Bücher der Reihe China Perspectives

Focusing on the fundamental grammatical units and construction in modern Chinese, this title is the second volume of a classic on modern Chinese grammar by WANG Li, one of the most distinguished Chinese linguists.This volume discusses nine major grammatical components in modern Chinese: 1) copulas, 2) negation, 3) adverbs, 4) markers applied to indicate the features of words or phrases, 5) aspects that indicate the duration and status of events, 6) moods that help express the emotions in language, 7) modal tertiaries, 8) connectives and 9) relative tertiaries.Including a wide variety of examples and analyses, this book is a must-read for Chinese language learners, as well as researchers and students studying Chinese linguistics and modern Chinese grammar.

Focusing on substitution and numeration of modern Chinese, this is the third volume of a classic on modern Chinese grammar by WANG Li, one of the most distinguished Chinese linguists.In this volume, the author first introduces the different types of pronoun, such as personal pronoun, indefinite pronoun, resumptive pronoun, demonstrative pronoun and interrogative pronoun. Methods of numeration in modern Chinese are then delineated, encompassing such perspectives as cardinal number, ordinal number and numeration system of person, thing and behavior.Including a wide variety of examples and analyses, this book is a must-read for Chinese language learners, as well as researchers and students studying Chinese linguistics and modern Chinese grammar.

Focusing on the special forms and Europeanized grammar of modern Chinese, this is the final volume of a classic on modern Chinese grammar by WANG Li, one of the most distinguished Chinese linguists.This volume deals with the special forms in modern Chinese grammar, covering topics such as 1) reduplicated syllable, reduplicated words and opposite term, 2) incorporation, combination and idiom, 3) onomatopoeia and scene-painting, 4) repetition, 5) continuation and omission, 6) inversion and parenthesis and 7) interjection. The latter part of the volume concentrates on the changes in modern Chinese grammar resulting from the influence of Western languages, with the following aspects of Europeanized grammar being explored: 1) the coinage of disyllabic words, 2) the increase of subjects and copulas, 3) the extension of sentence lengths, 4) the Europeanization of potential forms, passive forms, markers and connective constituents and 5) new methods of substitution and numeration.Including a wide variety of examples and analyses, this book is a must-read for Chinese language learners, as well as researchers and students studying Chinese linguistics and modern Chinese grammar.

As the first volume of a three-volume set on the indigenization of Christianity in modern China, this book focuses on the presence of Christianity during the late Qing dynasty and the early twentieth century, discussing the early waves of Christian influence key watersheds in its history.Over the course of its growth in modern China, Christianity has faced twists and turns in its embedding in Chinese society and indigenous culture. This three-volume book delineates the genesis and trajectory of Christianity's indigenization in China over the course of the nineteenth and twentieth centuries, highlighting the actions of Chinese Christians and the relationship between the development of Christianity and modern Chinese history. In this volume, the author discusses early missionary works from both foreign missionaries and local churches, both of which were influential in rendering Christianity more present and influential in China and which paved the way for further indigenization. The book then expounds on the thoughts and practices of indigenizing Christianity prompted by historical events in the early twentieth century, including the independent movement of the Chinese Christian Church and religious reforms that were undertaken to reach greater accommodation with Chinese society.The book will appeal to scholars and students interested in the history of Christianity in China and modern Chinese history.

This book describes the history, present and future of China's animation industry. The author divides the business's 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective while providing a detailed introduction to representative works from the business.

This book describes the history, present and future of China's animation industry. The author divides the business's 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective while providing a detailed introduction to representative works from the business.

This book analyses the status quo and possible optimization of China's fiscal and taxation policies. By drawing comparisons with other countries, as well as a practical investigation into the lessons drawn from elsewhere, the author shows how a nation should make growing and optimized financial investments in science and technology.

The book intends to locate the process and effectiveness of cooperation in East Asia, to regard the construction of East Asian community as the ideal, the contradictions and difficulties in construction as the reality, and the actual development and achievement as the choice and effort between the two.

The book intents to locate the process and effectiveness of cooperation in East Asia, to regard the construction of East Asian community as the ideal, the contradictions and difficulties in construction as the reality, and the actual development and achievement as the choice and effort between the two.

As the first volume of a two-volume set that examines the interaction between social transformation and visual culture in contemporary China, this book explores the visual construction of popular culture, avant-garde art, and grassroots media culture.Drawing on an approach of Marxist historic materialism and academic resources of sociology, communication, and art, this study of contemporary China's visual culture emphasizes two inter-related aspects - the visual construction of society and the social construction of the visual. It seeks to unravel how visual culture is produced and constructed, as well as how it reflects the profound social transformation and reshapes people's understanding and experience of modernization. In this volume, the contributors revisit popular culture, avant-garde art, and grassroots media culture in contemporary China, analyzing the visual image and representation, and visual culture's role in social construction. In doing so, the book also reveals the cultural tension of contemporary China, in which the visual aspect figures prominently.This book will serve as an essential read for scholars and students of China studies and cultural studies, as well as all levels of readers interested in visual culture in contemporary China.