Bücher der Reihe Library of Southern Civilization

This story of the abduction of a free Negro adult from the North and his enslavement in the South--provides a sensational element which cannot be matched in any of the dozens of narratives written by former slaves. 'Think of it: For thirty years a man, wit all man's hopes, fears and aspirations--with a wife and children to call him by the endearing names of husband and father--with a home, humble it may be, but still a home...then for twelve years a thing, a chattel personal, classed with mules and horses....Oh! it is horrible. It chills the blood to think that such are.'

In one volume, these essentially unabridged selections from the works of the proslavery apologists are now conveniently accessible to scholars and students of the antebellum South. The Ideology of Slavery includes excerpts by Thomas R. Dew, founder of a new phase of proslavery militancy; William Harper and James Henry Hammond, representatives of the proslavery mainstream; Thornton Stringfellow, the most prominent biblical defender of the peculiar institution; Henry Hughes and Josiah Nott, who brought would-be scientism to the argument; and George Fitzhugh, the most extreme of proslavery writers.The works in this collection portray the development, mature essence, and ultimate fragmentation of the proslavery argument during the era of its greatest importance in the American South. Drew Faust provides a short introduction to each selection, giving information about the author and an account of the origin and publication of the document itself.Faust's introduction to the anthology traces the early historical treatment of proslavery thought and examines the recent resurgence of interest in the ideology of the Old South as a crucial component of powerful relations within that society. She notes the intensification of the proslavery argument between 1830 and 1860, when southern proslavery thought became more systematic and self-conscious, taking on the characteristics of a formal ideology with its resulting social movement. From this intensification came the pragmatic tone and inductive mode that the editor sees as a characteristic of southern proslavery writings from the 1830s onward. The selections, introductory comments, and bibliography of secondary works on the proslavery argument will be of value to readers interested in the history of slavery and of nineteenth-centruy American thought.

Born and raised in Greenville, Mississippi, within the shelter of old traditions, aristocratic in the best sense, William Alexander Percy in his lifetime (1885-1942) was brought face to face with the convulsions of a changing world. Lanterns on the Levee is his memorial to the South of his youth and young manhood.

Originally published in 1832 and revised in 1851, Swallow Barn, John Pendleton Kennedy's novel of antebellum life on a tidewater Virginia plantation, was described by its author as "variously and interchangeably partaking of the complexion of a book of travels, a diary, a collection of letters, a drama, and a history."

Investigates white supremacy as it emerged from the milieu of slavery, war, politics, and Reconstruction. Tourgee argues that organizations such as the Klan appealed to the mass of white southerners as a means of ameliorating their defeat and ensuring a measure of political control. A striking, contemporary look into the mind of the carpetbagger and the genesis of both the Ku Klux Klan and the political structure of the postwar South.

First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fiction. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war.

Two months before the Civil War broke out, Emma Holmes made the first entry in a diary that would eventually hold vivid firsthand accounts of several major historical events. In presenting her picture of the wartime South, Holmes discussed numerous military figures, the role of women in the war effort, and the religious and social life of the day.

The wife of South Carolina secessionist governor Francis W. Pickens, Lucy Holcombe Pickens, was one of the most famous women in the South. Rumour had it that she published a novel, "The Free Flag of Cuba" under a pseudonym. This text resurrects Holcombe's lost work.

First published in 1930, the essays in this manifesto constitute one of the outstanding cultural documents in the history of the South. In it, twelve southerners defended individualism against the trend of baseless conformity in an increasingly mechanised and dehumanised society.

A story of love, violence, and race set at the outbreak of the Haitian Revolution in 1791, African American writer Arna Bontemps's Drums at Dusk immerses readers in the opulent and brutal - yet also very fragile - society of France's richest colony, Saint Domingue.

Albion Tourgee published a succession of novels and stories which made him famous. Bricks Without Straw, one of his two best-selling novels, is not only a moving story but an important commentary on the Reconstruction process in the South. In his introduction, Profession Otto H. Olsen gives a comprehensive evaluation of the book and its author.

The Flush Times of Alabama and Mississippi, originally published in 1853, consists of twenty-six sketches and satires drawn from Joseph G. Baldwin's experiences as an attorney on the turbulent Mississippi and Alabama frontiers in the 1830s and 1840s. Like experiences, attempted to depict a lawless and colorful era in American history. Originally from Virginia, the author paints vivid and authentic portraits of shifty lawyers, unlettered judges, and inept prosecutors, as well as serious profiles of respected colleagues such as Seargent S. Prentiss. Even the narrator, we learn, is granted a license to practice law by a circuit judge who asks him "not a single legal question." One of the collection's most memorable characters is Ovid Bolus, whom Baldwin describes as a "natural liar, just as some horses are natural pacers, and some dogs natural setters." His adventures reflect Baldwin's fascination with the meaning of the law and the legal profession under the conditions that existed on the American frontier. James H. Justus' introduction places this new edition of The Flush Times of Alabama and Mississippi in its historical literary context. According to Justus, Augustus Baldwin Longstreet's Georgia Scenes, published in 1835, is the volume credited as the first to exploit the southern backwoods In the vernacular realism we now call the humor of the Old Southwest. Justus also notes that in the preface to his book, Baldwin indirectly acknowledges his familiarity with earlier writers, and one sketch, "Simon Suggs, JR.," specifically pays homage to Johnson Jones Hooper. The Flush Times of Alabama and Mississippi possesses enormous value for both literary scholars and historians. It remains a classic, not simply because it is sprightly social history, but because it is also an engrossing memoir by a man of uncommon subtlety of mind who projected his own sensibility into the record.

Explains how the radical religiosity of both Flannery O'Connor's and Walker Percy's vision made them so valuable as southern fiction writers and social critics. Via their spiritual and philosophical concerns, these two authors bequeathed a postmodern South of shopping malls and interstates imbued with as much meaning as Appomattox or Yoknapatawpha.

This journal records the Civil War experiences of a sensitive, well-educated, young southern woman. Kate Stone was twenty when the war began, living with her mother, brothers, and younger sister at Brokenburn, their plantation home in Louisiana. Without pretense and with almost photographic clarity, she portrays the South during its darkest hours.

For seven months in 1880, Lafcadio Hearn amused the readers of New Orleans with his wood-block 'cartoons' and accompanying articles, which were variously funny, scathing, surreal, political, whimsical, and moral. This book collects, for the first time, all of the extant satirical columns and woodcut illustrations published in the Daily City Item.