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Bücher der Reihe Buchreihe Der Anglia / Anglia Book Series

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  • - Interdisciplinary Perspectives
     
    26,00 €

  • von Helmut Gneuss
    129,95 €

  • - Authorship, Antebellum Literature, and Transatlantic Rhetoric
    von Gero Guttzeit
    29,00 €

    The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

  • - The Humane Images of Modernism
    von Betsy van Schlun
    119,95 €

    Pool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, who at one point discovered film as another modern, experimental medium of artistic expression. Pool associated with almost all the iconic modernists of their time, with Ezra Pound, Gertrude Stein, Ernest Hemmingway, James Joyce, Marianne Moore, William Carlos Williams, T.S. Eliot, and Virginia Woolf, to name only a few. In addition, due to their interest in film, they were also befriended with such influential filmmakers as Sergei Eisenstein and Georg Wilhelm Pabst, and became closely associated with Weimar Berlin film culture.Pool unites classical Modernism and modernity, two directions that are usually considered to be contradictory. The Pool phenomenon opens a new perspective onto Modernism and prompts a reconsideration of its canonical texts and figures. Contrary to many artists of Modernism, who devised highly individualistic aesthetic styles, the artists of Pool strove towards a universal art of humanity that was rooted in all-human nature and psychology.

  • - From Mimesis to Metaphor
    von Erik Redling
    99,95 €

    The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

  • - Die Buhne des Politischen und des Wissens vom Menschen bei Wordsworth und Scott
    von Kai Merten
    134,95 €

    This book discovers the latent working of the theatre in British Romantic literature. It shows how two central writers, Wordsworth and Scott, were fascinated by theatre conceptions that could not be implemented on the British stage, and how they both addressed and practised this theatre in their own texts. The book works out the importance of the theatre both as a medium and as a discursive field to address aesthetic, political and epistemic questions around 1800. It proceeds to explore the failing implementation of this modern theatre in early dramas of Wordsworth and Scott and its continuing influence on their later works. Detailed analyses of Wordsworth's poetry and Scott's novels illustrate how both writers used the genres they chose to develop a specific form of textual theatre. Finally, the study shows how this theatre returned to the British stage to influence subsequent periods of theatre practice. This book, which also develops a new integrative model of intermediality, is relevant for everybody interested in British Romanticism or generally keen to learn about the fascinating relationship of literature and theatre.

  • - New Perspectives on Poetry and Genre
     
    99,95 €

    This volume negotiates the question of poetry and genre using individual case studies. It encompasses sections on the classifying, cultural, political, and medial aspects of this question. Conventional categories of genre are questioned and new categories are sketched out and assessed critically. The individual case studies relate to various genres, periods, languages, and literatures.

  • - Texts and the Transitionality of the Mind
    von K. Ludwig Pfeiffer
    99,95 €

    This book focuses on the tensions between processes of consciousness and their products like worldviews, theories, models of thought etc. Staying close to their technical meanings in chaos and catastrophe theory, chaotic processes are described in mainly neurobiological and evolutionary terms while products are delineated in their evolutionary logic. Given both a relative opacity of processes of the mind and of the outside world, the dramatic quality of the processes, a certain closeness to ¿hysterical¿ and ¿schizophrenic¿ tendencies and, within the context of the weakening orientating power of worldviews, an alarming catastrophic potential emerge.As a consequence, the book aims at a comparative cost-benefit analysis of the transitionality between ¿chaotic¿ processes of consciousness and the often ¿catastrophic¿ implications of their products within historical frameworks. The central thesis consists in the increasing failure in the orientation of action which cannot be contained by systems of ethics. Materials for this analysis are mainly drawn from texts normally called literary in which the tension between biographical and historical dimensions provides profiles of chaos and catastrophe.

  • von Barbara Straumann
    99,95 €

    The female performer with a public voice constitutes a remarkably vibrant theme in British and American narratives of the long nineteenth century. The tension between fictional female performers and other textual voices can be seen to refigure the cultural debate over the ¿voice¿ of women in aesthetically complex ways. By focusing on singers, actresses, preachers and speakers, this book traces and explores an important tradition of feminine articulation.Drawing on critical approaches in literary studies, gender studies and philosophy, the book conceptualizes voice for the discussion of narrative texts. Examining voice both as a thematic concern and as an aesthetic effect, the individual chapters analyse how the actual articulation by female performers correlates with their cultural visibility and agency. What this study foregrounds is how women characters succeed in making themselves heard even if their voices are silenced in the end.

  • - Language, Author and Context
     
    99,95 €

    Aldred's interlinear gloss to the Lindisfarne Gospels is a key text of late Old Northumbrian. In this title, the papers approach the gloss from a variety of perspectives to shed light on numerous issues, such as the authorship of the gloss, its morphosyntax and vocabulary, its sources and intertextual relations, and Aldred's cultural affiliations.

