and variously interpreted DOGMA. Muir discusses Smith''s themes and obsessions in depth: his New Jersey boosterism, the cast of characters that pop in and out of all of his films, and the references to STAR WARS and other icons of pop culture. AN ASKEW VIEW is a fascinating and detailed history of the art of this visionary filmmaker, New Jersey''s favorite local-boy-makes-good since Bruce Springsteen.
There has been a great change in the last twenty years to actor auditions which now require the demonstration of enormous flexibility. The actor is often expected to show more range than ever before and often several shorter audition speeches are asked for instead of one or two longer ones. To stay at the top of his or her game the Shakespearean actor needs more knowledge of what makes the play tick especially since the early plays demand a different style from the later ones. Each genre (comedy history tragedy) has different requirements. No current monologue book deals directly with the bulk of these concerns. ÊOne More unto the Speech Dear FriendsÊ now fills that gap. This three volume set will help actors discover the extra details of humanity that the original folio texts automatically offer. Of Shakespeare''s 37 plays only ÊPericlesÊ is not included. In the trilogy of books there are over 900 separate audition possibilities. This represents about 600 more monologues than are available in any other series.ÞÞThere are four parts to each speech: Û A background giving context and approximate timing; Û A modern text version; Û The original folio version; Û Commentary to explain the differences between the two texts including full discussion of the devices peculiar to that speech''s genre the age and gender of the character and more.
Noted film biographer Charlotte Chandler interviewed Bette Davis extensively in the last decade of her life resulting in a biography in which the great actress speaks for herself. Chandler also spoke with directors actors and others who knew and worked with Davis and includes brief synopses of all of her theatrical films.ÞHere are some more examples of Bette''s wit to be found within these pages:Þ I''m the one who didn''t get the man which is the more interesting character on the screen but in real life sometimes I wish I could just have been the girl who got the man and kept him. I got four husbands and several lovers but I didn''t keep any of them. I was invited to the White House but no man stayed to share my white cottage. Þ My favorite actor with whom I never played professionally or personally was Laurence Olivier. I admired everything about him. He was a great actor and he was my dream man. Literally and figuratively. Larry was my fantasy lover the perfect man or at least I thought he would be. He was not only beautiful but intelligent.
Startling discontinuities and surprises erupt throughout these avant-garde landscapes by Poland''s outstanding modern dramatist where duchesses and policemen, gangsters and surrealist painters, psychiatrists and locomotive engineers wander in and out, kill one another, and carry on philosophical conversations at the same time.
A collection of eleven short plays from 1989. Includes: The Author''s Voice San Antonio Sunset There is No John Garfield The Mask of Hiroshima Penguin Blues Haiku Chemical Reactions Dolores April Snow Trout and A Poster of the Cosmos.
John Russell Brown demonstrates just how much is in Shakespeare''s texts; how the language is awakened colored emphasized sensualized and extended in performance. Shakespeare''s intended readers were his collaborators not his commentators. Brown invites all Shakespeare lovers to seek their insights in Shakespeare''s natural habitat: the stage.
Voices of Color is a trailblazing collection of scenes and monologues by African American playwrights. This major omnibus of contemporary American writing will serve as a primary resource for African American artists in search of their own voice for the stage. Actors and directors will now have access to a much larger spectrum of work in which to shine. Readers will be introduced to a rich, vibrant medley of work of the human spirit. And schools, colleges and libraries will, at last, have the book we all need to fully explore America''s potential for drama.
This Applause edtiion allows the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Readers and students are faced with real theatrical choices in each speech as the editors point out the challenges and opportunities to the actor and director at each juncture. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process.
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