Bücher der Reihe Critical American Studies

What visual tropes of race, death, and motherhood tell us about citizenship.

Focusing on the role race plays in expressions of Chicano culture, this work is a provocative exploration of the volatility and mutability of racial identities. Informed by theoretical investigation of identity politics and race and incorporating feminist and queer critiques, the author analyzes Chicano cultural production.

How Latino autobiographical texts reconfigure identity in opposition to familiar notions of self

Why do modern people assume that there will be perpetual economic growth? Because, David W. Noble tells us in this provocative study of cultural criticism, such a utopian conviction is the necessary foundation for bourgeois culture. One can imagine the existence of modern middle classes only as long as the capitalist marketplace is expanding.

Although W. E. B. Du Bois did not often pursue the connections between the “Negro question” that defined so much of his intellectual life and the “woman question” that engaged writers and feminist activists around him, Next to the Color Line argues that within Du Bois’s work is a politics of juxtaposition that connects race, gender, sexuality, and justice.This provocative collection investigates a set of political formulations and rhetorical strategies by which Du Bois approached, used, and repressed issues of gender and sexuality. The essays in Next to the Color Line propose a return to Du Bois, not only to reassess his politics but also to demonstrate his relevance for today’s scholarly and political concerns.Contributors: Hazel V. Carby, Yale U; Vilashini Cooppan, U of California, Santa Cruz; Brent Hayes Edwards, Rutgers U; Michele Elam, Stanford U; Roderick A. Ferguson, U of Minnesota; Joy James, Williams College; Fred Moten, U of Southern California; Shawn Michelle Smith, St. Louis U; Mason Stokes, Skidmore College; Claudia Tate, Princeton U; Paul C. Taylor, Temple U.Susan Gillman is professor of literature at the University of California, Santa Cruz. Alys Eve Weinbaum is associate professor of English at the University of Washington, Seattle.

Examines the work produced in exile by writers of African descent. The author suggests that in the absence of a recoverable land of origin, the idea of diaspora comes to represent a home that is not singular or exclusionary. In this book, he investigates the work of Himes, Cliff, and three other twentieth-century black international writers.