Bücher der Reihe Court Cultures of the Middle Ages and Renaissance

This collection offers a range of interdisciplinary viewpoints on the occupation of space and theories of place in Britain and Ireland in the medieval and early modern periods. The contributions consider space in both its physical and abstract sense, exploring literature, history, art, manuscript studies, religion, geography and archaeology.

This book is also available as a set, together with Volume I. Please visit www.peterlang.com/?431876. Patterns of Patronage in Renaissance Rome is the first full-length study of the life and works of Francesco Sperulo of Camerino (1463-1531). In a remarkable career during which the poet progressed from serving as a soldier of fortune in the service of Cesare Borgia to an Italian bishopric, Sperulo produced a significant body of Latin poetry, here presented in a critical edition for the first time. An impressive array of contemporary figures including Leonardo da Vinci, Isabella d'Este, Raphael and Baldassare Castiglione appear in his verse. By placing his work within the larger historical, literary, political and social context, this study, published in two volumes, sheds light on the role played by neo-Latin poetry at the papal court and documents the impact of classical culture in Rome during the period usually referred to as the High Renaissance Volume II presents a complete critical edition of all Sperulo's surviving Latin works in poetry and prose, with translation and commentary. This remarkable A uvre documents Cesare Borgia's conquest of Faenza, suggests to Raphael a programme for the fresco decoration of the Villa Madama, records conversations on love with Isabella d'Este, describes the newly-discovered antiquities and reports a sensational murder. Two orations, delivered on the eve of the Sack of Rome, celebrate a treaty between Spain and France and a Polish victory in the Crimean steppes.

The Economics of Poetry takes an innovative approach to the genre of Neo-Latin poetry, encompassing the entire process of poetic production, from composition and physical realization to the formal presentation to the honorand. This process was not predicated upon post-Romantic ideas of inspiration and originality, but rather upon the need to produce literary works in a timely fashion, often (though not exclusively) dependent upon the realities and exigencies of the contemporary political situation. Applying this approach across more than three centuries of literary production, this volume analyses the techniques employed and developed by authors all around the world to reduce the effort of poetic composition, streamline its production and facilitate its presentation when time was a crucial factor in success. To reveal the efficient techniques which authors employed in order to meet their deadlines, each essay focuses on a variety of works by the same writer and examines the full context of their production. The re-use and recycling of previous texts and rhetorical templates ¿ and even the re-dedication of previously presented manuscripts ¿ emerges as a central and essential modus operandi in response to the strict dictates of fast production.

This book investigates the meanings of the notion of friendship in the Renaissance. Each chapter highlights how authors of the time both drew on Greek and Latin paradigms of friendship and created new ones in both the public and private spheres. Authors discussed include Machiavelli, Montaigne, Thomas More, Erasmus, and more.

Lo studio rilegge il teatro in volgare del Quattrocento concentrandosi sulle corti padane di Mantova, Ferrara e Milano. L¿esame complessivo dei tre centri permette di «fare sistema», di delineare una storia unitaria delle rappresentazioni quattrocentesche, che alimentano le richieste elative, ideologiche, encomiastiche e politiche della committenza signorile. Partendo da una prospettiva ampia ¿ che tiene insieme letteratura, spettacolo e filologia ¿ si dà conto di uno spaccato avvincente, ma poco conosciuto, dell¿Italia rinascimentale. Il saggio opera altresì precise distinzioni tra opere di raffinata elaborazione ¿ che hanno svolto un ruolo di paradigm imprescindibile e sono da accogliere a pieno titolo tra i capolavori della civiltà letteraria quattrocentesca (in particolare l¿Orpheo, il Cefalo, il Timone, la Pasitea) ¿ e altre meno significative da un punto di vista estetico, ma organiche al progetto cortigiano. Infine, lo spazio privilegiato concesso alla fabula mantovana di Poliziano, che esercita sul teatro padano un¿attrazione assoluta, è segno di una precisa scelta storiografica: il libro descrive un panorama culturale davvero mosso nelle sue spinte progettuali, nei suoi laboriosi tentativi, tra ibridismo e duttilità, di confrontarsi con un nuovo genere letterario.