  • - Night, Darkness, and Illumination in Literature
     
    99,95 €

    Night and day, light and darkness, shape our world: light signifies life, knowledge and all that is good, while darkness suggests death, ignorance and evil. This title examines the interconnections of night and illumination across a broad range of literary texts.

  • - Interdisciplinary Essays
     
    99,95 €

    A collection that comprises essays from various interdisciplinary perspectives such as literary scholarship, intermediality, art history, psychoanalysis, philosophy, and narrative medicine to analyze and interpret the fictional and non-fictional works by Siri Hustvedt, an author who is recognized as one of the most widely read American writers.

  • - New Perspectives on Poetry and Genre
     
    25,00 €

  • - Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010)
    von Mirjam Horn
    110,00 €

    The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

  • - A Critical Approach to Contemporary Letter Narratives in Anglophone Fiction
     
    26,00 €

  • - Texts and the Transitionality of the Mind
    von K. Ludwig Pfeiffer
    28,00 €

    This book focuses on the tensions between processes of consciousness and their products like worldviews, theories, models of thought etc. Staying close to their technical meanings in chaos and catastrophe theory, chaotic processes are described in mainly neurobiological and evolutionary terms while products are delineated in their evolutionary logic. Given both a relative opacity of processes of the mind and of the outside world, the dramatic quality of the processes, a certain closeness to 'hysterical' and 'schizophrenic' tendencies and, within the context of the weakening orientating power of worldviews, an alarming catastrophic potential emerge.As a consequence, the book aims at a comparative cost-benefit analysis of the transitionality between 'chaotic' processes of consciousness and the often 'catastrophic' implications of their products within historical frameworks. The central thesis consists in the increasing failure in the orientation of action which cannot be contained by systems of ethics. Materials for this analysis are mainly drawn from texts normally called literary in which the tension between biographical and historical dimensions provides profiles of chaos and catastrophe.

  • - Late Capitalism, Power, and the Pataphysics of Resistance
    von Florian Cord
    29,00 - 110,00 €

    This book is the first sustained investigation of the political dimension in the work of J.G. Ballard. A product of and reaction to the cultural-socio-economic moment commonly designated as the postmodern condition, Ballard's oeuvre is read as a continuous and developing meditation on the postmodern, examining it specifically as an expression of late capitalism. The book shows that at the heart of this meditation lies the question of resistance. Drawing on a wide range of concepts and ideas taken from the field of critical theory, it argues that in the face of a world marked by an unprecedented expansion of capital, in which modernity's grand narratives have been invalidated and in which received forms of political struggle have lost their effectiveness, Ballard's fiction commits itself to a deliberately irrational and extreme, pataphysical thought in order to develop a new discourse of resistance. Against past readings that have construed Ballard's writing as non-political, decadent, or quietist, the study thus reveals Ballard as a thoroughly political author, committed to a subversive politics. In this way, the book also constitutes a timely intervention in the ongoing discussion concerning the nature and state of the political.

  • - Nineteenth-Century Cultural Concepts and Transatlantic Intellectual Networks
     
    110,00 €

    This study seeks to fill a major gap in the fields of Nineteenth-Century American and British Studies by examining how nineteenth-century intellectuals shape and re-shape aesthetic traditions across the Atlantic Ocean.

  • - Language, Author and Context
     
    37,00 €

    Aldred's interlinear gloss to the Lindisfarne Gospels (London, British Library, MS Cotton Nero D.IV) is one of the most substantial representatives of the Old English variety known as late Old Northumbrian. Although it has received a great deal of attention in the past two centuries, there are still numerous issues which remain unresolved. The papers in this collection approach the gloss from a variety of perspectives - language, cultural milieu, palaeography, glossography - in order to shed light on many of these issues, such as the authorship of the gloss, the morphosyntax and vocabulary of the dialect(s) it represents, its sources and relationship to the Rushworth Gospels, and Aldred's cultural and religious affiliations. Because of its breadth of coverage, the collection will be of interest and great value to scholars in the fields of Anglo-Saxon studies and English historical linguistics.

  • - Interdisciplinary Essays
     
    26,00 €

    This collection comprises essays from various interdisciplinary perspectives ¿ e.g. literary scholarship, intermediality, art history, psychoanalysis, philosophy, and medicine ¿ to analyze and interpret the fictional and non-fictional works by Siri Hustvedt, an author whose reputation and public presence have been growing steadily in the 21st century and who is recognized as one of the most widely read and appreciated contemporary American writers. In her significance and stature as a public intellectual, she is not merely an American writer but a transnational, cosmopolitan author, who develops new forms not only of literary narrative but of interdisciplinary thought and writing, bringing together otherwise separated genres and branches of knowledge in a broad spectrum between literature and philosophy, historiography and art, psychoanalysis and neuroscience, narrative and medicine. The present volume is structured into the parts ¿Literary Creation and Communication,¿ Psychoanalysis and Philosophy,¿ ¿Medicine and Narrative,¿ ¿Vision, Perception, and Power,¿ and ¿Trauma, Memory, and the Ambiguities of Self¿ and closes with an interview of Siri Hustvedt by Susanne Becker in which Hustvedt elucidates her personal conception of her own creative processes of writing.

