Bücher der Reihe Irish Studies

Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived.

Mary Helen Thuente pushes the clock back, some fifty years, as she demonstrates in The Harp Re-strung that Irish literary nationalism actually began in the 1790s, with the United Irish movement, rather than in the 1840s, as has been generally accepted.

Yeats scholarship has remained largely embedded in traditional modes of critical theory. For the first time, this collection of original essays applies a wide spectrum of contemporary critical theories to major works in the Yeats canon, serving as models of how to read and work with Yeats from a postmodernist/poststructuralist perspective.

Since W.B. Yeats wrote that "the man of science is too often a person who has exchanged his soul for a formula", the anti-scientific bent of Irish literature has been taken as a given. This book brings together scholars to challenge the stereotype that Irish literature has been unconcerned with scientific and technological change.

Bringing together leading and emerging scholars from the fields of Irish studies and Jewish studies, this volume captures the most recent scholarship on their comparative history with nuance and remarkable insight.

Sheds new light on death and dying in twentieth- and twenty-first century Irish literature. The author examines the ways that Irish wake and funeral rituals shape novelistic discourse. She argues that the treatment of death in Irish novels offers a way of making sense of mortality and provides insight into Ireland's cultural and historical experience of death.

Suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century, this book examines the plays of five women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day.

In 1890, The Snake's Pass was published in serialized form in the periodical The People. As Bram Stoker's first full-length novel, The Snake's Pass is a heady blend of romance, travel narrative, adventure tale, folk tradition, and national tale. In this critical edition, Buchelt offers detailed and studied insight into both the novel and Stoker's life.

Frank McGuinness's Dramaturgy of Difference and the Irish Theatre

Offers an account of the evolution of the Irish tourist industry over the twentieth century. This book examines how a small group of tourism advocates, inspired by tourist development movements in countries such as France and Spain, worked tirelessly to convince their Irish compatriots that tourism was the secret to Ireland's success.

This work applies Mikhail Bakhtin's theory of literary discourse and the concept of ""carnivalisation"" to the work of Flann O'Brien. The author emphasises the political and social implications of the writings, arguing that O'Brien maintained a reflexive focus on language throughout his career.

This text is a comprehensive study of the ascendancy novel from Maria Edgeworth's ""Castle Rackrent"" (1800) to contemporary reinventions of the form. The author argues that Irish fiction needs to be rescued from the critical assumptions which underlie attacks on Yeats and the Literary Revival.

This work reads ""Ulysses"" from a number of different economic perspectives as it also moves toward an analysis of the role of the reader in the ""economics"" of interpreting Joyce's novel.

Offering a fresh perspective, this volume traces the rich history of the Irish American diaspora press, uncovering the ways in which a lively print culture forged significant cultural, political, and even economic bonds between the Irish living in America and the Irish living in Ireland.

In this collection, Joyce experts from around the world have collaborated with one another to produce a set of essays that stage or result from dialogue between different points of view. The result is a sequence of lively discussions about Joyce's most accessible and widely read set of vignettes about Dublin life at the turn of the century.

Considers the ways in which the Irish canon not only represents an ongoing awareness of trauma as a literary and cultural force, but also how this representation has shifted since the end of the twentieth and beginning of the twenty-first century.

The roots of many problems facing Ireland's economy today can be traced to the first two decades following its independence. This book is the first comprehensive study of industrial development and attitudes toward industrialization during a pivotal period, from the founding of the Irish Free State to the Anglo-Irish Trade Treaty.

An accomplished novelist, short story writer, and playwright, Richard Power (1928-1970) was most well-known for his 1969 novel The Hungry Grass. Gathered together for the first time, Power's subtle and poignant stories capture the daily lives of urban and rural dwellers in Ireland at the turn of the twentieth century.

Explores the contributions of a small group of Irish American women in the Gilded Age and Progressive Era who emerged as leaders, organisers, and activists. Profiles of these women suggest not only that Irish American women had a political tradition of their own but also that the diversity of the Irish American community fostered a range of priorities and approaches to activism.

Between the late 1890s and the early 1900s, the young Irish writer John Millington Synge journeyed across his home country, documenting his travels intermittently for ten years. This is the first comprehensive study of Synge's travel writing about Ireland, compiled during the zeitgeist of the preindependence Revival movement.

One of the most important Irish novelists of the twentieth century, Kate O'Brien (1897-1974) was also a pioneer of women's writing. In this highly original approach to O'Brien's work, Davison traces the influence of three leading Spanish writers - Jacinto Benavente, Miguel de Cervantes, and Teresa of Avila - on O'Brien's work.

Challenges the persistent assumption that the first decades after the Great Irish Famine were marked by a pervasive silence on the catastrophe. Discussing works by well-known authors such as William Carleton and Anthony Trollope as well as more obscure texts, Corporaal charts the reconfigurations of memory in fiction across generations and national borders.

In Irish fiction, the most famous example of the embrace of damnation in order to gain freedom is Joyce's Stephen Dedalus. His "non serviam," though, is not just the profound rebellion of one frustrated young man, but, as Brivic demonstrates in this sweeping account of twentieth-century Irish fiction, the emblematic and necessary standpoint for any artist wishing to envision something truly new.

A story of a woman finding her way in the disorienting 1960s after a girlhood tutored by nuns and inspired by the Holy Ghost, but on a deeper level, this is a story of a woman who has suffered unimaginable loss and attempts to make sense of that loss by re-imagining her past and her own heritage.

'Bridget' was the Irish immigrant service girl who worked in American homes from the second half of the nineteenth century into the early years of the twentieth. She is widely known as a pop culture cliche: the young girl who wreaks havoc in middle-class American homes. This book tells the story of such Irish domestic servants.

Maureen ORourke Murphy and James MacKillop survey 13 centuries of Irish literature, including old Irish epic and lyric poetry, Irish folksongs and a selection of 19th-century prose and poetry. For each author there is a biographical sketch, discussion of how his or her selections relate to a larger body of work, and a selected bibliography.