Bücher der Reihe Austrian and Habsburg Studies

The hundred years between the revolutions of 1848 and the population transfers of the mid-twentieth century saw the nationalization of culturally complex societies in East Central Europe. This fact has variously been explained in terms of modernization, state building and nation-building theories, each of which treats the process of nationalization as something inexorable, a necessary component of modernity. Although more recently social scientists gesture to the contingencies that may shape these larger developments, this structural approach makes scholars far less attentive to the "hard work" (ideological, political, social) undertaken by individuals and groups at every level of society who tried themselves to build "national" societies. The essays in this volume make us aware of how complex, multi-dimensional and often contradictory this nationalization process in East Central Europe actually was. The authors document attempts and failures by nationalist politicians, organizations, activists and regimes from 1848 through 1948 to give East-Central Europeans a strong sense of national self-identification. They remind us that only the use of dictatorial powers in the 20th century could actually transform the fantasy of nationalization into a reality, albeit a brutal one.Pieter M. Judson is Associate Professor and Chair of the History Department at Swarthmore College. His book Exclusive Revolutionaries: Liberal Politics, Social Experience and National Identity 1848-1914 (Michigan, 1996) won the Herbert Baxter Adams Prize of the American historical Association in 1997 and the Austrian Cultural institute's book prize in 1998. Marsha L. Rozenblit is the Harvey M. Meyerhoff Professor of Jewish History at the University of Maryland, College Park. She is the author of The Jews of Vienna, 1867-1914: Assimilation and Identity (State University of New York Press, 1983) and Reconstructing a National Identity: The Jews of Habsburg Austria during World War I (Oxford University Press, 2001).

Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists.Michael Cherlin is Professor of Music Theory, University of Minnesota.Halina Filipowicz is Professor of Slavic Literatures, University of Wisconsin, Madison.Richard L. Rudolph is Professor Emeritus, University of Minnesota.

Assessing the impact of fin-de-siecle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century...

Vienna's unique intellectual, political, and religious traditions had a powerful impact on the transformation of sexual knowledge in the early twentieth century. Whereas turn-of-the-century sexology, as practiced in Vienna as a medical science, sought to classify and heal individuals, during the interwar years, sexual knowledge was employed by a variety of actors to heal the social body: the truncated, diseased, and impoverished population of the newly created Republic of Austria. Based on rich source material, this book charts cultural changes that are hallmarks of the modern era, such as the rise of the companionate marriage, the role of expert advice in intimate matters, and the body as a source of pleasure and anxiety. These changes are evidence of a dramatic shift in attitudes from a form of scientific inquiry largely practiced by medical specialists to a social reform movement led by and intended for a wider audience that included workers, women, and children.

This collection of essays uses the framework of journeys in order to highlight the diverse artistic, cultural, and medical responses to a peculiarly Viennese anxiety about the madness of modern times. The travelers of these journeys vary from patients to doctors, artists to writers, architects to composers, and royalty to tourists...

The period of the baroque (late 16th to mid-18th centuries) saw extensive reconfiguration of European cities and their public spaces. Yet, this transformation cannot be limited merely to signifying a style of art, architecture, and decor. Rather, the dynamism, emotionality, and potential for grandeur that were inherent in the baroque style.

A few years after the Nazis came to power in Germany, an alliance of states and nationalistic movements formed, revolving around the German axis. Such an alliance, the states involved, and the interplay between their territorial aims and those of Germany during the interwar period and World War II are at the core of this volume.

This volume explores the nature and function of the coffee house in the social, cultural, and political world of fin-de-siecle Vienna. Just as the cafeserved as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna 1900.

This volume offers some answers through the case study of the relationship between two quite different states during the Cold War era - Austria, a small neutral country, and the United States, the reigning superpower. The authors challenge naive notions of cultural diffusion...

The historic myths of a people/nation usually play an important role in the creation and consolidation of the basic concepts from which the self-image of that nation derives. These concepts include not only images of the nation itself, but also images of other peoples.

Multiculturalism has long been linked to calls for tolerance of cultural diversity, but today many observers are subjecting the concept to close scrutiny. After the political upheavals of 1968, the commitment to multiculturalism was perceived as a liberal manifesto, but in the post-9/11 era, it is under attack...

Fin-de-siecle Vienna remains a central event in the birth of the century's modern culture. Our understanding of what happened in those key decades in Central Europe at the turn of the century has been shaped in the last years by an historiography presided over by Carl Schorske's Fin de Siecle Vienna...