  • - Reading Paratexts and Transpositions around 2000
    von Florian Sedlmeier
    91,00 €

    The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

  • - Discourse between Attacks and Authority
    von Sebastian Domsch
    110,00 €

    This study tries, through a systematic and historical analysis of the concept of critical authority, to write a history of literary criticism from the end of the 17th to the end of the 18th century that not only takes the discursive construction of its (self)representation into account, but also the social and economic conditions of its practice. It tries to consider the whole of the critical discourse on literature and criticism in the time period covered. Thus, it is distinctive through its methodology (there is no systematic account of the historical development of critical authority and no discussion of the institutionalization of criticism of such a scope), its material of analysis (most of the many hundred texts self-reflexively commenting on criticism that are discussed here have been so far virtually ignored) and through its results, a complex history of criticism in the 18th century that is neither reductive nor the accumulation of isolated aspects or author figures, but that probes into the very nature of the activity of criticism. The aim of this study is both to provide a thorough historical understanding of the emergence of criticism and as a consequence an understanding of the inner workings and power relations that structure criticism to this day.

  • - Ethics, Aesthetics, and Politics, 1680-1750
    von Christoph Henke
    123,00 €

    The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

  • - The Eucharist, Disguise, and Foreign Fashion in Early Modern Prose Fiction
    von Christina Wald
    123,00 €

    The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.

  • - Night, Darkness, and Illumination in Literature
     
    21,00 €

    Light and darkness shape our perception of the world. This is true in a literal sense, but also metaphorically: in theology, philosophy, literature and the arts the light of day signifies life, safety, knowledge and all that is good, while the darkness of the night suggests death, danger, ignorance and evil. A closer inspection, however, reveals that things are not quite so clear cut and that light and darkness cannot be understood as simple binary opposites. On a biological level, for example, daylight and darkness are inseparable factors in the calibration of our circadian rhythms, and a lack of periodical darkness appears to be as contrary to health as a lack of exposure to sunlight. On a cultural level, too, night and darkness are far from being universally condemnable: in fiction, drama and poetry the darkness of the night allows not only nightmares but also dreams, it allows criminals to ply their trade and allows lovers to meet, it allows the pursuit of pleasure as well as deep thought, it allows metamorphoses, transformations and transgressions unthinkable in the light of day. But night is not merely darkness. The night gains significance as an alternative space, as an ¿other of the day¿, only when it is at least partially illuminated. The volume examines the interconnection of night, darkness and nocturnal illumination across a broad range of literary texts. The individual essays examine historically specific light conditions in literature, tracing the symbolic and metaphoric content of darkness and illumination and the attitudes towards them.

  • von Claudia Olk
    20,00 - 74,00 €

    The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf's novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf's processes of composition, but her works create a kind of vision that is proper to the text itself - a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.

  • - Die Naturwissenschaften im Spiegel der 'science studies' und der englischen Literatur des ausgehenden 20. Jahrhunderts
    von Dirk Vanderbeke
    139,95 €

    Die vorliegende Arbeit beschaftigt sich mit den neuesten Entwicklungen im Verhaltnis von Literatur und Naturwissenschaft. Im ersten Teil findet eine kritische Auseinandersetzung mit den science wars statt. Eine besondere Rolle spielt dabei die "e;Rhetorik der Naturwissenschaften"e;, da hier auch die Literaturwissenschaft zum Tragen kommen kann. Dabei werden rhetorische Elemente in der naturwissenschaftlichen Sprache nicht als Beleg fur Mangel in der Erkenntnisfahigkeit kritisiert, sondern gerade auch Konzepte nutzbar gemacht, die die Erkenntnistrachtigkeit von Metaphern untersuchen. Daruber hinaus werden Aspekte aus der Gedachtnisforschung, der Rhetorik, der Kognitionsbiologie und der Evolutionstheorie dafur herangezogen, Fragen nach der Sprachentstehung und der Herkunft der anscheinend ubiquitaren rhetorischen und poetischen Elemente der Sprache zu beleuchten. Die Arbeit soll damit einen Beitrag auf dem Weg zu einer produktiven Interdisziplinaritat leisten. Im zweiten Teil werden derzeit gangige literaturwissenschaftlichen Positionen zur literarischen Verarbeitung neuerer naturwissenschaftlicher Themen behandelt. Im Vordergrund steht eine Kritik an der kategorischen Ablehnung von Einflumodellen, da diese nicht nur konzeptionelle Fehler aufweist, sondern auch dem Befund zuwiderlauft. Es folgen Untersuchungen von literarischen Texten, an denen sich nicht nur ein souveraner und kritischer Umgang mit naturwissenschaftlichen Themen zeigen lat, sondern auch eine imaginative Bearbeitung, die jeden Verdacht auf ein hierarchisches Gefalle oder eine Abhangigkeit von wissenschaftlichen Wahrheitsanspruchen unterlauft.

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