Bücher der Reihe Earthworks

This anthology furthers this braiding with the work of four emerging Pacific islander women poets from Guam, Hawai'i, and Fiji. Despite their distant origins, all these writers explore culture, history, politics, genealogy, feminism, and the environment. They each have their own unique style, ranging from the lyric to the avant-garde.

A new selection of Rodolfo Alonso's poetry, translated into English for the first time.

This is a poetically charged work of autobiographical retrospection, speculative memory and an artistic alternative to common constructions of identity. The influences include traditional songs, ceremonial undercurrents, disparate landscapes, chemical vapors, relative longings and belief in the possibility of healing again, even after death.

Marco Antonio Campos, a multifaceted and internationally acclaimed author of over thirty books, is one of Latin Americas's key literary voices of the past thirty years.

Calling upon the personal memories and ancestral antecedents of her Anishinaabe family heritage, Molly McGlennen writes poems for Fried Fish and Flour Biscuits that render the continuance and celebration of the complex realities of Native American life in the 21st century.

In To World, poems interrogate everything: nature, society, and thought itself, with no prejudice or even principle. We are before thought in its totality, unwilling to recognize borders - although never in a pure state, not falling into speculation, into thinking just for thinking's sake.

Reasons for Writing Poetry is the first collection of verse to appear in English from the internationally acclaimed Peruvian poet Eduardo Chirinos. The poems, carefully chosen for this edition by the author and translator, reveal with simple eloquence how poetry may be written in today's world.

Appearing for the first time in English, Blue Coyote with Guitar and Other Songs, by renowned Mexican poet Juan Banuelos, creates an alternative poetics that rejects individualism, defies nationalism, and opts for the alterity of the most marginalized social subjects in modern Mexico.

The first collection of the poetry of Juan Calzadilla to be translated into English, Journal with No Subject spans eleven books published from 1962 to the present. This poetry denounces the dehumanization of modernity, appropriates surrealistic language, questions identity and poetry itself, and dissolves the coherent, autonomous subject.

Garden of Silica is the first poetry anthology of the Uruguayan Ida Vitale to appear in English, spanning eight books published from 1960 to the present. Her work seeks a balance between subjectivity and objectivity, privileges intellectual capacity above that of sentimentality, and requires an active reader.

dg nanouk okpik, Cathy Tagnak Rexford, Brandy Nalani McDougall, and Mahealani Perez-Wendt are four exceptional emerging poets. Their Pacific Rim relationship invited opportunity to publish these four chapbooks in one collected volume. A significant statement as to the changing state of the world, this collection is a rich pleasure.

Through detailed images of ancestors and wilderness places, through renderings of story, tribal history, and family ritual, award-winning Anishinaabe author Kimberly Blaeser explores our mesh of tangled origins.

This collection by Mohawk poet, James Thomas Stevens explores the effects of colonization on either side of the Bering Strait - China and North America. Three long poems focus on mapping, post-colonial emergencies and propoganda, while the short poems are personal experiences in China and Native America.

In Mother/Land, Savageau weaves traditional, personal and family stories, with stories of colonization and resistance, revealing a landscape of trees, ponds, rivers and mountains rich in meaning for Abenaki people.

Red Eagle's extraordinary book deals directly with Native American experience of the Vietnam war and offers a healing and redemptive force in the face of violence and its aftermath.

The Fork-in-the-Road Indian Poetry Store is the award-winning collection of Choctaw/Chickasaw poet, Phillip Carroll Morgan. The poems range across physical and spiritual geographies of the indidgenous Americas, translating ancient mythos into contemporary poetics.

This volume testifies to the need to protect the remarkable ruins of the Indigenous North American city of Blood Run and the sacred remains she guards there in mounded tombs. The persona poems herein emanate its character embraced in architectural accomplishment designed in accordance with the sun and moon and multitudes of stars above.

How to understand the voice lost between forest and city, which cries, "I am not wild, I am not human." What lies in the need to tame ourselves and others? These are the questions raised in Janet McAdams' Feral, the eagerly anticipated second collection by the American Book Award winning author of The Island of Lost Luggage.

This translation offers to English readers for the first time the splendid verse of imaginary American author Sidney West, created by Juan Gelman, one of the greatest living poets of the Hispanic world.

Written from a contemporary Cherokee, Queer and mixed-race experience, these poems confront a legacy of land-theft, genocide, and forced removal, and resist ongoing attacks on both Indigenous and Gay/ Lesbian/ Bisexual /Transgender communities.

This selection of Revard's work lets you hear duets of humpbacked whales and wine-throated hummingbirds. You can shoot craps in Las Vegas and see an ex-bank-robbing uncle get shot dead hijacking a shipment of bootleg whiskey. You can watch a swan become a soul, and track vanilla honey to a beehive on top of L'Opera Garnier.

Evidence of Red contains dramatic events of the creation of a people, interwoven with a haunting narrative of their lost homelands. Howe takes her readers through the chaos of lost lives and the cannibalism of fallen lovers, inviting readers into her world of Choctaw Code Talking.

Shortlisted for The Minnesota Book Awards 2006. Poems that consider and figure women's experiences of work, sex, pregnancy, childbirth, and mothering within the particular contexts of the prairie landscape, American Indian cultures and Ojibwe language recovery.

Fence is an epic of fragments that is at once beautiful and beautifully strange. In his exploration of the vast, frozen Svalbard islands, poet and geographer Tim Cresswell has created a kind of travel poetry whose taut, minimalist lyric synthesises subjects as diverse as history, politics and Arctic ecology.

Geography and language collide in Soil by Tim Cresswell. His poems delight in the strange, situated at the cusp of natural and urban. A fox climbs a London skyscraper; municipal trees are displaced from their mountain habitats; sandworts take root in abandoned mine shafts; geological time is glimpsed through the 'crushed structures' of the city.