Bücher der Reihe Ethnographic Alternatives

This text provides a foundational understanding of the writing process associated with innovative forms of ethnographic writing. It offers advice, examples, and exercises for every step in the ethnographic writng process, including field observations, notes, narrative development, and editing.

As a woman whose brand of feminism is suspect, Lesa Lockford places herself in the most shameful, the most abject circumstances: an image obsessed weight-watcher, an exotic dancer, and a theatrical performer. This experimental autoethnography provides a model to the ethnographer and rewards the student of gender studies with a rare perspective.

Explores the interplay between literary and ethnographic writing.

States that karaoke creates its own culture, while reflecting much about the wider culture and the place of popular music as a media form. This book presents an observation on the external behavior of deejays, performers, and audience and an intimate portrait of the emotional rollercoaster that is the internal life of a karaoke singer.

This is a study of a gay community, a narrative of personal development and change and an exploration of the use of friendship in conducting research. The study explores sexuality, marriage, lifestyles, and the meanings of friendship.

Education without ethics, without sentiments, without heart, is simply soulless, factual academics and nothing more. This work features essays that poetically evokes the spiritual aspects of life in a seemingly dispassionate field.

Collecting narratives of his grandmother's life, communication researcher NickTrujillo learns how family members use stories to define the family's sense of itself and create collective views on intergenerational relations, social history, gender, class, and ethnicity in this experimental ethnography.

By weaving together a life-histories approach to ethnography and with a concept of culture, the author presents an intimate and complex picture of Opportunity House, a highly functional community of mentally-retarded adults.

With an ethnographer's eye, Stacy Holman Jones provides a cultural critique of torch singing-describing the genre as a rich drama of passiveness, deception, desire, and resistance.

This volume brings together writers from a variety of disciplines to explore and illustrate the possibilities of new narrative forms in social research. The book is arranged into four areas of concern: representation, subjectivity, critique, and postmodern discourse.